Current location - Plastic Surgery and Aesthetics Network - Clothing company - What are the judgments and analysis of twelve women in Jinling in A Dream of Red Mansions?
What are the judgments and analysis of twelve women in Jinling in A Dream of Red Mansions?
The judgment and analysis of the twelve women in Jinling in A Dream of Red Mansions are as follows:

First, the trial book.

Painting: two dead trees with a jade belt hanging; Another pile of snow, with a golden hairpin under it.

Judgment: It's a pity to stop working, but it's a pity to praise talents. The jade belt hangs in the forest and is buried in the snow.

Life-long mistake: All roads are good marriages. I only saw the Mushi Qianmeng. Facing the sky, the nobles in the mountains are glittering and translucent with snow, and they will never forget the lonely forest on earth. Sighing about the world is a fly in the ointment. Even in the case of Qi Mei, its significance is hardly flat.

These two poems are all about the love tragedies of Baoyu, Baochai and Daiyu. "Xiude" refers to Baochai, which comes from the story that the wife of Yang Le, the son of Yan State, stopped knitting to persuade her husband to seek fame and virtue. A woman who meets the feudal moral standards is called "shutdown virtue", and here is to praise Baochai.

"Braving Xu Cai" refers to the talent of female poetry. Cai, the allusion used. Xie An's Poems on Snow Day: What is snow like? His nephew Xie Lang said: The difference between sprinkling salt and air can be simulated. Xie Daowen, his niece, said, "If catkins are not blown by the wind. Later generations praised the woman who was good at poetry and songs as a "talented person", meaning that Daiyu should be pitied.

"Jade belt hanging in the forest" refers to "Lin Daiyu" in turn. A good belt of feudal bureaucrats has been reduced to hanging on a dead tree, which is a portrayal of Daiyu's neglected talent and tragic fate. "Golden hairpin burying snow" means that Xue Baochai is buried in the snow like the golden hairpin in the picture, which is also inappropriate, suggesting that Xue Baochai is bound to be left out in the cold.

Facing the sky, the nobles in the mountains are glittering and translucent with snow, and they will never forget the lonely forest on earth. It implies that although Baoyu finally married Baochai, his heart will always be with Daiyu, and Baochai can't get rid of her tragic fate. Among them, Today's Liang Yin, Snow Crystal and Qi Mei Juan all refer to Baochai, and Meng Qian Mu and Lonely Forest all refer to Daiyu.

Second, the official verdict of Yuan Chun.

Painting: A bow with citron on it.

Judgment: In the past 20 years, judging right and wrong, where pomegranate flowers shine in the palace. Three spring fights with spring scenery, and tigers and rabbits meet and dream back.

Hate impermanence: I like prosperity just right, but I hate impermanence. Look, throw everything away. Idle wandering consumes the fragrant soul. Looking around, the road is long, and the mountains are high. So, I told my parents in my dream: My son's life is in the grave, and my family needs to step back and leave early!

These two poems are about Yuan Chun. Yuan Chun doesn't appear much in A Dream of Red Mansions, but he is a force that can manipulate Jia's fate behind his back. In front of the verdict, "draw a bow with citron hanging on it" (the word "palace" homophonic with the bow means it is related to the court; Citron, a plant called bergamot, is pronounced yuán). Yuan Chun is the eldest miss of Jia family and the eldest daughter of Jia Zheng.

Because of her virtue and filial piety, she was elected to the palace as a female history (female official name). Later, she was named "Fengzao Palace Shangshu" and "Xianfei" by Jin, and she was the highest-ranking woman. Jia Jiaxuan's influence depends not only on his ancestors' fame and fortune, but also on the important relationship of his family's "Emperor and Mother". "Twenty years" is about the age since Yuan Chun became sensible.

From the aristocratic family to the court, she experienced many political ups and downs. Pomegranate blooms in the courthouse, symbolizing the glory of Yuan Chun. In order to go back to my mother's house, a magnificent Royal Grand View Garden was built, and the grand occasion when I came home during the Lantern Festival was unparalleled.

