Anqiu Shijiazhuang Folk Village is located in Linghe Town, southwest of Anqiu City 16 km. The trees in the village are high and dense, and the road leads directly to the field; The second floor is the narrowest, orderly, clean and beautiful. The roadside is decorated with gardens, the hotel is chic, the square is spacious and flat, the kindergarten is elegant and exquisite, and a vibrant new countryside is thriving. Zhong Xiu's scenery, civilized pastoral style and simple and hospitable host welcome friends from Japan, the United States, Southeast Asia, Western Europe and many other countries every year. They come here to follow the farm customs, study farm life, live in farm houses, eat farm meals, experience folk customs and enjoy rural fun.
There is a folk museum in this village, which was built in April. 1988. Completely adopt local folk crafts, deep foundation, waist and foot, lime mud wall and big blue brick small tile house. The folk performance in Shijiazhuang is a typical four-in-one courtyard of farmers in northern China, covering an area of 1900 square meters.
The building area is 725 square meters. The whole museum is divided into one hall, six rooms and one hospital. It represents and embodies the farmers' life and customs in central Shandong in the late Qing Dynasty and the early Republic of China, and is of great value to the study of politics, economy and culture at that time.
Folk etiquette hall is a place where people worship gods and hold ceremonies on New Year's Day. The folk craft room mainly displays folk crafts such as paper-cutting, embroidery and New Year pictures, which shows the artistic talent and interest of local people. The folk recreation room displays dragon lanterns, stilts, dry boats, lion bags and popular games and entertainment equipment in folk festivals. The farm tools room displays all kinds of farm tools since the late Qing Dynasty, and hangs a Four Seasons Production Map, which vividly depicts the farming process of farmers all year round. There are all kinds of household appliances in the farmhouse living room, including simple household appliances, exquisite tableware and banquet supplies for guests. Old tools such as rolling, elastic, spinning, weaving, printing and dyeing are displayed in the agricultural home textile room, and there is a large mural "Agricultural Home Textile Map" on the wall. Calligraphy and painting are hung on the wall of the village school, with the words "Four Books and Five Classics" written on the desk and Four Treasures of the Study listed on several tables, which reappears the face of the private school in those days.
The couplet on the gate of the wedding custom courtyard reads: "Two stars meet in the sky, and six ceremonies on earth become a success." There are sedan chairs and incense table candles in the courtyard for worshipping heaven and earth. The new house is decorated with wedding decorations, which is full of festive atmosphere. Guests from all corners of the country can hold a traditional China classical wedding here and enjoy family happiness.
The backyard is equipped with a mill, a mill and a carriage. At the request of tourists, the host can push the mill, push the mill or take a carriage to walk on the country road outside the village, fly kites and enjoy the pastoral scenery.
2 Qingyun Mountain Folk Amusement Park
Qingyun Mountain Folk Amusement Park is a large-scale tourist park which integrates tourism, sightseeing, entertainment, investment and shopping. Covering an area of 3,000 mu, it can be called "the first garden in Shandong". Qingyun Mountain Folk Amusement Park is located at the intersection of National Highway 206 and Provincial Road, Anqiu City, with convenient transportation. Qingyun Mountain Folk Amusement Park has basically utilized the original natural mountains, lakes, streams and vegetation resources, planted precious tree species, flowers and large bamboo forests, and formed a large-scale amusement place integrating travel, fun, play, eating and living. The park is divided into six scenic spots, each with its own characteristics. In the park, one step at a time has changed a lot, making you linger.
3 Weifang Hua Fu Amusement Park
Various celebrations are brilliant and dazzling.
Fashion Pioneer Art-Body Painting Landed Again
Mao Zedong's 10,000 badges reproduce the charm of great men.
Hua Fu Art Troupe's "Happy Autumn" Special Song and Dance Performance
Street performance, large-scale welcome, unlimited joy, relaxed and wonderful.
Dear friends:
Hua Fu amusement park is full of festive atmosphere every day.
On this sunny day
All the staff of Hua Fu Amusement Park are waiting for your arrival with a brand-new look.
Weifang kite museum
Weifang Kite Museum is located at No.66 Administrative Street, Kuiwen District, Weifang City. /kloc-0 completed in April, 989. It is the largest kite museum in the world at present. Covering an area of 1.3 hectares and building area of 8 100 square meters. The architectural modeling adopts the characteristics of Weifang leading centipede kite. The roof is a complete composite ceramic dragon, the roof is covered with peacock blue glazed tiles, and the wall is covered with white Massek. The whole architectural design style is unique, just like a dragon roaming the sky, crouching tiger, hidden dragon, rising again.
