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Thoughts on Reading A Dream of Red Mansions

One is Xianpa in Yuen Long, and the other is flawless jade. If there is no strange fate, I will meet him again in my life. If there is a strange fate, how can my mind be empty? One is crying in vain, and the other is worrying about nothing. One is the moon in the water, and the other is the flower in the mirror. I wonder how many tears there are in my eyes, how can autumn flow to the end of winter and how can spring flow to summer! -"Vanity Eyebrows"

A Dream of Red Mansions is a tragedy with a smile. A Dream of Red Mansions not only describes the life of three generations of a feudal aristocratic family from glory to decline, but also boldly accuses the feudal aristocratic class of its shamelessness and depravity, pointing out their hypocrisy, fraud, greed, decay and sin. It not only points out the inevitable collapse and death of this family, but also implies the inevitable collapse and death of the class and society to which this family belongs. The heroes created and loved by Cao Xueqin's brushwork are two ministers and traitors who dare to judge the dying feudal aristocracy; Those who sympathize and mourn are the victims under the feudal system; What is criticized and denied is the hypocritical morality and unreasonable social system in feudal society. On the one hand, it was the former wood and stone alliance, on the other hand, it was a golden wedding. On the one hand, it is the aura of fame and fortune that feudal society must pursue, on the other hand, it is a fascinating free body. A Dream of Red Mansions written by Cao Xueqin shows us this silent contest. The tragic love story of Jia Baoyu and Lin Daiyu condensed all the smoke in this contest. "One is Xianpa in Yuen Long, and the other is flawless jade." The pursuit of quality is clean and neat. "In the face of all kinds of persecution and indifference under feudal ethics, even at the cost of life, the pursuit of quality and purity has never given up. While lamenting the love tragedy between Jia and Lin, we can see an important factor that caused the tragedy: Lin Daiyu's lofty personality was incompatible with the secular world at that time and could not be "integrated" with society. Her inferiority complex is the embodiment of her self-esteem and the beginning of her tragedy.

In A Dream of Red Mansions, she buries flowers, which is the focus of her personality. Her inferiority, self-esteem and self-pity are fully revealed in her "mourning poems": "Flowers wither, flowers fly all over the sky, and the fragrance dies. Who has pity for the fragrance?" "Three hundred and sixty days a year, the wind knife frost sword pressure, bright and bright, a wandering is hard to find. It's easier to see flowers than to find them. I'm worried about burying the flower man in front of the steps. I only steal flowers and shed tears, but I can see the blood stains on the branches. " "May Nong have wings this day and fly to the end of the day with flowers. The day is over! Where is Xiangshan? Without a trick, I hid my love with a pure land. It's better to be clean than trapped in a ditch. I am going to die and be buried, but I don't know when Nong will die. The man who buried the flowers is laughing today, but who did he know when he buried them? Let's see the residual flowers of spring gradually falling, which is the time when beauty dies of old age. If you don't mourn for me, I don't know that flowers will fall and people will die. "

A secular person can't understand her thoughts. "I am dead and buried, but when will I die?" The man who buried the flowers is laughing today. Who did he know when he buried them? "In the face of falling flowers, she thought of the scene after her death, and she couldn't let go and shed tears. In front of feudal ethics, her inferiority aroused her self-esteem. When Baoyu was beaten, it was difficult for a clever woman to send Dan medicine to Xue Baochai, who had no rice to cook, and she also advised Baoyu to change his ways with admonition. As a supporter of Baoyu, a rebel of feudal ethics, Lin Daiyu, who is kind and aloof, just cried blindly, tears like peaches. Her crying is not weak. She sincerely supported Baoyu with her unique emotional experience of crying, and silently opposed feudal ethics. Therefore, it is only recently that I have a heart and a favorite.

"Quiet as a flower shines on the water, moving like a weak willow, the heart is dry, and the disease is as good as Xizi wins three points." Through Jia Baoyu's eyes, the author depicts a morbid beauty that is intelligent, versatile, beautiful and weak. Such a weak woman ignores the secular traditional laws and does the opposite. After countless times of destruction, when the end of life came, the ferocious face of feudal society accelerated her death. After reading A Dream of Red Mansions, we will never forget the scene before Daiyu died. When she was dying, Zijuan asked for help everywhere, but no one wanted to help. The old lady moved Baoyu's marriage to another place to avoid disaster. On the one hand, it is a festive scene of marriage, on the other hand, it is a sadness before death. "The day is over! Where is Xiangshan? " No wonder Daiyu buried flowers and kept chanting. Where is a clean and ideal place? Where is my own ideal place? Is it Xiang Qiu? The real society I live in now is filthy. I want to find my ideal place. Daiyu will never give up her pursuit of freedom until she dies. We are worried and dissatisfied with this. Under the yoke of feudalism, a pair of young men and women who are pursuing freedom are writing Where Are You Going? "Don't mourn for me, I don't know if the flowers fall and people die!" In this way, Daiyu died in the sound of Baoyu's wedding drums. Left with her sweetness. Where is the sweetness? Sweetness gains understanding and love in a world where one person does not accept the world and the world does not accept people. In the lonely world, Baoyu is the eternal warmth in her heart. In this world where love is nowhere to be found, Baoyu is the eternal pain in her heart. Although in the end she became a victim of those feudal systems.

