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Who is more talented, Mao Bu or Hua Chenyu?
Mao is not easy to be talented. Hua Chenyu has no creative ability and belongs to working for Tianyu. Conclusion: It is not easy for Mao to write songs with his own feelings. Hua Chenyu is essentially a Tianyu worker, which is the biggest difference between a commercialized person like Hua Chenyu and Mao. Based on this, Hua Chenyu doesn't need to create at all, and he doesn't have the ability to create.

The definition of talent focuses on music creation. In pop music, there are five categories: composition, lyrics, arrangement, music production and orchestration. Vocal singing is a hard index of personal ability.

It is not easy for Mao to have a good talent in composing music and lyrics. This kind of talent is a unique perspective brought by the inspiration cognition of life, and music is the elaboration of this perspective. For example, Mao's mother died in front of his practice bed. For creation, people who have experienced great pain will have a stronger perspective of inspiration. Therefore, it is not easy for Mao to better understand the preciousness of life. Most of his songs are a kind of individualism loneliness and a state of family hope, and this spiritual core is very important for creation.

Hua Chenyu's brother, bound by celestial entertainment, has no creative talent. Hua Chenyu's creative level is relatively low. Staying at the level of rejecting routine chords is a state of contempt for all routine chords. At the same time, he can't write Jay Chou's amazing composition and arrangement, but he can't extricate himself from imitating European and American music. Behind this is the shadow of heavenly entertainment. Hua Chenyu has a professional creative team behind him, including a series of CD processes, which he doesn't need to pay attention to.

For Mao, his disadvantage is precisely Hua Chenyu's strength-vocal singing.

Hua Chenyu's vocal ability, although I don't like his shouting, Hua Chenyu's vocal range ability is really not easy, and it is not easy to show a very amateur level in vocal music.

It is not easy to compare Hua Chenyu and Mao from four aspects: vocal music, composition, lyrics and orchestration.

1: Vocal music: It is not easy for Hua Chenyu to hang his hair; Vocal music can be discussed from three aspects: timbre, range and cavity.

Tone: Mao is not easy to lack skills and cognition. At the stage, the timbre of Mao is relatively normal, and there are not many complicated skills in ordinary pronunciation and abdominal support itself. However, in the stage, Mao entered the high-pitched stage, and as an amateur, Mao was not easy, and high-pitched was not good at it. The degree of vocal cord closure is not high, here he mainly uses the root of the tongue as the main timbre, with this determined laryngeal position.

Tongue root sound is a bad habit in vocal music, and it is also a relatively amateur vocal performance. In timbre hearing, the root sound of the tongue is thick and mature, lacking lightness and feeling of separation. With this determined laryngeal position, there is a thick neck cry. For example, in Mao's People Like Me, the first paragraph of the main song and the first sentence of the third song are completely separated in timbre.

F4, which is not easy to fluff, is mainly based on the root of the tongue, especially a few G4 high notes. Compared with Hua Chenyu, Mao is not easy to appear very lacking in vocal music cognition and ability.

Hua Chenyu's timbre has some problems, but it is better than Hua Chenyu's.

Hua Chenyu has a wide range, so the timbre changes greatly. There are two kinds of timbre techniques: chest sound gradually increasing and metal core strong mixing. But no matter what kind of timbre technique, Hua Chenyu's degree of completion is not very high, and he has a feeling of dabbling.

In Hua Chenyu, the chest sounds below G4 are getting stronger and stronger, and the quality of C3-C4 parts is very good, which is a good existence among music students studying in regular classes, and there is no certain pronunciation point in front. However, in C4-G4, the pronunciation points have changed to a certain extent, and the overall timbre began to be tense and shriveled.

Above G4, I personally find it hard to shout. The pronunciation point leans forward and tilts upward, which is more serious than the ideal position of maxillary sinus. There is a certain pharyngeal sound component in the high throat position, and the overall abdominal support is low, mainly chest sound. In this case, similar to the position of the pronunciation point when people shout, the cavity of the mouth, nasopharyngeal cavity and maxillary sinus is missing. The overall timbre is dry. But this kind of high-pitched voice is easy to form muscle memory.