The museum has 12 exhibition halls, including the complex, China Pavilion, Weifang Pavilion and Friendship Pavilion. In an exhibition room of about 2,000 square meters, there are more than 2,000 kite-related treasures and cultural relics at all times and all over the world. This paper introduces the history, classification and innovation of kites, the friendly exchanges between Weifang International Kite Club and kite industry, and the general situation of Weifang.
The exhibition focuses on more than 300 kites in five categories: tube, board, hard wing, soft wing and thread 1000, and more than 300 kites with rich details, which comprehensively and objectively reflects the unique styles of Weifang kites, such as wide subject matter, beautiful shape, fine painting and gorgeous colors. This paper introduces foreign kites with generous conception, exaggerated shape, bright color contrast, emphasis on flight performance and high research value. Reproduced the grand occasion of previous Weifang International Kite Games; It shows the great changes that have taken place in all walks of life under the guidance of Weifang Municipal Party Committee and Municipal Government's decision of "building a stage with culture and singing opera with economy". 1988, international kite organizations recommended Weifang as the "kite capital of the world", 1989, and the "International Kite Federation" was established. The Kite Museum receives more than 30,000 tourists from home and abroad every year, becoming an important window for Weifang to open to the outside world.
5 Fuyanshan Tourist Resort
Fuyanshan Tourist Resort is located in the southwest of Weifang City 12km, with a planned total area of 10km and a controlled area of 23.5km, which is away from Weifang Airport 10km, Qing Ji Expressway 12km and Weifang Railway Station 13km. Fuyanshan Development Zone was officially approved by the municipal government in September1and was approved by the provincial government as a provincial tourism development zone in 1993. After seven years of development and construction, Fushanshan Development Zone has begun to take shape, and successfully held the 9th to 15th Weifang International Kite Flying Competition. Yanfu Mountain is the tail of Taiyi Mountain, with Gongming Mountain in the south and Fushan Mountain in the north, with an altitude of161.5m. Fushan Mountain is located between Liuwang Town and the southern half of Fushan Town. Yan Fu's name originated from the Tang Dynasty. Most of the original monuments on the mountain, such as Yanfuting, Xijiang Caotang, Cui Yongting, WoYuntai, Chaoyang Temple, Gongsunhong Tomb and Lutai Academy, have been restored. Yan Fu's whole mountain trend is northeast and southwest, with gentle east and steep west, changeable mountain landforms, dense valleys, flat and spacious top, lush trees and unique scenery in four seasons. The Yifushan Reservoir in Shanxi, where mountains and rivers set each other off, adds a bit of beauty to Fushan.
Yanfu is the only natural scenic spot in Weifang, and it is also a tourist attraction in Weifang. Weicheng District Government attaches great importance to the investment and construction of Fuyanshan Tourism Development Zone, and has invested 38 million yuan to basically complete the infrastructure construction and some scenic spots construction. At present, Chaoyang Guanshan Archway, a large kite flying field and a viewing platform have been built, the main body of Fuyuan Hotel has been completed, and the holiday villa area has been basically completed. The floating smoke mountain is now planned as six parts: 1, World Folk Garden; 2. Natural scenic spots; 3. Recreational activity area; 4. Holiday villa area; 5. Water sports area; 6. Logistics service area. After the planning is completed, the development zone will become a comprehensive multi-functional amusement place integrating entertainment, sightseeing, commerce and service.
6 Weifang Jinbao Paradise
Weifang Jinbao Paradise is a large-scale comprehensive sightseeing amusement park. Located opposite to Jinbao Business District in Shandong Province, it is adjacent to Weifang Civil Aviation Airport in the west and National Highway 206 in Weizhou Road in the east, with unique geographical advantages. Shandong Jinbao Group has built Jinbao Hotel, Jinbao Bus Station and Jinbao Travel Agency since its opening in August 196, and has received more than 10000 tourists, including overseas tourists 10000.
With a total area of 400,000 square meters, Jinbao Paradise integrates entertainment, appreciation, stimulation and participation. Rich folk customs and unique rural customs. Recreation area, eco-tourism area, suburban agricultural sightseeing area and leisure area are four good places for tourism and holiday. There are more than 120 entertainment attractions in the park, such as Kong Mingming, Dangshan River, aerial cable car, century clock and Yuan Huan tram. There are ornamental and leisure facilities, such as Jinquan Temple and Jinxiu Lake Diaoyu Center. Jinbao Hotel, Jinbao Travel Agency and Jinbao Bus Station can provide you with the best sightseeing services.
