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I'm not afraid of anything. I'm afraid that hooligans will play with culture. I want the next couplet.
I'm not afraid of anything. I'm afraid that hooligans will play with culture.

The first part: I am not afraid of anything, I am afraid that hooligans will play with culture; Bottom line: I don't worry about the moon every day, only the hooligans who play soy sauce.

The first part: I am not afraid of anything, I am afraid that hooligans will play with culture; Bottom line: Leave me alone, just take care of the gentleman who picks wild flowers.

The first part: I am not afraid of anything, I am afraid that hooligans will play with culture; The second part: don't worry about food and clothing, for fear that the rich will pretend to be poor.

The first part: I am not afraid of anything, I am afraid that hooligans will play with culture; Part II: The most outstanding scholar is a fighter.

Extended data:

As a unique literary art that is compatible with folklore, literariness and artistry, couplets constantly absorb folk nutrients and other literary and artistic essences in the process of germination, gestation, development and dissemination, and in the process of enriching and expanding themselves, they transform the absorbed and digested spirit and material into a return to society, which has a far-reaching impact on society.