Playing waist drum is generally performed by a team composed of many people. During the performance, the actor hangs a small drum obliquely around his waist, holds a drumstick in both hands, and beats the drum with the accompaniment of gongs and drums and suona. Its movements, sometimes prancing and jumping, are passionate and unrestrained; Sometimes patting is slow, gentle and dexterous.

Its formation, sometimes a long dragon, sometimes a square, changes in an orderly manner, and the pace is neat. Young actors, in particular, are very devoted and full of masculinity in their performances, and often win applause from the audience.

2, playing waist drum skills:

Waist drum dance, also known as "beating the waist drum", is one of the forms of folk dance. Folk dances popular in northern Shaanxi before liberation were mostly performed during the New Year, and sometimes yangko teams were inserted to dance with them. After liberation, it was almost all over the country. In the early 1950s, it was a popular group dance in the whole province.

Performers have a dozen or dozens of waist drum players, half male and half female, and several people are equipped with double cymbals and small drum bugles. The waist drum wears a cloth at hand, a white or green double-breasted coat on the upper body, colored trousers and a tie on the lower body, and a simple makeup on his face, which looks like a brave man.

This woman is wearing a headscarf and colorful clothes. The waist drum used is about 1 ft long and 5 inches in diameter. When performing, the waist drum is tied to the drummer's waist. Drummers hold drumsticks, open their bows left and right, sometimes hitting the side and sometimes hitting the face, and at the same time changing various formations, performing skills such as running, jumping, jumping, throwing single fork and throwing double fork.

Extended data:

Style characteristics of waist drum:

1. Express the dancer's inner passion through the change of dynamic rhythm. Dancers can't help shaking their heads and shoulders slightly when beating drums, so that inner feelings and external movements can be organically combined to achieve harmony and freedom.

2. Dancers have a strong sense of drumming. Whether it's an upper play, a lower play or a waist play, you should open the drum with both hands. But although it is cruel but not barbaric, it looks tall and straight, and there is still a delicate feeling in its fierce power.

3. When kicking, whether it is a big kick, a small kick or a kick, you must have a "brute" strength. The rhythm is cheerful and difficult, which represents the bold and vigorous style of the waist drum.

4. The key of waist drum performance is drum and rotation. In the dance, when doing the squat kick, there must be a turn, and this turn must be very fierce. Especially when doing a combination of jumping, landing, turning and starting, it is necessary to use fast and fierce power in a fixed beat to complete the change and convergence of movements.

5. The dynamic law is complex and the jumping range is large. With the acceleration of the performance rhythm, the dance steps began to kick and jump in a complicated way, and the range of body swinging from side to side increased. For example, when doing such actions as "looking up with a horse stance just look", "turning around" and "looking up with a horse stance just look", the dancer lunges backward twice, then strides forward with his left leg and forcefully pushes his right leg to the ground, showing a state of tenacious struggle.

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