The third sentence says that the fate of welcoming Spring, exploring Spring and cherishing Spring can't be compared with that of Yuan Chun, but the ending of Yuan Chun is not good either. The fourth sentence says that she will die at the turn of the yin (tiger) hair (rabbit)! The first three sentences greatly exaggerate the glory of Yuan Chun, and suddenly one sentence falls and makes you break out in a cold sweat. When Yuan Chun died, the patron fell down, and this aristocratic family that has experienced a hundred years will soon fall apart.

Although there are few opportunities for Yuan Chun to appear in the book, her existence is closely related to the rise and fall of this big family. The latter poem, Hate impermanence, has a similar meaning to the previous poem, in which Yuan Chun's comments and exhortations are added.

Third, the official judgment of the Spring Festival.

Painting: A bad wolf chasing a beautiful woman-the meaning of desire.

Judgment: My son is a Zhongshan Wolf, and he will be mad if he succeeds. Golden boudoir flowers and willows, a burden to fight.

Friends and enemies: Zhongshan Wolf, ruthless beast, completely forgetting the reason of the day, blind arrogance, lust and greed. Look, the Houmen banquet is as beautiful as Liu Pu; For practitioners, government money is as obscene as money. Sigh fragrant soul? It has been a long time.

These two songs are all about the Spring Festival, suggesting that the ultimate fate of the Spring Festival is "Golden boudoir and willow quality, I will go to Huang Liang for a while." And who forced Yingchun to die? It is called "Zhongshan Wolf" in the poem. According to the last forty chapters of the book, Sun Shaozu forced Yingchun to die. In the first sentence "Son is a Zhongshan Wolf", the word "son" combines the traditional Chinese character "Sun" and refers to Sun Shaozu, Yingchun's husband.

"Zhongshan Wolf" uses the allusions of "The Biography of Zhongshan Wolf" to describe a cruel and ungrateful person. Here is a metaphor for the cruelty of Yingchun's husband. "If you succeed, you will be crazy." When you are proud, you will do evil and run amok. On one occasion, when Sun Shaozu was in trouble at home, he jumped out of the house and begged for help. Later, Sun Shaozu attacked Beijing's official position.

Also "the Ministry of War is short of questions" and has become a "nouveau riche". After the downfall of the Jia family, they forced debts and trampled on the Spring Festival. The meaning of the latter word is the same as that of the previous one, and it is more an accusation against Sun Shaozu in the tone of welcoming the Spring. Yingchun is the daughter of Fu Rong's gentleman Jia She. She's beautiful. Although she has no talent, she is pure and kind-hearted

Because of cowardice and being the second child, he is called "Ermu". After Yingchun got married, she was abused and tortured to death within a year.

Fourth, explore the spring of formal judgment.

Photo: Two people fly kites, a sea, and a big ship. There is a woman on board, hiding her face and crying.

Judgment: I am smart and ambitious, born in the last days. Qingming tears are sent to the riverside to see, and Dongfeng dreams.

Divide the flesh and blood: sail three thousand miles through the storm and throw the flesh and blood home together. I'm afraid crying will damage my old age. I'll tell my parents to have a rest. Poverty has been fixed since ancient times, and there is no chance of clutch. From now on, we will be divided into two places, each keeping safe. I want it back, don't get involved.

These two poems are about Tanchun. Tanchun was born to Jia Zheng's little wife, Aunt Zhao. She is the third of Jia's four sisters and the cleverest and most talented. Once, I wrote that she managed a section of Grand View Garden on behalf of Xifeng, and managed such complicated affairs in an orderly way, showing unusual talent and being almost as smart as Xifeng.

Under the influence of feudal thought, she was ashamed of being a concubine. In addition, Aunt Zhao is humble and simply refuses to recognize her as a mother. She and her sister Ying Chun are just the opposite of cowardice, and they are called "roses", which are bright and prickly. In the copy of the Grand View Garden, she dared to hit the old lady's flower protector Wang Shanbao in the mouth! How delightful!

Xi- feng humiliated Aunt Zhao at will, but did not dare to look down upon this outstanding daughter, and even "feared her by five points" to show his respect. With the end of the family, the fate of such a talented and beautiful young lady is equally sad. She married in a foreign land at a young age, and it was a long way, and she cut off contact with her family.