70 thousand jewelry
Wanyinlou is located in the center of Weifang 1 km, covering an area of 370 square meters and a building area of 380 square meters. It is 7 kilometers from Weifang Airport and 0.5 kilometers from Weifang Railway Station/KLOC-0. Wanyinlou was founded by Chen Jieqi in Guangqing for nearly 30 years. It is called Wanyinlou because it has collected more than 10,000 cultural relics. Since 1993 opened to the outside world, it has received more than 8,000 people, including more than 2,000 overseas tourists. Chen Jieqi (18 13- 1884), a native of Weicheng District, Weifang City, was a famous epitaph in Qing Dynasty. Daoguang was a scholar in 25 years, and was edited by the Hanlin Academy. He resigned in Xianfeng for four years and returned to Li. In the next 30 years, he devoted himself to the collection and research of epigraphy and became a master of epigraphy. With tireless spirit, he made textual research and research on epigraphy and wrote more than 50 kinds of works. Authorities in the field of cultural relics said that his arguments and criticisms were not only superior to those of his peers at that time, but also "unprecedented". His "Golden Stone Forest" is unique, simple and dignified, which enriches China's calligraphy art. With his lifelong efforts, he made outstanding contributions to epigraphy in China and won the admiration of experts and scholars at home and abroad. Wanyinlou building complex has typical architectural features of Weifang in Qing Dynasty, and has the style of court architecture in Qing Dynasty. The East Building here is the famous Wanyin Building at home and abroad. There are ten rooms on the second floor of the East Building. There are three rooms in the West Hall to display collections and academic achievements. The museum displays antique products and collects 1 1 pieces of chimes, taking the integer name "Ten Bells and Three Rooms". Rare treasures are: Mao and Zeng Berlin.
Eight fifteen yuan
Shiquan Garden was built in Ming Dynasty. It was originally the former residence of Hu Bangzuo, a doctor of punishments in Jiajing period of Ming Dynasty. In the Qing Dynasty, Chen Zhaoluan (the magistrate in Shunzhi period of Qing Dynasty) and Guo (the secretariat of Zhili in Guangnian period of Qing Dynasty) lived here successively, and were later bought by Ding Shanbao, the richest man in Wei County. In the 11th year of Guangxu period of Qing Dynasty (1885), they were converted into private gardens.
"Wat" is a long and narrow hand held by ancient ministers when they went to court. It is mostly made of jade, ivory or bamboo chips. Ding Shanbao explained the name of Wanyuan in Wanyuan Notes: "Because it is small and easy to use, it is called Wanyuan, and it is also named because of its small size." The word "10,000" comes from Fayuan Zhu Lin in the Tang Dynasty. In the book "Biography of Feeling", it is said that Vimalakīrti's home base was in Vishnu, and Tang Xianqing and Wang Xuance went to the Western Regions to measure their home base across the land, only 10,000, so it was named the abbot's room. Later generations described small-area buildings as "10". This garden covers an area of only 2000 square meters. It's really a small garden. Ding Shanbao took the idea.
Although the area of Shikoku Park is small, it can present the beauty of natural landscape in a limited space, which is exquisite and fascinating. There are 34 rockery ponds, winding bridges, pavilions and 67 rooms in the park. They are compact and not crowded, which makes people immersive. As in painting, they give people a sense of rigorous layout and step by step, which embodies the characteristics of northern architecture and is a wonderful flower in China classical gardening art. Shikuan Garden is rectangular in plane and consists of three axes of ancient architecture: the middle, the west and the east. The central axis building and its courtyard are the main parts of the garden. There are mainly the following attractions:
Ten Water Cottage enters the front yard to the east of the gate, and the main hall is the Ten Water Cottage. The building is a three-bay, seven-purlin building with no cloister, hard roof and Ming carved doors, and the words "Worship the Cottage in the Green Hills" inscribed by Chen Jieqi, an epitaph of the Qing Dynasty, are hung on the doors. Rock flowers are scattered in front of the hall, lotus fragrance overflows in the pool, and blue waves ripple.