"It's true when it's fake, it's really fake, and there's no way." The fake is true, which makes people wonder everything in A Dream of Red Mansions. As a soul figure, Lin Daiyu is different from ordinary people. She is her, a bunch of lofty, aloof and narcissistic empty valleys. Lin Daiyu's inferiority complex was given by fate, and she also wrote about her fate.

Cao Xueqin, the author of A Dream of Red Mansions, is recognized as one of the greatest writers in China. Unfortunately, he was lonely for quite some time before and after his death, leaving no biographical materials, so that today he can only know sporadic fragments of his life.

Cao Xueqin was originally a Han Chinese, but a long time ago, he joined the Manchu Banner and became the royal "coat" (slave) of Ai Xinjue Roche. After entering the customs with the Qing people, he was gradually promoted to an official closely related to the royal family. Cao Xueqin's great-grandfather Cao's wife was the nanny of Emperor Kangxi. After Kangxi ascended the throne, Cao worked as a weaver girl in Jiangning (specializing in supplying royal supplies) until his death. Kangxi also ordered his son Cao Yin (Cao Xueqin's grandfather) to weave for Suzhou, and succeeded him as Jiangning. When Cao Yin was a child, he was Bandu of Kangxi. He was both a servant and a friend of Kangxi, and won the trust of Kangxi. Cao Yin stands out. Kangxi visited the south six times and took Cao Jia as his palace four times. At this time, the Cao Shi family reached its peak. It is precisely because of the close relationship between Cao's ancestors and the politics and economy of the Qing Dynasty and the profound family origin in literature that Cao Xueqin was deeply influenced and edified, which provided conditions for his creation of A Dream of Red Mansions.

Cao Xueqin was born on the eve of the decline of Cao Shijia. As a teenager, Yong Zhengdi, who inherited the throne of Kangxi, dismissed Cao Zhao, the fourth weaver girl of Cao family, from Jiangning and sent her back to Beijing. During the Qianlong period, the Cao family suffered from natural and man-made disasters, completely ending Cao Xueqin's carefree life as your son. This unusual experience of Cao Xueqin had an important influence on his creation of A Dream of Red Mansions. Therefore, he integrated the description of Rong and Ning's aristocratic life into the profound artistic image-building of A Dream of Red Mansions.

Cao Xueqin has been stubbornly insisting on the writing of A Dream of Red Mansions in his down-and-out life. It is an eternal regret that Cao Xueqin was deprived of his brilliant life prematurely by poverty and failed to complete his painstaking masterpiece. Cao Xueqin died in his forties, leaving a new wife and several bundles of manuscripts. Even the funeral expenses were funded by several of his friends. But his Dream of Red Mansions was printed and published 30 years after his death, which swept the country.

Gao E (about 1738—— about 18 15) was a writer in Qing dynasty. The word uncle LAN is a word cloud scholar. Because of his love for the novel A Dream of Red Mansions, he was nicknamed "The History of the Red Chamber". Huang qi, a member of the interior ministry of the han army. Originally from Tieling (now Liaoning), he lived in Beijing in the early Qing Dynasty. He is familiar with the history of classics and has written eight-part essays. He is also quite familiar with poetry, novels, operas, paintings and epigraphy. Poetry in the Tang Dynasty was prosperous, and its style was close to that of Huajian School. In this paper, "Ci must be based on its origin, and it must be refined with sincerity", which emphasizes the importance of meaning. In the fifty-third year of Qianlong (1788), he served as a juror in Shuntian Township. Sixty years of Jinshi. Cabinet Book of Li Guan, The Cabinetshi Read. In the sixth year of Jiaqing (180 1), the examiner of Shuntian Township Examination. Fourteen years, the censor chose Jiangnan Daodu censor. Eighteen years, promoted to criminal division. During his tenure, he was known as "clean, diligent and talented" and was not corrupt as an official.

In addition to Gao E's 40-story sequel A Dream of Red Mansions, there are many other poems and essays. Wen Yuan II, the manuscript of the Qing Dynasty, recorded a copy of blue poems, while Eight Banners Classic, written by Yang Zongxi, recorded a collection of Gaolan poems, which are all lost today. There are collections of words such as Ten Arts of Lan Shu (manuscript), Summary of Official Administration, Poems, The Last Manuscript of Yuexiaoshanfang, and Xiang Yan's Ci Collection Storing Grass.