In fact, at the wedding scene, whether the photographer can seize the moment and whether the couple can perform well is very important for recording an unforgettable wedding scene. The picture above shows the wedding scene of Zhang Yining, the world champion of table tennis. It should be said that the photographer's own level and the performance of the newcomers are the most important factors in the documentary wedding. In addition, the wedding site is also very important, and there are some other random factors in terms of personnel. Let's talk about the restrictive factors of the wedding scene in detail, hoping to provide your reference: 1. The stage and backstage stage are of course bigger, and it would be nice if the hotel could provide them. If the hotel can't provide new people, consider asking the wedding company to provide its own stage. The venue of a good hotel is naturally more comfortable with a background with words (especially with names), because you should consider the words on the background when shooting, and it will not look good if you don't shoot all the words. If you shoot all the words, the composition and shooting angle will be limited, and the photos will easily appear too monotonous. The suggested background is simple and generous without words. These are all factors beyond the photographer's control, even if they are written for newcomers. 2. The solution of champagne tower and candlestick (cake table) is: I hope the wedding company can provide a highly suitable table, or provide a relatively long lighting match (it is better for a newcomer to light the candlestick at a low angle with his arm than to barely take a bad overall photo, so it is best to capture close-ups of several items, such as champagne in the newcomer's hand, the wine flowing out of the bottle, and the moment when the lighting match lights the candlestick. 3. decorations next to the champagne tower and candlestick (cake table) If there are other decorations next to the champagne tower and candlestick (cake table), don't be too high. If it is dark, it is easy to block the light of the spotlight, causing shadows on the faces of newcomers, and it will also bring trouble to the photographer's shooting angle and composition. Of course, photographers have to choose the best angle according to the environment, but sometimes they can't find a more suitable shooting angle because of the restrictions of newcomers' movements and directions. The decorations in front of the candlestick are beautiful, but the dark spotlight will have an ugly shadow on the couple's face. 4. The VIP table is located in some hotels with narrow venues. The wedding company will put the VIP table next to the champagne tower and candlestick (cake table), and the other end is close to the dining table, thus limiting the photographer's activities to a narrow front area. It's hard to shoot a VIP table with eight characters outside, and it's hard to shoot those corresponding links without the head of the VIP table in the picture. Photographers should communicate with the wedding company early before the ceremony, and sometimes moving the chair forward will make the shooting much more comfortable. Non-photographers such as lighting engineers and emcees 1. Lighting engineers should not shoot too much light that exceeds the ambient light intensity. The newlyweds have spent a lot of money. If the ratio of lighting to ambient light is too large in the scene painstakingly arranged by the wedding company, only part of the picture (usually the faces of the newlyweds) can be photographed for reasonable exposure. Live up to the hard work site, lighting engineers should be in place, not allowed to have half a face. The lighting engineer is also depressed when shooting, so don't use colored light casually. Unlike the performance on the stage, the wedding is a solemn and sacred thing, and it is so chaotic that it is not clear that the photographers here can't take good photos. The photographer's use of flash will alleviate these situations to some extent. Some color temperatures can be adjusted back after shooting with RAW. If it doesn't come back, make it black and white. In addition, the dark field will affect the camera's metering, so you need to point the bright area and lock the shooting. 2. the level of 2.MC. Some MC in Quyi style like to walk around couples, even if they don't say Allegro or jingle. The distance between three people is like a family of three. Occasionally, I will run to the front to stop couples from narration on key occasions. When the couple bring flowers with rings, they will have a lot of time to correct their posture or put a hand with a microphone on their lips. 3. Amateurs in photography/videotaping can take photos of anyone, and the dark environment at the wedding. Non-amateur (except a few rich people) equipment can also take beautiful pictures. What's more, there are familiar processes, communication with the MC, and professional perspectives. And asking friends for help will be ungrateful, and 80% of the money will be free.