Zhao Siting takes the meaning of sunny surroundings, hence its name. The pavilion is large and square, with six purlins resting on the top of the mountain, surrounded by bench railings. The pavilion is surrounded by water rings, full of feng shui and full of moon, which is quite poetic, and there is a curved bridge connected to the cloister in the west. Inside the pavilion, there is a horizontal plaque inscribed by Cao Hongxun, the champion of the Qing Dynasty, and there is a pottery seal outside the pavilion, which is the handwriting of Gui Fu, a calligrapher of the Qing Dynasty. The couplets on the pillars of the pavilion read "The breeze and bright moon are priceless, and there are feelings near the water and distant mountains", and the couplets hanging in front of the pavilion read "Looking at the clouds is ashamed to swim in the water". Step into the heart of the pool along the cloister curved bridge, and look around, the pool is full of lotus flowers and the scenery is pleasant. The stone tables and benches in the pavilion were the places where the garden owners loitered and recited poems. You can sit around the bridge fence and enjoy the panoramic view of the lotus flowers in the pool and rockery. Where the curved bridge meets the cloister, there is also a couplet that says, "Never tire of your heart, that is, you are happy."
There is a four-character stone carving of "flying kites and jumping fish" on the hexagonal door in the north of the kite-flying and jumping fish pavilion. Originally written by Han Yu in the twentieth year of Zhenguan in Tang Dynasty, it was later demoted as a self-encouragement work by Lingshu of Yangshan. The font is flying tactfully, permeating Changhong, with the brushwork meaning of Cao Zhuan, and the arrangement is just right. The casting of Cao Zhuan is in one furnace, which contains feelings in the book, showing the lofty ambition of "wide sky and birds flying", with both form and spirit, and both meaning and pen are good. This four-character rubbing was published in the sixth issue of Calligraphy magazine 1980, and it is a rare treasure. The stone carvings in the garden were copied by the painter Zhai in the middle of Qing Dynasty.
As steady as a boat, there is a boat-shaped building in the northeast corner of the pavilion, which is called as steady as a boat, and the pavilion surface is like a boat, hence the name. This pavilion is cleverly built with a six-purlin roof. It looks like a ship, just like breaking down in the water, and it can break down and untie at any time, which makes people think. At the north gate of the boat-shaped pavilion, there are couplets: the mountain pavilion is full of poems and the water pavilion is full of wind.
The rockery pool faces half of the rockery in the east, with a height of10m, a length of 30m from north to south and a width of15m from east to west. It was built with Taihu Stone as the gable of the courtyard on the east axis. Climbing step by step, the mountain road is rugged and the road turns with the peak, which is magnificent. There are ponds, caves, waterfalls and mountain gates, and there are conifers and cypresses on the mountains, which are evergreen all the year round and will not wither in winter.
Weixiu Pavilion was built on the top of a fake mountain, which was taken from the Preface to Drunk Pavilion written by Ouyang Xiu in the Song Dynasty. Those who look beautiful, deep and beautiful are all named after the words "Wei" and "Xiu" in Langya. There is a Luohan stone carving painted by Jin Nong, one of the eight eccentrics in Yangzhou, which is unique and fascinating. There is a solitary pine next to it, reaching into the sky, and there is a couplet: Xiaoting Mountain is the highest and there are many sunsets.
There is a Xiating at the southern end of Luoxiating Mountain, which is a four-purlin shed structure. Zheng Banqiao's hand-carved stones "Three Paintings", "Tian Youyan" and "Painting Bamboo" are embedded in the pavilion, and the hanging "Chatting to avoid the wind and rain" is inscribed by Zheng Banqiao. The couplets of the sunset pavilion are: bamboo is suitable for rain, pine is suitable for snow, flowers can be Zen, and wine can be immortal.
Yilan Pavilion, paved with pebbles, is located at the foot of the rockery corner in the southeast of the lotus pond. There is a small pavilion building with a pyramid-shaped roof of 16, which is called "Yilan Pavilion". This pavilion is small and unique, sitting on the sill of the pavilion, looking up at the fountain, with thousands of silver beads, one after another; Looking down at the fish, erratic. The ripple of the pool water is "Yi"; The clouds in the mountains are called "haze", hence the name. Fu Bi, a famous minister in Song Dynasty, used this name in his garden pavilion. Yilan Pavilion echoes Weixiu Pavilion on the mountain.