This kind of voice is the easiest treble to sing, and it is usually easy to see in some singers who have just had a few vocal lessons. For example, Joker Xue and Vae had similar tones in New Year's Eve concerts in 20265438 and March 2020. Generally speaking, shouting treble is a singing form that gives up a certain degree of monophonic quality and gains higher treble range ability.

But in any case, Hua Chenyu's ability to control timbre is still higher than Mao's.

On the range ability, the gap between Hua Chenyu and Mao is even more obvious.

Hair quality range: C3-F4-G4;

Hua Chenyu quality range: G2-G4-B4-D5, E5-A5 and Harmony.

As far as the range is concerned, Mao has a big disadvantage. After all, it is not an ordinary class. And the advantages of Hua Chenyu are also very obvious. First of all, Hua Chenyu's positioning is the soaring high voice given by the heavenly entertainment, which continues Jason's ability. The single tone quality of both is not high, but the range is scary. Hua Chenyu can basically have five groups of relatively stable treble abilities. Among them, the quality of single tones below G4 is high, and those above G4 are mainly high notes.

On the range, it's not easy for Hua Chenyu to completely fail.

In cavity * * *, Hua Chenyu's advantage is also obvious. First of all, high range is the best embodiment of high cavity ability. Among them, five groups of high-pitched vocal cords require the participation of the arytenoid muscle with closed ability and high-pitched mixed metal core, which is extremely demanding, even Mao's amateur vocal ability can never be coveted.

2. Composing ability: two extremes; In the matter of composing music, Hua Chenyu is in a rather abnormal state. In contrast, wool is not popular.

In fact, the composition of pop music is very homogeneous. One of the biggest components is something called regular chords.

Routine chords are essentially a big data collection of human pop music chords. Because in the long history of pop music, people find that there are several fixed chords that are always loved by the public. Over time, the fixed forms of these chords developed, forming today's routine chords, such as: 456325 1, 465 1 and so on.

If you are a student of the composition department of the Conservatory of Music, the level and aesthetics of composition will focus on classical music and genre music, which is a state of contempt for pop concerts. In fact, most of these professional composers are the transformation of music lovers. Among them, piano, electric guitar and violin are the three main categories, and it is the best choice to start from classical to popular.

But this threshold is too high. Nowadays, the composition of pop music is partly a second creation, and a larger part is the result of the so-called musicians applying routines and chords without foundation. Tik Tok claimed that the audience wrote the lyrics and he sang them. This kind of music is basically unstructured, that is, it is applied according to the ABABB form of the traditional assembly line.

The existence of wool is not easy, and it is also in this category, but it is different from the assembly line. Mao is not easy to compose music, and prefers to polish his own melody lines. Mao's melody has a certain potential framework of musical emotion suggestion. To put it simply, it is not easy for Mao to learn to compose music, but this foundation is relatively low and can't reach the classical concept, but it is just right for fashion. In addition, it is not easy for Mao to concentrate on creating bass, and the tension of the audio track is generally very small. In order to be surprisingly happy, this kind of small tension must require individuals to have a certain understanding of the emotional trend at the bottom.

Exactly, the emotional trend of a song, bass is the core. Therefore, Mao's difficult composition is dominated by bass, simplicity and catchiness, with flatness, fourth degree and fifth degree, and octave and sixth degree are rare. With a certain personal style, but not strong, he is a loyal supporter of routine chords in general.

Hua Chenyu is basically a disdainer of routine chords. This is easy to see in "The Son of Tomorrow". As a whole, Hua Chenyu enjoys the natural entertainment media resources, so there are many composers, but in fact, he sings few red songs, which does not affect his taste in European and American music. But in fact, Grammy and billboard pop music are basically conventional chords. It's just that their details and orchestration are top-notch.

Hua Chenyu's cognition is somewhat idealistic, subverting all routines and chords, and thinks that minor, weird and non-mainstream are better aesthetics. This is a very abnormal cognition. For the composition of pop music, hard form is the mainstream. The specific synthesis method is as follows:

1: Select the mainstream routine chord;

2. Complete the core melody, tick.

3. Polishing the details and completing the small selection after the chord series is determined.

4. Add flowers, complete different chords and notes according to different orchestration, and modify the mainstream routine.

The function of routine chords is cohesion, but Hua Chenyu just thinks that the subject of cohesion is basically wrong. The existence of Jay Chou is a good proof of Hua Chenyu's misunderstanding in composition.

