This song is written in the form of Rondo, and the structure is in the form of Abaka. A is the overlapping part of the whole sketch, and B and C are two inserts. Part A has three short sentences, ***22 (not counting the two copies of the original), part B is divided into two short sentences, *** 15, and c can also be divided into two short sentences, ***22. The whole song is not repeated *** 103.

There are three overlapping parts before and after, which is the basic theme of the whole song. There are always 22 bars (excluding repetition), and the internal structure presents the characteristics of reproducing a single trilogy. The presentation part has eight bars and consists of two parallel phrases with four bars. Sentence A uses A minor, which is a melody from top to bottom, and its intensity begins to change from weak to strong, and the overlapping part presents obvious contrast color. And ended with a complete termination. The next B is changed from A minor to C major, and the structure is short ***6 bars. This is a melody that falls first and then rises. And prepare the reproduction part with the subordinate e in a minor. The reproduction part returns to A minor, and it is basically reproduced as it is.

People like to call the music dedicated to Alice "insignificant music". However, this insignificance reflects Beethoven's strong creative idea of embodying his personal style and his unique creative thinking. There are other kinds of originality in music, which all show the consistent rigorous spirit in Beethoven's creation. Therefore, although Dedicated to Alice is only a short work with a playing time of more than 3 minutes, it can also be said that it is a concentrated work of Beethoven's music creation, which also permeates his spiritual expression. ?

The harmony technique used in Dedicated to Alice embodies Beethoven's style as a composer connecting the past with the future, which truly reflects Beethoven's consistent creative style and still has an indelible influence on later generations.