Opposite to Yilan Pavilion, Xiaocanglang Pavilion is a pavilion with a pyramid roof with four corners and covered with thatch. Its four pillars are primitive pine buildings, which makes it more elegant, simple and interesting. Canglang, from Mencius Li Lou: "The water of Canglang is crystal clear and can drown my tassels;" The water in the rough waves is turbid, so you can lick my feet. "There is a big stone by the pool under the pavilion, which can be used to stand on its feet. Su Shunqin, a poet in Song Dynasty, once built Canglang Pavilion in Suzhou, which is a famous garden. Xiao Canglang was named after the owner by Canglang Pavilion in Suzhou Humble Administrator's Garden. So the pavilion is smaller, hence the name Xiao Canglang. There are stone tables and benches in the pavilion, where you can drink tea, enjoy the cool and wash.
The cloister stone carving has a cloister in the west of the pool, which skillfully separates the western axis from the central axis landscape, which not only plays a role in rational landscape layout, but also increases ornamental buildings. Carved teeth on the gallery and railings between the columns. On the wall of the promenade, there are five stone carvings by Zheng Banqiao and Cynthia. Wan Yuan, written by Ding Shanbao and Hanlin Ding Lianggan at the southernmost tip, describes the situation and intention of building a garden. This is the best historical data of Wanyuan Garden. At the northernmost point is Wan Yuan written by Zhang and Cao Hongxun.
Chunyulou goes out of the cloister to the north, and the second floor in the west of the courtyard is Chunyulou. This building is a three-bay, seven-purlin building, with the gate surrounding the mansion and corridor, supplemented by bench railings. It is called Chunyulou, which is a famous sentence borrowed from the poem "The First Day of Spring Rain in Lin 'an" written by Lu You, a poet in the Song Dynasty. Although it was built in the Qing Dynasty, it also has the architectural characteristics of the Song Dynasty. Climbing upstairs in rainy days, the window is elegant. The word "Spring Rain House" was written by Cao Hongxun.
The North Building of Xiang Yan Building is the main building of World Wide Garden, which was built in Ming Dynasty and is called Xiang Yan Building. Its structure is two-story, with two bays and five purlins and a hard top; There is a platform in front of the building, with round windows and square tables, which are antique; There is a front porch outside the upstairs doors and windows, which is protected by railings. Xiang Yan Building is the original owner's library and reading place. Its name is borrowed from the sentence "The gauze curtain warms the ink in the daytime, and the light retting makes the foam disperse and the musk heavy" in the Song of Blue and White Purple Stone by the Tang poet Li He. In other words, the study during the day is warm as spring, the ink has patterns, and the ink exudes a loose musk smell, hence the name. Standing upstairs, looking around, "rockeries, waterfalls and flowing springs on the cliff, lotus ponds and lotus fields" have a panoramic view of the top ten water parks. Chinese and foreign painters and painters often meet and communicate here. As the poem says: If you want to get drunk in the Spring Rain Building, you will smell the Ten Halls; The bridge crosses Sizhao Pavilion, and the waves are small.
Fifteen yuan (continued)
Quiet as Fang Shan has a row of eight-bay west wing rooms on the west axis, and its courtyard is called the garden in the garden. From south to north, the first is a quiet mountain house, which means quiet, elegant and clean. This is a more advanced room.
Autumn Sound Hall is named after Ouyang Xiu's Autumn Sound Fu. It is the place where guests stay, and there is a stool railing in front of Baoxia.
The name of the willow around my hut is that the willow around my hut is in the north hall of the west garden. There is a saying in Queti written by Liu Shenxu, a poet in the Tang Dynasty: "Shut up the mountain road, and you will have a bright future." . Because it is borrowed as the name of the bookstore, it shows that his interest lies in reading and he is not sociable. He was deeply immersed in Liu Yin's study. In the Qing Dynasty, He Guoyu, He Rihao and Qian all took this as their scientific name.
Songfeng Bookstore passes through the willows around my hut and enters the yard. The North Hall is Songfen Bookstore, which is the owner's study. The carved beams and painted buildings in the hall shine brightly. The backyard of this hall is the west wing, and the north hall is called Anxue. Kang Youwei changed it into a "small book nest" after visiting Shishui Garden.
Biyunzhai is located in the East Axis, and there are four hospitals including Biyunzhai. Biyunzhai is the owner's home, which symbolizes the clear sky in Wan Li. There is a small corridor in the east and a 10 carved bamboo stone painted by Feng Qizhen in the east corridor, which was inscribed by Dong Qichang, Xing Dong and Ye Li respectively. The west gallery is embedded with Zhao Ziyong's bamboo carvings. In the painting, Zhao Ziyong wrote a poem by himself, saying, "Take bamboo as a teacher, you don't have to learn from the ancients. You need to know your mind and understand your mind. " There are many other stone marks in the garden.
