Basic Introduction Chinese Name: Nationality: Qing Dynasty Nationality: Native place of Han nationality: Jingui, Jiangsu (now Wuxi) Date of birth: 1759 Date of death: 1844 Occupation: writer, calligrapher and scholar Major achievements: representative works of tomorrow song (ancient prose): walking in the garden, talking about poetry, formerly known as. : The ancestor of Tai Xian: Qian Hetan, characters experience, his influence and works, and a brief introduction to characters experience. Qian Yong (1759- 1844) was a scholar and calligrapher in Qing Dynasty. Word Liqun, word Meixi,no. Meihuaxi laity, from Xizhuang Bridge in Taibo Township, Jingui County (now Xizhuang Bridge in Houzhai, hongshan town, Wuxi City).
Qian Yong is the grandson of Wu Yue Wang Wusu. In the early days of Song Jianyan, his ancestors fled from China Southern Airlines to Taizhou, then moved to Houshan, Wuxi, Baoqing, and moved to Taibo Township, Jingui County in the Ming Jiajing period. Great-grandfather anthology (male), grandfather (Shao Meigong), father Yue (Jin). Qian Yong lived in Qianlong, Jiaqing and Daoguang Dynasties, and was a famous scholar in Wuxi in the middle of Qing Dynasty. Qian Yong has been very clever since he was a child. At the age of five, he could write regular script, and at the age of eight or nine, he became a seal official, learning ancient books from his father. /kloc-when he was 0/4 years old, he got a batch of rubbings of Han and Wei inscriptions in Suzhou and copied them day and night. Later, he was guided and discussed by retired judges such as Jin Zujing, Sun Yuanru, Hong Weicun, Feng Yushan, Zi Ling, Xu Langzhai, Cheng Junfa, Fan Shi and Qin Xi who were engaged in calligraphy and poetry, and made great progress in literary calligraphy. 17 years old, traveled to Wumen, then took the exam, left home and made a living in a private school (library). In the fifty years of Qianlong (1785), 27-year-old Qian Yong was hired into the shogunate by Bi Yuan, the governor and minister of Henan province. Qian Yong collated the book "Zhongzhou Jinshi Ji" and tasted a number of paintings and inscriptions. In the fifty-sixth year of Qianlong (179 1), Qian Yong was hired to compile county annals in Shaoxing, and at the end of the following year, he went to the north to visit ancient times. Qian Yong saw some famous inscriptions in Jining, Shandong Province, and met eleven sons of Qianlong, who became Prince Yong. Yong Xun was ordered to engrave "Zhi Zhi Jinzhai Post" and Qian Yong went to Beijing to publish it.
Qian Yong's mother Hua Taian lived in Changshu and fished everywhere. Her stepmother died. He moved to Wengjiazhuang, from his ancestral villa, and lived in the fifth phase of Wengxin Village, a college student in Changshu Tirenge. Later, Qian Yong built the Jing Lou, imitating the stone sutras of Korea and Cai Yong to write filial piety, Analects of Confucius, universities, the doctrine of the mean and carved stones. Ethnology also hid the carved stones of Han and Tang Dynasties in Yushan Stone Room. Qian Yong also wrote many inscriptions, which were widely circulated in Jiangsu and Zhejiang provinces, and later spread to neighboring countries such as North Korea, Japan, Zhongshan and so on.
Qian Yong is also good at water conservancy. At the age of 70, he was hired by Zhang Jing, the governor of Nanhe River, to help plan water conservancy projects and put forward a set of insightful and constructive suggestions. Later, he submitted a short article entitled "Quickly Repairing the Three Wus Water Conservancy to Benefit the Country and the People's Fields", demanding that the tributaries of Taihu Lake be dredged to ensure the civilian fields around Taihu Lake. At the age of 80, he sent books such as "Full Map of Seven Provinces' Sea Roads" and "Smoke, Sea, Stone and Water" to Songjiang Prefecture, caring about the country's water conservancy construction.
I have made a lot of friends in my life, and met many celebrities, such as Weng Wengang, Wang Chang, Hong, Zhang Xuecheng, Yuan Zisui, Bao and other scholars.
Qian Yong's works are rich, including more than 30 kinds, such as Notes on Literary Knowledge, Watch for New Books, Notes on Kingdom Stone, Notes on Gardens, Notes on Morality, Miscellaneous Notes on Going to the Building, and Examinations on Tiejuan, all of which have been published. These works are of great reference value for future generations to study epigraphy, literature and history, natural science and so on.