In the picture before the verdict, there are two people flying kites, and there may be a girl who married her. Because Cao Xueqin didn't write a complete book, I don't know who wrote it. "Be smart, be ambitious". It means that she is ambitious, smart, sober and sensitive, and will not be blinded by wealth. It's a pity that she was born at the end of the Jia family and is about to decline.

Unfortunately, "talent" and "ambition" can't be brought into play. "The riverside scene on Qingming Festival, a thousand miles away from the east wind" means that Kong Chun will marry the frontier, like a kite with a broken line, and leave by boat when he gets married. The word "Qingming" in the sentence indicates that she will be married in another country during the Qingming Festival. Just like the woman in the painting, she will "hide her face and cry" on the river side of the boat, bid farewell to her parents and family, and only reunite with her family in her sleep.

Fifth, the precious spring of official judgment.

Painting: An ancient temple, in which a beautiful woman sits alone.

Judgment: It didn't take long to break through the three spring scenes, and the clothes were replaced with the makeup of the previous year. The daughter of a poor rural family lies alone beside the ancient statue of Deng Qing Buddha.

Xu Huawu: How about exploring those three springs? Knock out youth and find a bright sky. Say what, the sky is full of peaches and the sky is full of apricots? Who survived the autumn? Look, people in baiyang village are sobbing, and ghosts are singing under the green maple forest.

What's more, even the sky fades, and the grass also covers the grave. What's more, the poor and the rich worked hard yesterday, and the spring and autumn flowers withered. Like this, who can escape life and death? According to the news, the precious trees in the west are called whirling trees with lasting fruits.

These two poems are written about Xi Chun. The implication is obvious, that is to say, Xichun's final outcome is becoming a monk. Xichun is the daughter of Jia Jing, the capital of Ningguo, and Jia Zhen's sister. She is the youngest of Jia's four daughters. Since she was a child, she hated the world and longed to be a nun. At that time, she loved to play with the little nun in Shantou, and later she became friends with Miaoyu.

Cherish the spring to see the empress elder sister Yuan Chun was killed by an arrow in her short life, the second sister Yingchun was tortured to death soon after she got married, and the third sister Tan Chun was married to a foreign country without any news, so she "sees through the world of mortals" and decided to become a monk. According to Zhi Yanzhai's comment on writing, if she wants to have the experience of "begging" in the future, she will have to beg along the street for a living, which is really pitiful.

The first sentence of the judgment, "three springs are not long", is a pun. Literally refers to the end of spring, that is, the end of spring, so it is not long. In fact, it refers to the experiences of Xichun's three sisters, namely, Yuan Chun, Yingchun and Tanchun, so the prospect is not long. The second sentence, "Yidun has put on makeup for a year", refers to the black clothes worn by nuns.

Xichun saw from the experience of the three sisters that the days of the feudal ruling class were not long, and she was determined to get rid of the secular and escape into an empty net. The third and fourth sentences, "Poor embroidered maid, lying alone beside the ancient Buddha", especially point out that Miss Jia's family finally became a nun, no longer the daughter of the government, and lived a life of "naked and hungry".

Of course, "begging" here is not necessarily begging like a beggar, but life is hard and the fate of displacement is hard to escape.

A Brief Introduction to A Dream of Red Mansions:

A Dream of Red Mansions is an ancient Zhang Hui novel by China and one of the classical Four Great Classical Novels in China. It has 120 chapters. It is generally believed that the first eighty chapters were written by Cao Xueqin, a writer in Qing Dynasty, and the last forty chapters were supplemented by Gao E, a writer in Qing Dynasty. The novel takes the rise and fall of Jia, Shi, Wang and Xue as the background, Jia Baoyu, a rich son, as the perspective, and the love and marriage tragedy between Jia Baoyu and Lin Daiyu and Xue Baochai as the main line.

It depicts the life of a group of boudoir beauties, whose manners and knowledge exceed the needs of men, and shows the true beauty of human nature and tragedy. It can be said that it is an epic work that shows the beauty of women and various social conditions in ancient China from all angles.