The monument of Chenghuang Temple is1.90m high, 0.80m wide and 0.20m thick. The inscription is 20 lines with 47 words each, written by Zheng Banqiao. It is extremely rare in Zheng's calligraphy, and it is called "Three Wonders Monument". Zheng Banqiao doesn't believe in ghosts and gods. In the inscription, he insisted that God was created by human beings and the divine right was given by human beings. He has a simple materialistic thought and is called a unique skill. Calligraphy is the masterpiece of Zheng Banqiao's regular script. Dan's calligraphy stone, carved by Stuart with his high feet, is exactly the same as the real pen, and it is a must.
The iron Buddha statue of Tang Dynasty was unearthed in 1962 Shifo Temple in Weicheng District, with ten existing gardens. According to Wei County Records and inscriptions, the Stone Buddha Temple was named Tiefo Temple before the Song Dynasty. Tiefo Temple was destroyed and converted into a stone Buddha Temple, which was buried underground. The iron Buddha statue is 3 meters high, 2 meters wide and weighs about 5 tons. The lower part and hands are damaged, and it is a cross-sectional pattern casting, which reflects the superb casting technology of ancient casting artists. Iron Buddha sits cross-legged, with his left hand on his chest and his right hand stretched forward. He has a plump and dignified face, a high nose, tight eyes, a kind face, a smiling face, his hair tied in a bun, and a beautiful shape, which embodies the typical artistic style of the Tang Dynasty. He is a rare giant iron Buddha statue in China.
The tortoise and snake tablet was originally located in Yuqing Palace, Weicheng District, with the word "tortoise and snake" written on it, hence the name. This tablet was written by Tan Chuduan, a Taoist priest in Jin Dynasty. The word "tortoise and snake" is an elephant cursive script. The font is powerful and magnificent. Yuqing Palace is a Taoist temple, and Taoism believes that the God of the North is Xuanwu, and the image is a combination of tortoise and snake. Taoist Tan Chuduan wrote this word to worship Xuanwu. When Taoism worships Xuanwu, the image of tortoise and snake is placed next to it.
Amin, a painter and calligrapher of stone carving in Wen Zhiming, was born in Suzhou, Jiangsu and died in Zhengde. He was recommended to try the official department at the age of each year and was appointed as imperial academy. In the early years of Jiajing, the Record of Wu Zong was revised in advance. Don't echo with Zhang Cong, Yang Yiqing, resigned and returned home. His cursive script has an eternal meaning of wisdom, such as Huang Tingjian, especially in small letters. He is good at painting landscapes and learning from Song and Yuan Dynasties, and is known as "Wu Pai" because his brush and ink are light and elegant. With Shen Zhou (or Zhu Yunming), Tang Yin and Chou Ying, they are also called "Ming homesick". He also exchanged poems with Zhu Yunming, Tang Yin, Xu Zhenqing, etc., and was called "four gifted scholars in Wuzhong". Fu Tian Ji has been handed down from generation to generation. The contents of the stone carvings in the garden are: everything has been cleaned up for many years, and there is still no reason for calligraphy. I want gulls to write a book for geese.
Dong Qichang, a calligrapher and stone carver from Dong Qichang, was born in Songjiang, Shanghai. Wanli has always been an ugly scholar, and the official is the Shangshu of Nanjing Ritual Department and Zhan Shifu. Pay attention to calligraphy and painting at home and abroad. Painting landscapes, living in the north, the works are beautiful and lush, detached from the dust, and calligraphers worship Yan, jade, clock and king, which is quite distinctive. This stone carving is a running script of Dong Shi: how to pick up the golden jade when it is lingering and light; Greet the morning with plain flowers and remember the past alone. "Zhiyuan (Lianyuan)" has a postscript: "Yang Junrun announced that he carved Hengshan books and carved stones on this volume, which is also a relic of my family. This pen is as big as Li Beihai. I know in autumn. "
Zhang Ruitu, a stone carver from Zhang Ruitu (A.D. 1576- 164 1), was born in Jinjiang, Fujian in the late Ming Dynasty. In the sixth year of the Apocalypse (1626), Li Jingbu was a senior scholar in Dongge. Wei Zhongxian uses objects, inscriptions on Zhong Xiansheng Temple, and a lot of calligraphy. Chongzhen first went. Make a judgment on the case and redeem it for the people. He is good at landscape painting and calligraphy, and is as famous as Mi and Dong Qichang. And Bai Hao Angie. The contents of the stone carvings in the garden are as follows: a night of spring rain, a thousand beds of green; If you don't know what you want, Tao is the foot of the kitchen.