Qian Yong was originally from Hua 'an, a native of Daijiawan, north of Wanshan, Changshu. Giving birth to a child is magical and auspicious. Following the match with Wu Ru, children will live longer and become richer. In the 24th year of Daoguang (1844), Qian Yong died at the age of 86, and Daoguang was buried in Wanshan, Changshu on September 22nd, 26th. Weng Xincun, a college student in Changshu Sports Museum, wrote an epitaph for him. Qian Yong and Notes of the Ming and Qing Dynasties Notes of the Ming and Qing Dynasties can not be separated from Qian Yong's "The Garden". This ancient note is famous for its rich content, informative materials and fluent writing. The book is divided into 24 volumes, covering laws and regulations, astronomy and geography, epigraphy and archaeology, cultural relics, calligraphy and painting, poems and novels, social anecdotes, anecdotes of people, customs and people's feelings, cautionary sayings, jokes and dreams, ghosts and gods and many other aspects. All-encompassing and spectacular. In his later years, Qian Yong lived in seclusion in the garden. "In my spare time, I heard a lot and wrote a note for myself", mocking myself as "a pen to send sorrows and joys". He wrote the preface to Talk in the Garden in July of the eighteenth year of Qing Daoguang, at the age of eighty. Water control must rely on hands, not on one thing, on anecdotes and trusting others. There are high and low levels of land cover, rapids, shallow reservoirs and twists and turns. If you don't know the situation, you won't be exhausted without consulting. So, you have to do your best to die. In the past, Jiezhi River in the sea, dressed in robes, braved the rain to catch the wind, traveled back and forth between abandoned villages and wild waters, gave money to grain without deducting a penny, and never asked for a penny from the official clothes. This must be the case before it can be done. Love idleness and hate labor, forget righteousness for profit, avoid resentment for fear, then things are not lifted, and water conservancy is not prosperous. Selected from "deer park and snow" The imperial examination said that he retired to Li, which means that he was far away from his hometown when he was young and traveled in a foreign land for many years, covering Zhili, Shandong, Henan, Hubei, Jiangxi, Anhui, Zhejiang, Fujian and other provinces. It was fifty years before he returned to his hometown to live in seclusion. Usually, the retirement mentioned by scholars means that officials are old and sick, can't be officials, and go home to support the elderly; Or honest and energetic, don't bend over for five buckets of rice, run back and forth, ask yourself and answer Hu Bugui; And Qian Yong's retirement is different from these people, because Qian Yong has never been an official in his life, or even passed the examination of a juren, so he is more like a martial arts person who has withdrawn from the Jianghu than an official who has withdrawn from officialdom. Qian Yong was a famous scholar in Qing Dynasty. He is proficient in epigraphy and stele, especially seal script. Even today, two or three hundred years later, his Mo Bao can be seen everywhere; Such as Yueming in Yangzhou and Qianmu Village in Changshu. Influence and works for Qian Muzhai's tomb monument. Qian Muzhai was a minister of the Ming Dynasty, and his official position was an official of the Ministry of Rites. When the Qing army went down to the south of the Yangtze River, he led Hong Guang court officials to surrender to Duoduo, and sent people to post placards everywhere, calling on the people not to resist, lest they turn to dust. Therefore, the festival suffered losses and was despised by people. Just as Emperor Qianlong cursed Qian Muzhai for "heartbroken * * *" and banned his works, Jiangnan literati increasingly despised him as the first of the "Five Immortals in Jiangsu and Zhejiang", but Qian Yong resolutely carved the words "Dong Jian's Old Man's Tomb" for Qian Muzhai's long-neglected tomb and stood in front of it, making the audience laugh. How brave to sail against the current! Qian Muzhai's Collection of Beginners, Collection of Scholars, A Brief Introduction to Heroes at the Beginning of the Country, and Poems of Past Dynasties are still important works of historians in Ming and Qing Dynasties. Qian Yong's engraving of Qian Muzhai's tomb is a respect for Qian Muzhai as a scholar, not to kneel down and surrender to Qian Muzhai. One equals one and two equals two. Qian Yong was right. In the "blood robe" section of "Luyuan Conghua", Yang, who was martyred against the Qing Dynasty, showed more respect, and there was admiration between the lines. Textual research on women's foot-binding generally believes that women's foot-binding began in the Song Dynasty and went through the Yuan, Ming and Qing Dynasties and the Republic of China for more than 700 years. The so-called