(1) Narrator describes what can be seen directly on the screen of the work, regardless of its meaning and value judgment for the time being. There are two differences here: first, for realistic works, it is necessary to indicate what things are drawn, such as people and animals. The other is abstract works, which should point out the main shapes, colors and so on. That is, what is the direct feeling of the work to the analyst.
(2) Analysis: Analysis mainly refers to image analysis, that is, to discuss the modeling relationship of a work, including the interdependence of various modeling and their modes of action, the treatment of color tones, the creation of space, and the application of composition principles. That is, how the work makes analysts feel this way.
(3) Interpretation: Interpretation is to speculate on the meaning of the work, or to explore the ideas that the artist wants to express through the work, that is, what the work wants to express.
(4) Evaluation: Evaluation is to compare and analyze the merits of a work within a range. The overall comparison should be carried out in a fairly wide range as far as possible, not limited to a certain genre or trend of thought, and then pay full attention to whether there is a sense of coordination and unity between the form and the expressed content, that is, why the work makes you feel good. The composition problem in the analysis of artistic works is a point that needs special emphasis.
Extended data:
The analysis of works of art is not only an activity of visual perception, but also an activity of understanding the image and connotation of works. Only by combining the rational analysis of aesthetic perceptual feelings can we have a thorough and complete grasp of the connotation of the work and achieve a profound grasp of the connotation and significance of the work.
An analyst's analysis of a work of art is usually not accomplished overnight, but through a process of repeated feeling, experience, appreciation and comprehension, until he can fully grasp the form and content of the work and gain a high-level analytical feeling, thus highlighting his unique and prosperous analytical ability. ?
In short, when analyzing works of art, we should not only grasp the form and image of the works from the visual feeling, but also appreciate and understand the connotation and significance of the images given to the works by the artists. We should not only pay attention to our own appreciation, but also mobilize our own association and imagination for rational analysis, so as to obtain a unique aesthetic comprehension.