Zheng Banqiao (A.D. 1693- 1765) was born in Zheng Banqiao Special Exhibition Room and Xinghua, Jiangsu. Born in poverty, decadent and informal, many people are crazy. Wei Qing county magistrate, one of the "Eight Eccentrics of Yangzhou". The imperial examination should be a scholar of Kangxi in Qing Dynasty, a juren of Yongzheng and a scholar of Qianlong. In the spring of the seventh year of Qing Qianlong (1742), he served as the magistrate of Fan County. In the 11th year of Qing Qianlong (1746), he was transferred to wei county Prefecture. Zheng Banqiao served as the magistrate of Wei County (now Weifang City) for 7 years, and his greatest achievement was to help the victims. At that time, there was a once-in-a-century drought in wei county, and a large number of victims were displaced. "10 sells a son, sells a woman on the 5th, and leaves a suit the next day. It's a long way to go in Xiu Yuan ..." was the portrayal at that time. He took decisive measures: on the one hand, he opened a warehouse to help the people borrow food, on the other hand, he reported it to his superiors; For the house under the millet, no matter the gentry and businessmen, it is strange to seal it up. It also built city walls and dredged rivers to help workers. "Yazhai is listening to Xiao lie, suspecting that it is the voice of people's sufferings. Some small officials in Caozhou County always care about their feelings. " He cared about the people everywhere and tried his best to save them in from the mire, so he violated the interests of the gentry and tycoons and was falsely accused of dismissal from office.
Zheng Banqiao's poems, books and paintings have achieved great success, and he is known as the "Three Musts". His paintings are beautiful, vigorous, casual and interesting, especially blue, bamboo and stone; Poetry pays attention to true feelings, is bold and generous, and is extremely moving; Calligraphy is a combination of calligraphy style, calligraphy, calligraphy and calligraphy. It is mellow and quaint and has its own name of "six books and a half". He is the author of Banqiao Anthology, Banqiao Letters Collection and Banqiao Poetry Collection. Zheng Banqiao has a certain position in the history of China literature and art. Mr. Xu Beihong said: "Mr. Banqiao is one of the most outstanding figures in China in the past 300 years. His thoughts, articles and paintings are particularly strange. Looking at his poems, paintings and calligraphy, we should not only look at Gao Zhi, but also combine good and strange, especially rare among ancient and modern geniuses. "
The Zheng Banqiao Special Exhibition Room consists of four parts: the first part is the preface, which includes Zheng Banqiao's portrait and statue in addition to words and objects; The second part focuses on the inscriptions left in Wei County, including the original "City God Temple Monument" written by Zheng himself and a stone carving in the courtyard, which is the masterpiece of calligraphy "Runge". The third part introduces Zheng's life and artistic attainments by displaying handwriting and text charts; The fourth part is an exhibition of contemporary monographs commemorating and studying Zheng Banqiao.
10 Yunmen Mountain
Yunmen Mountain, one of the first provincial-level scenic spots announced by Shandong provincial government 1985, is located 2.5km south of Qingzhou, with an altitude of 421m. The plain is covered with pine trees. Although it is not high, it has the potential of thousands of miles. It has been a famous mountain in central Shandong since ancient times. The main peak has a big cloud top and a hole like a door, which connects the north and the south and looks like a hanging mirror from a distance. In summer and autumn, clouds are lingering and pass through the hole, such as rolling waves, and the temples on the top of the mountain are looming and illusory, which is called "Cloud Gate" or "Cloud Gate Wonderland".