foot-binding is to wrap a woman's feet in cloth from childhood to make them small and sharp, which is called "three-inch golden lotus". Qian Yong was well versed in classics and history since childhood, and read widely, especially in historical research. In the "Foot-binding" section of "The Garden", he went to great lengths to trace the reasons for foot-binding. Qian Yong textual research, foot binding "is between the Song and Yuan Dynasties". So he wrote in the book: "The virtue of a woman takes softness as the first meaning and modesty as the second meaning. The size of her foot should not be underestimated." In the Qing Dynasty, when every woman had to foot-bind, Qian Yong called on people to get rid of this bad habit, making him as famous as Yuan Mei, Li Ruzhen, Yu, Gong Zizhen and others who also opposed foot-bind. "Calligraphy" of Meixi Jushi, Xiaohan Monument, Monument, Jing Engraving Monument, and Landscape Small Scene Ancient calligraphers in the Han Dynasty, Wei Bi used official books in the Jin, Song and Six Dynasties, and calligraphers started with the inscription of Jinci, followed closely. I like to learn Gu Shu when I am weak. Although I always learn to read them, I don't pay much attention to them. As soon as Mr. Lin Richard saw the swimming book, he said, "I'm on the wrong foot." Because he asked, "What would you do?" Mr. Wang said, "You must learn Weng's calligraphy, and then you can retreat." Later, Feng Dingyuan's "Valley Poetry" thought that once the disease of Chaya in Jiangxi was written, nine cows could not match, which was exactly what Mr. Wu said. From this perspective, the poems and books in the valley should not be polluted at all. I said that Wen Hengweng's old books were also infected with valley disease, which was worse than Shi Tian, the god of Weng. (Song Sijia) Only Mo Jun was the only one who learned from Duke Lu. Guy's calligraphy and painting are honest. Duan Fang's Wan 'an Bridge Monument handed down today is Duke Lu's Zhong Xing Fu and Xiang Zhou Zhou Tang Jin Ji, which are the home temple monuments of Duke Lu, and they are cursive only. Wang Daling does not belong to the school of seat contention. Secret books should not be too biochemical, and Cai books should not be too biochemical. Poor scholars will naturally not let go, only vulgar. Books from the Tang Dynasty have been handed down today. Ou, Yu, Chu and Xue have their own families, and Liu, Li and Xu do not follow each other. Poetry, for example, can be divided into four periods: early, prosperous, middle and late, but it can't be said that the monuments in the Tang Dynasty can give preference to boys. Before Dali lived in Europe, those who lived in Chu lived in Yan, and those who lived in Li lived in large and medium-sized cities. Between Xian Tong, they all studied, Su Lingzhi, and became the "holy religion". Going to Europe was the "courtyard", and Yu gradually drifted away. Scholars today should take Tang steles as their ancestors. How short, how long, how fat and how thin the Tang people are; The categories of Song people, such as Cai, Su, Huang and Mi, are all flawed. Scholars must know. Recently, there are three writers in China: one is Gong, the other is Liang Shanzhou in Qiantang, and the other is Wang Menglou, a Dantu. Or clear books like meditation, give lectures like cloth, silk and millet, and satrap books like leaning against the door to sell. I think this theory is too harsh. Wen Qing's book began with Song Xue, but it was misrepresented in the post of Chunhua Pavilion, and then, like Shang Ding and Zhou Yi, it was out of date and inapplicable. In his early years, he lived in Zhao and Dong Wei, so powerful that he disdained to rely on the ancients. So his book is completely meaningless, just like the children in their hometown just keep warm for their lives. It's only when you're the most satrap that you're clear and wonderful, and when you learn to think, you get a little habit on the river. Liao, a middle-aged Zhang Liao, found the original copy, so he took a light path, with a posture as good as Qiu Nian's. Si Weng alone convinced Mi Yuanzhang of Song Sijia that there had been no such thing as a monk praising a monk since the Tang Dynasty. Gaston's talent is extremely high, Zhao Wuxing has not yet been put in the eye, and he is eager to learn from others. His writing style is really above Su and Huang, and he only treats Weng as an enemy. However, what about the two men who can stand up or not? I mean, everyone thinks it's too talented, and it's easy to despise the ancients if they are too talented. Therefore, the books are as powerful as a horse, and all of them are brilliant. Dong Siwen tasted the books and learned from Yan. I said otherwise, I learned it from the Tang Dynasty. I think Weng's words are wrong. For example, Dongpo learned from Li Beihai and participated in it. Valley study Liu Cheng's painting of orchid bamboo hanging