The reason for the creation of apricot blossom and sky shadow is this. When Jiang Kui passed Nanjing by boat in Hankou, he faced a piece of Wang Yang. When he saw this scene, he felt homesick. The object of lovesickness is a pair of singer sisters in Hefei, who once regarded them as bosom friends and had an affair. I think how passionate and sentimental they used to be, but now only distant boats are drifting in unknown places. Yingying Yan Yan of Jinling Road is addicted to the songs and dances in her hometown, but the lost local accent is not as long as that of the frolicters. When he left them, he was so lonely in the water. When they came to see him off, they held hands and looked at him with tears in their eyes. I don't know when they will meet again. Relying on orchids, I was deeply moved by the sight. I want to say, I want to rest, go or stay. I wander around and I don't know where to live. It's a thousand times. So shy and sad.

And this piece of music is full of twists and turns, stretching wide sleeves and dancing lightly all over the sky. The sadness, expectation, resentment, aftertaste and loss sung in the song are all in my heart. It takes a lot of skill to send it away carefully and wait for a look back gracefully to get such an emotional appeal. Moreover, this is the music of the Song Dynasty, and the scale mode used is not only pentatonic, but also many semitones, and the interval changes are very rich, which is left over from the culture contained in the Tang Dynasty, while only the stiff pentatonic is left in the Ming and Qing Dynasties. Think of such a dynasty, restore a lovesickness, fresh and shy, affectionate, how beautiful and natural.