3: Lyrics; Hair is not easy to hang Hua Chenyu; In terms of lyrics, Mao is not easy to appear extremely talented.

There are two points in writing lyrics: personal experience and literary accumulation. The core of Mao's difficulty lies in personal experience, while the core of Fang Zhouzi's difficulty lies in literary accumulation.

The song "Eliminating Sorrow" is a sigh directly caused by Mao's mother's death. This huge blow is the best inspiration catalyst for the lyricist. The characterization of Mao Nange is basically done according to this person's emotional understanding. Both People Like Me and Ordinary Day are full of his personal understanding of life. Simple and pure.

This lyricist has a basic style determination and musical charm.

In contrast, Hua Chenyu has no content at all. He himself is the product of packaging, and he can't face his heart directly. Hua Chenyu's lyrics basically inherited the non-mainstream minority aesthetics and did not have a deep emotional carrier. This kind of empty lyrics, combined with his original rejection of routine composition, formed his abnormal aesthetic.

In addition to the above three points, there are also orchestration and arrangement of pop music, both of which are amateurs. Among them, Mao can only play the guitar, and Hua Chenyu can do a little more, but he can't reach the professional level.

Generally speaking, their style and business starting point determine their future talents. Hua Chenyu will sink deeper and deeper in the shadow of heavenly entertainment, but it is not easy for Mao to have more flexible display space. He can learn vocal music to support him to compose better and express the tension of songs.

So as far as talent is concerned, singers who are shrouded in business are not worthy to discuss talent. Only singers who have freedom and choice have the right to enjoy talents. Jay Chou, for example, has always been a music producer himself.

Actually, I don't want to answer this question, but I'm not happy to see the spray. First of all, both of them are excellent new generation singers. Flowers are more important than Song, but Mao is not easy to speak words. I am a person who has never been worshipped, but flowers are the only one. Flower is also the singer I have heard so far. He can control all kinds of styles and has great stage control. Once on the stage, he is the domineering of the king. Professionally, flower was the first to make a debut. They all show super high musical literacy. Now is the era of freedom of public opinion, but we should all judge others responsibly and objectively. Don't expose your ignorance with one mouth and become an irresponsible and dark person. Living in the sunshine is the true meaning of life. It is a virtue to recognize the efforts and Excellence of others. Because all the stars are luminous, they must have the talent and quality to shine. The last two excellent people will grow up all the way, and the future can be expected.

Hua Chenyu's timbre has strong plasticity; The trained students have good singing skills, solid foundation and skillful skills; Freedom of creation follows the nature and does not follow the crowd; Adaptation can change one's own style, subvert the song and make people remember his cover; The typhoon is very strong, and his detached state on the stage will attract you involuntarily; His songs have their own unique soul. Mao is not easily gifted in lyrics. His lyrics are heartfelt and his timbre is fresh, but he won't attract me when he stands on the stage and won't notice him for the first time.

On musicality, Hua Chenyu is definitely better, and Hua Chenyu was also a mentor in Mao Nan's period. Hua Chenyu's music has a good starting point, and his singing is more tense and attractive to me. I will always like the dust in the young fireworks in western Western jackdaw. I am only a few kilometers away from loneliness. I care about your IQ. Looking for salt on the earth, bullfighting is free.

quasimodo's gift ...

Mao's lyrics are well written and his voice is good. I have heard his songs. They are different from ordinary feelings, quite distinctive and attractive. I prefer him to sing without dyeing. People like me become rich.

There are two kinds of feelings of listening to songs, one is really good, and the other is really awesome. It is not easy for me to give the former to Mao and the latter to Hua Chenyu.

It is not easy for me to listen to Mao for at least five years. I didn't know Hua Chenyu was a singer until the fall of 20 years, and I became a fan of him since 2 1. The only one in this life. I don't want to compare two people, because it's meaningless. If I have to compare, I'll tell you my personal opinion.

Mao is not easy to win because the lyrics are touching, and all his songs are beautifully sung by him. His handwriting is particularly good, full of poetry and philosophy, full of rich flavor of life, writing out the bitter feelings of ordinary people and writing out the desolation and helplessness of life. The easy-to-understand grounding gas makes people feel * * *. China people have always been sensitive to words. Once they have a good appetite, they will be moved and moved.