directly; Bird's research on the Chu River has both a sudden trend and a vertical trend; You are the only one who learns from Duke Lu. ..... In short, Song Sijia is not studying, and he has a disease. Sue, Huang and Mi Zhu are even more ignorant and hopeless. The previous Case-solving Book had more money than Hong Fei's Flowers on the Sea. I said, Bo Gong's talent is extremely high. It is not the calligrapher's intention to write some words casually to improve his body, but it is beyond his power. His "On Book Poetry" said: "Although I am not good at writing, I am like me. If I can understand what I mean, I will ask myself not to learn. " He said: "dignified, colorful, vigorous and graceful." Can really get the mystery of calligraphers. But his Gofa is extremely flat and doesn't need a center. For example, books such as "Expressing Loyalty and Keeping Monuments", "Zuiweng Pavilion" and "Liuzhou Luosi Temple Monument" are full of interest, but they are not monuments. ..... More than 50 years have passed, and I haven't been to China, and I can't get married. I'm going to write a plain book at last, but I haven't written it in three or four years, and it's full of flaws. As we all know, Pogong's books are not easy to learn. Or ask Yu what books he can't learn? Yu said, "It's just scattered snow!" Song Xue's pen turns round and straight, and Wang Shi is second to none. Previous dynasties, such as Zhu Jingzhao and Wen Hengshan, all came from it, and current dynasties, such as Jiang and Wang Tuigu, all learn innocently. Only the tablet is not. The book of steles must learn from the furniture of the Tang Dynasty, such as Europe, Chu, Yan and Liu, in order to be authentic. Xiaoxue is not a genre of wordpad. Or: "But why not learn from the Tang Dynasty and learn from Song Xue? Yu Yue said, "If we want to learn calligraphy inscriptions, we should have both inscriptions. Calligraphy should use fewer inscriptions, read more than 300 books with national style, elegance and praise, and can't ignore calligraphy. "Zhang Chou said:" Zi Ang's calligraphy is gentle and elegant, and the right army is charming and delicate for the first time. "Nonsense. Chu Zhongling's book is better than Luo Qi's Mei Chan Juan, but his suggestion is that a famous minister in the Tang Dynasty. Is it necessary to judge their character only by pen and ink? Siang's paintings and calligraphy are masterpieces, painted in Beiyuan, big and small, and meters long. Only calligraphy has no past, no present and no name, but it can stand out from the ancients. I saw a picture of Siang flooded by a pen, and there was a cloud: "Eighty years old and another. "I also saw a book in the homes of Zhong, Wang, Yu, Chu, Yan, Liu, Su and Huang. The title is:" These books are only three or four times in my life, so I can get rid of the habit of restraint. "When the book eighty-one. My husband's talent and academic ability are still very good at writing and drawing, and he is old and enduring. Mi Yuanzhang and Dong Siwen are both gifted and talented people. They never stop writing and think that ancient books don't have to be like the deceitful words of this wise man. It is normal that our academic ability is shallow, we know little, and we are resourceful. It seems that we can't look alike. Qian Yong's calligraphy and epigraphy have been strongly recommended by Weng Fanggang, who is very large. Only by reading Weng's preface to carving stones can we know. This is recorded here for your reference: Ouyang, Zhao and Lou, who collected epigraphy for Qian Meixi, have recorded it, but there is no map. The miniature of stone carvings in the book has also continued from Hong's official residence to this day. However, this is just a number, not a figure. Recently, Niu Jia in Ziyang and Chu Jia in Heyang began to shrink their works. Therefore, people who like the past are glad that it is easy to check. However, the accuracy, proportion, eroded shape and secrets of ancient paintings of the tablet system are unexpected. Although the paintings in the south of the world are impressive, the coverage of RoyceWong is unparalleled. Therefore, anyone holding a family photo of a cow and touching the latter will never forgive others. But if you want to work for Niu Tu today, it's hard to know the author's diligence. However, it is not necessary to look at the viewer first. On stealing taste, textual research is related to Linchi and Gai. People who are engaged in calligraphy work must seek their extensive history to discuss and analyze, while people with simple knowledge must be responsible for their ability to be good at three truths and six grasses, but so what? However, things should be able to have both, be short of one and lose thousands of miles, so thumbnails have been. Zheng's theory of Confucian classics also said that Yue's policies in the Spring and Autumn Period were all four feet and four inches, with filial piety