There is a natural sinkhole in the southwest of Yunmen Cave, the main peak, which is unfathomable. When the air pressure is low, steam often comes out, which is called "cloud hole". Yunmen Mountain is like a sea of pines and cypresses, lush, with cliffs and charming scenery. It is located in the south of Qingzhou Prefecture, like a natural barrier. Cloud Gate Fairy Mirror has always been favored by both Buddhism and Taoism. There are 5 grottoes and 272 statues on the sunny slope of Yunmen Mountain. In the shadow of Yunmen Mountain, there is a giant cliff stone carving "Shou" which is rare in the sea, and it is called "Yunmen Offering Life". Department of "Daming Jiajing thirty-nine years on September 9th, written by Ji Yang, palm principle in Hengfu". On the east side behind Yunmen Mountain, there is also the "Wanchun Cave" built by Jiyang. The main peak of Yunmen Mountain is called "Ding Dayun", which looks like a fish ridge and runs east-west. There are many temples and palaces. On the top of the mountain, there is a palace of "Dongyue Emperor" dedicated to the mother of Mount Tai. There are Langfeng Pavilion and Panshan Stone Steps 968 in the east and west. Climb to the top of Yunmen Mountain and look west. Camel Mountain and southwest peaks are undulating and spectacular. Yunmen Mountain's "Fairy Jade Girl Temple", "Wangshou Pavilion" and red walls and blue tiles are antique and magnificent.
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The Lotus Garden, located on the east side of the middle section of the Lotus Garden Street in Qingzhou City, was originally the private garden of Feng Pu, a scholar of Wenhua Hall and a prince's teacher, during the Kangxi period of Qing Dynasty, so it was commonly known as "Feng Jia Garden". This garden is small in scale, because it is a rare existing "Kangxi style" garden building, so it has high architectural and cultural value.
There are many stories about the history of the puppet garden. Some people think that it was rebuilt from the East Garden of Hengwangfu in Ming Dynasty. In the 23rd year of Chenghua in Ming Xianzong (A.D. 1487), Zhu Youmu Jun, the seventh son of, was made king, and in the 12th year of Hongzhi in Ming Xiaozong (A.D. 1499), he became a vassal of Qingzhou. Hengwang built a magnificent palace, and at the same time built a garden outside Donghuamen, named Dongyuan. According to the regulations of the Ming Dynasty, the layout and scale of the East Garden are similar to those of the imperial garden in the palace. At that time, all the facilities of the imperial garden were also here, but the scale was slightly smaller. About 180 years later, before retiring in his later years, Feng Pu, the prince of Wenhua Hall in Qing Dynasty, presented his Wanliutang in Beijing to the emperor, who gave him the East Garden of the former Hengwangfu. Rebuild the East Garden and name it "Ou Garden". This statement is quite popular in Qingzhou urban and rural areas, but there is no written basis. It is well documented that Feng Pu (A.D. 1609- 1692) was a scholar of Shunzhi in the Qing Dynasty for three years. Jishi Shu, editor, lecturer of Hong Wen Academy, assistant minister of official department and minister of punishments. "Duan Min Qiao Qin" won the trust of the emperor. In the tenth year of Kangxi (A.D. 167 1), he received a bachelor's degree in Baiwenhua Hall. The following year, he wrote to ask for a divorce, but Emperor Kangxi could not bear it, so he gave instructions: "Qing is sixty-four years old and she is still young. Once she is seventy, she will divorce! " In the 21st year of Kangxi (A.D. 1682), Feng Pu was granted a vacation at the age of 74, and was added as the Prince Taifu. He was 83 years old. He was thirsty for talents all his life, and he was good at writing poems and sentences, which was handed down from generation to generation by Jia Shan Tang Ji. Qing Xianfeng's "Qingzhou Mansion Records" contains: Feng Pu returned and opened a garden in the south of his residence, built rockeries and strange stones, surrounded by bamboos, called Pingyuan. It has a history of more than 300 years.
The original appearance of my garden, according to the great-grandson Ji's My Garden Brief, was originally a group of ancient buildings integrating mansions, ancestral temples and gardens. In addition to a large number of bamboos and flowers, the main building facilities are: one mountain (artificial rockery, divided into east, west and middle peaks), one hall (Jiashantang), two rivers (spring water and waterfall water), two gates (green gate of Lianyuanmen), three bridges (Dashiqiao, Hengshiqiao and waterfall water bridge) and three bridges. The Taihu stone in front of Shiting Pavilion is the crown of one side. In addition, there are buildings such as study, secluded room and camellia room. There is a plaque at the gate of the garden with the word "My Garden" written on it. Inside the door, there are stone screens on all sides, engraved with the seal script of the king of Gao Tang in Ming Dynasty. By the end of the Qing Dynasty, "the rocks and trees, though possible, were extremely barren" (Records of Yidu County in Guangxu of Qing Dynasty), with only one mountain, one hall and one pavilion left. ?