He also has a good voice. His voice is deep and melancholy, gentle and generous. His music is simple and soothing. Although he sometimes uses chords, he is easily accepted by the public, catchy and easy to sing. Therefore, whenever I want to listen to music in the past five years, I will give priority to him until Hua Chenyu and into the pit.

Hua Chenyu's success lies in his unique composition. Hua Chenyu graduated from Wuhan Conservatory of Music, majoring in popular vocal music singing and choreography. In the 2009 college entrance examination, he got full marks in professional courses. He studied flute and piano at the age of six, and began to compose music at the age of 14 or 15, with a solid foundation in music. 20 13 won the Happy Boys Champion. The first 90-year-old singer to sing in the Bird's Nest. Tickets are often sold out. Music producer Long Long said: Hua Chenyu has been the ultimate dream of many people from the beginning.

Hua Chenyu is good at composing music. His music does not apply chords, does not cater to the market and is unique. Because it subverts tradition, it is regarded as an alternative minority. Many people can't get as good as his music. But if you really listen to it, you will find it very nice and even get tired of listening to it.

The words seem to see the unevenness of the mountain. So is his music, which is by no means monotonous. Because of the addition of many avant-garde elements, such as the vocal instruments of reggae rock opera and the skillful switching of various instruments, his music is full of ups and downs, and his tracks are often refreshing and high-grade, riding more than ten streets at a time.

He used to find someone to write lyrics after composing music until he was satisfied. Some words even have to be changed several times. Some people say that his lyrics are not worthy of his music, because you can hear stories and pictures only by listening to music, which makes his music particularly vivid and novel.

Words are his shortcomings, yes. He composed only a few songs independently. For example, "Why didn't anyone play" was his sudden inspiration after watching the football match. There is only one lyric in the whole article, but the music is magnificent step by step, and tens of thousands of people are singing with blood boiling.

Personally, I think it is not easy for Mao to be blunt and open on the stage. Coupled with the lack of clothing, lighting, body language and other aspects of cooperation, making his stage lack of bright spots, it is not easy to mobilize the atmosphere. This is related to his introverted and shy personality and gentle and soothing lyric songs. In this regard, Mao is not easy to lose on the court.

Singing, singing, acting. Hua Chenyu has done a very good job in this regard. His style is rock and roll, and he is good at igniting the atmosphere of the scene and the emotions of the audience, dragging everyone into his music world. His clothes serve his songs, and so do the beautiful lights. His body language is more in play, and his singing is completely integrated. Coupled with his powerful and outstanding singing skills, immersive singing skills, or stepping on a speaker or dragging a wheat rack, or Tai Chi martial arts or sitting on the piano, the whole person was completely released, and his gas field on the stage was full of domineering, instantly bursting the scene, and the audience was very happy and cool. It seems that every cell dances with it, and he naturally becomes it.

Hua Chenyu sang with emotion. Laure Shang said that he was born to express his feelings with music. Eason Chan said that he admired Hua Chenyu very much and thought he was good at singing. He injected a lot of energy into singing. Yu said that he sang the inner rhythm of life and excavated many internal changes with great enthusiasm. You can feel the strong impact of his music through the screen, and your blood is boiling and splashing. What's more, the audience at the scene either cried with joy, laughed heartily or cried bitterly. ...

At the 202 1 Mars concert, he sang "I really want to come back" and cried so much that even the male fans who have always been rational could not help crying ... The audience could not help but feel infectious emotions and strong sense of substitution. It is said that his audio is not as good as video, and video is not as good as live broadcast. If you watch the video, you can feel the shock, and the sense of the scene is more than ten times. 20 13 judge Nicholas Tse said that there are two kinds of singers, one will buy CDs to listen to, the other will buy tickets to go to the scene, and Hua Chenyu belongs to the latter. So going to see his concert has become the dream of many fans.

Why did I become a fan of Hua Chenyu? I haven't been to his scene. I didn't listen to Mao five years earlier than him. I grew up listening to all kinds of songs. Why did I become a fan of Hua Chenyu alone? All because the appeal, impact and explosive penetration of his music completely captured my heart.