and modesty, while the eight-inch policy makers in The Analects were all separated and modest. Ben's ambition is also artistic, saying that wine should be simplified and the name should be simplified. Those who simplify 25 words will be stripped of 25 words and those who simplify 22 words will be stripped of 22 words. The ancients were not afraid to analyze this point in the form of abridged version, but they didn't know that people who wrote the styles of Fu Kedou and Gu Li had little knowledge of Taoism and art. Today, I will go downstream and trace back to the source, because I finally know the source, and the Han and Tang Dynasties have mixed the truth, and then I will correct it first. Although the handwriting is slightly different, I can also measure the scenery of Guier County and today. Can you do enough for those who have not struggled for decades but are eager to move? Money is better than essence in the golden chamber. Any trace of auspicious gold and precious stones is compiled by a towel box and photographed with a lamp, which is unpleasant. In the way of combining the two, it should be timely and effortless. Those who list the difficulties of each family, once they have it in peace, give them a reason to observe their success with the help of a gentleman who likes the ancient and praises the strong. What about those who are better than others? On the day when scholars are fully prepared for ancient books, those who are late-born, elegant and trustworthy need not brag about crossing the map of Niujia. Publisher: Ouyang Xiuye. Zhao Mingcheng. Lou Zhe, Lou Ji. Stone red, stone red. The earthquake luck of cattle. Chu Shi Jun Whenever something happens to young people, he always says, "I can't do it. "This is very wrong. No matter what you do, you can always learn something as long as you do it; How can you learn without doing it? Also, every time I do something, I always say, "Wait till tomorrow. "This is also very wrong. Whatever you do, you should do it (you should hurry). If you put it off any longer, it will delay your life. The Song of Tomorrow written by Mr. Hetan in Home is very good. The appendix is here: "Tomorrow follows tomorrow, and there are so many tomorrows. I live until tomorrow, and everything is wasted (empty)! The world is tired (bound) by tomorrow and will go to Qiu Lai as a veteran in the spring. Look east at the current and west at the sunset. What will tomorrow be like in a hundred years (a person's life)? Please listen to my song tomorrow. "Handwriting-the discovery process of the ownership of Diaoyu Island. In 2005, Peng Ling discovered it in Nanjing Chaotian Palace. In 2006, Xin Deyong, a professor of history in Peking University, was regarded as Qian Yong's handwriting. In June 2008, the supplement of Hong Kong Wen Wei Po published the lost article of Six Chapters of a Floating Life and its preliminary research. At the end of June, 5438+in October, 2009, experts and scholars of Taiwan Province Baoyu Association reminded Peng Ling of the Ryukyu information in the literature and found evidence that Diaoyu Island belongs to China. On February 3rd, 2009, 65438, Hong Kong Wen Wei Po reported that "the lost articles of Qing Dynasty were published 76 years earlier than Japanese documents, which proved that Diaoyu Island belonged to China". On September 20 10, experts from the Pacific Society examined and identified it, and determined that it was Qian Yong's handwriting. 20 10, 10, literature was auctioned in Beijing for13.25 million yuan. The lost manuscript became evidence of the ownership of Diaoyu Island. In 2005, Peng Ling, a bookseller from Shaanxi Province, came across a manuscript named Notebook Beads in Nanjing, which was later identified by many scholars as a miscellaneous manuscript by Qian Yong, a calligrapher in the middle of Qing Dynasty. Because some of its entries come from Six Chapters of a Floating Life, it is recognized as the fifth lost book, The Story of the Sea. In this part of the text, some descriptions about the Diaoyu Islands have become another new proof of China's sovereignty over the Diaoyu Islands. According to Peng Ling's introduction before, the page of "The Atlas of the Sea" recorded "Worship the black ditch from a distance, and then worship the Tianhou Palace. Suddenly I saw Bai Yan as big as a gull, flying around Qiang, and the wind changed in the morning. On the morning of the 14th, I vaguely saw Aunt Mi Zhu enter the Ryukyu boundary. " This passage confirms that Heishuigou is the dividing line between China (Qing court) and Ryukyu Kingdom, and that Diaoyutai Island is obviously within the territory of China and does not belong to Ryukyu, which is in line with historical facts. According to media reports, the original Qian Yong was copied in Daoguang for three years (AD 1823), and its preservation time was 6 1 year earlier than the so-called discovery of the Senkaku Islands in Japan.