I was shocked by his amazing singing more than once. His adaptation is very personal, completely transformed and stamped with the seal of Fahrenheit. The singer's version of the "fake monk" made me dumbfounded. My heart beat so fast that I even forgot to breathe. The way he dissects himself with music is amazing. "My Skateboard Shoes" directly sang the cheap goods that fell off the soil into a limited edition on the tall. "Bullfighting" is decorated with two horns, which restores the scene of people fighting with cows and tells us to respect and fear life and be kind. The madhouse sings about the mental state of escaping from the cage of the soul and seeking freedom and liberation. Seven Personality expresses a complex and multifaceted personality with seven different voices ... You never know what style and theme his next concert will be. He always has amazing creativity, extending the tentacles of music to places that no one can reach, strafing the natural reality of human life and soul, and bringing people deep examination and thinking. Just like music from another dimension, it tries to awaken people's inner awakening.

Heart, flying in the direction of light; Tears, follow the place to understand. What impressed me most was the conversation with Martian children. I cried myself to death in a song for the first time in my life. I still clearly remember that afternoon, the notebook on the desk was covered with soaked paper towels. I really can't resist. After living for half a century, have I heard such a song? Have you ever been moved by such a song? It's like being in an endless ocean of unconditional love and tolerance. Those ups and downs of light and warmth, like the rhythm of life, breathe love into my heart, and the human weaknesses that crawl at the bottom of my heart collapse one after another, and what swarms in is that vast and profound touch and comfort. It seems that no matter what you do, there is indestructible love behind it. I never thought that the concert had such great power and endless artistic beauty, which led me through darkness and thorns to the paradise of love and beauty.

They have a good personal relationship. Hua Chenyu, the tutor of Sons of Tomorrow, commented on Mao's Difficult Music. From a purely musical point of view, it is the teacher's criticism of students. It is heavy, but it is true. The truth often doesn't sound good. He has no wit. But later, he also publicly expressed that it was not easy to like Mao, saying that the songs behind him were well written, the words were great, and the singing skills were good, so he couldn't sing that flavor. In his opinion, it is not easy for Mao to become a superstar. However, for the sake of traffic, some marketing numbers only attack him with one without looking at the whole picture and not mentioning the praise behind him at all. Really speechless. In fact, the two have a good relationship in private. After getting drunk, Mao would tell Hua Chenyu that he loved him, and they even talked all night. People who eat bitter melons should not be indignant about it.

Don't love the music you love more, it should be diversified. They exist in our spiritual life in different attitudes, so that our hearts will not be abandoned. There is no comparability between two people's music together, because each has its own characteristics.

One is pleasant to hear, and the other is more suitable for stirring your emotions on the spot. One sings folk songs and feelings, the other sings rock and roll and passion. One is gentle and slow, like flowing water, and the other is colorful and magnificent. One is a poet among singers, the other is a subversive of traditional music, and the other is a pioneer who takes a slant on the sword. One is well-known at home and the other is well-known abroad. They stand tall in the Chinese music scene with their unique features, meet different audiences and jointly create a colorful music world.

Music is hard for everyone to like. Individual differences lead to appreciation differences. It seems that this is a very personal matter. Love what you love, and don't hurt if you don't love, because shutting up is also a kind of kindness, and kindness is the last chance and pride of mankind.

I don't think Mao is easy to be talented.

A vicissitudes of life folk song and a psychedelic rock, two people are not the same style, and they have neither one skill nor two skills in writing. There are different opinions about this thing. It's not easy to appreciate Mao, and he basically worships Hua Chenyu. But personally, I think that the singing skills of the younger generation in Hua Chenyu can't run away.

Judging from the popularity of current works, it is not easy for Mao to hang Hua Chenyu. As Shen Teng said, the names of three Hua Chenyu songs are really hard to think of in a capital.

On the other hand, Mao's "People Like Me" and "Eliminating Sorrow" can be said to be popular all over the country. Mao's hard lyrics are easy to cause * * * and have a certain healing effect. Hua Chenyu's songs and words are unknown. I feel that purely commercial things rely on hype, and the artistic atmosphere is weird or weird, which is a bit of a monkey show.

Hua Chenyu is a professional in music. His music is very special, hi! It seems that most people can't sing the song he is called a musical genius.

Mao is not easy, but he is also excellent and has a talent for music. His music is grounded and close to the people, and his singing skills are very high.

Insulting my IQ, you don't have to ask. Not in the same class. That's awesome.