Tangwangxu

Rain is stored in the forest, smoke comes slowly, and steamed quinoa is used to cook millet.

An egret flies over the quiet swamp, and mango birds sing in the trees in midsummer.

I learned to watch the morning glory in the mountains calmly and eat sunflower seeds with dew under the pine branches.

Why should I scare seagulls, even if I think about it, by giving the honorary position to any clown? .

Precautions ① Fireworks are set off late: due to the long rain and humid air, fireworks rise slowly. ② Chenopodium album (lí): an edible wild vegetable. Millet (shǔ): the name of grain, which is the staple food in ancient times. Payment: Send meals to Abel Tamata Head. Dongfanghong (zρ): Deliver food to people working in the fields in the east. Pond: A field that has been cultivated for one year refers to a field that has just been cultivated. ③ Xiamu: A tall tree. Quasi: Birds sing gently. ④ Hibiscus (jǐn): plant name. A deciduous shrub whose flowers bloom in the morning and wither at night. The ancients often used this thing to understand the impermanence of life. ⑤ Fasting: vegetarian, long fasting. Dew sunflower: winter sunflower, an ancient vegetable name. 6 wild old man: the poet calls himself. Contention for seats: it means to retire from the mountain and compete with the world. ⑦ "Gull" sentence: In ancient times, people who had good gulls at sea swam from the flock to the sea every day. His father said, "I heard that seagulls swam past you. You take them and I will play with them." If we go out to sea tomorrow, the seagulls will not come down. Here, seagulls are used to describe people. [2] Despair: Describe vastness. Shady: it has been raining for a long time, and the wet fireworks in the forest are hard to rise; Cook the food and give it to the people who work in the east of the village. The paddy field is vast, and a line of egrets fly away; In the summer shade, there is an oriole crying. Cultivate nature in the mountains and watch the flowers pick up in the evening; Matsushita is vegetarian, while dew-folded sunflower does not touch meat. The village man is old, and there is no gap with me; Seagulls are suspicious. Why don't they believe in dancing? [3]

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Wangchuanzhuang, located in the middle of Zhong Nanshan Mountain in Lantian, Shaanxi Province, is the place where Wang Wei lives in seclusion. "Biography of Wang Wei in Old Tang Dynasty" records: "All Uighur brothers respect Buddha, live on vegetables and don't eat blood. Grow up fast in your later years and don't wear clothes. " In these seven laws, the poet described his quiet and elegant Zen life with the quiet and beautiful pastoral scenery of Wangchuan, and created a kind of artistic conception of harmony between things and me. "Rain is stored in the forest, and cigarettes are slowly coming, steamed quinoa, steamed millet and boiled millet." The first couplet describing Tian's life is what the poet saw on the mountain: it was the rainy season, the sky was wet and the air was moist, the smoke rose slowly over the quiet jungle, and the farmers at the foot of the mountain were cooking. Women steamed quinoa and boiled millet, prepared food and took it to Dongmao-Dong Tian, where men went to work early in the morning. As far as the poet can see, he first wrote the fireworks in the empty forest. The word "night" not only vividly described the smoke in the kitchen on rainy days, but also revealed the poet's leisurely mood. Then, we write about cooking in the morning, paying farm money and even having a picnic in the field, showing a series of pictures of people's activities, which are orderly and full of life breath, making people want to see the happy mood of farmer Fu Tian. The natural scenery written by Zhuan Xu is also the result of the poet's meditation: "An egret flies over the quiet wetland, and mango birds sing in the trees in midsummer." On the vast and empty plain covered with stagnant water, egrets take off, and their posture is so quiet and chic; Listen, far and near, in the beautiful forest, orioles are singing to each other, and their voices are so sweet and happy. In the summer of Wangchuan, birds are flying, and the poet only chooses orioles and egrets with different shapes and habits to describe them in connection with their respective backgrounds: snow-white egrets and golden orioles have different colors in vision; Egrets fly, orioles sing, one takes dynamics, the other takes sound; Desert, describing the wide distribution of paddy fields and broad vision; The sky is cloudy, the summer trees are dense and the realm is deep. These two scenes set off each other and cooperate with each other, making the rainy weather in Wangchuan, Shan Ye picturesque. The so-called "painting in poetry" is a good example. Li Zhao, a poet in the Tang Dynasty, sneered at Wang Wei's "easy-to-take articles and good sentences" (in the national history supplement) because he saw Li Jiayou's poem "Egrets flying in paddy fields and orioles singing in summer". Hu Yinglin, a scholar of the Ming Dynasty, advised him to say, "Prosper the Tang Dynasty, protect the middle Tang Dynasty, and protect the people who were stolen before? This is a beautiful poem. " According to the publishing house, Jiayou and Mosha are at the same time. Later, it is hard to say who used whose poem. But from an artistic point of view, their poems are still competitive. Ye Mengde, a poet in the Song Dynasty, said, "The words" desert "and" Yin Yin "are added to these two sentences, which are moved by the charm to show their own beauty. For example, Li Guangbi gave orders to the Guo Ziyi army, which was wonderful several times. " (On Stone Forest Flowers) "Mo Mo" has a broad meaning, while "Yin Yin" has a profound meaning. Compared with "Paddy Field" and "Summer Eye", "Mo Mo Paddy Field" has a broad and profound picture, which is full of sense of realm, rendering the vague tone and atmosphere of rainy weather. If the carefree working life of farmers written in the first couplet aroused the poet's strong interest and admiration, then the poet would be more intoxicated with the free flight of orioles and egrets. Moreover, in these two couplets, the activities of characters and natural scenery are not simple imitations of objective things, but have been induced and filtered by the poet's mind, with distinct subjective colors and reflecting the poet's personality. For Wang Wei, "Time goes by, but it gives me peace and relief from all kinds of affairs", being in this idyllic Wangchuan Villa is really a happy place, which can't help but make him feel endless fun. The following two couplets express the poet's joy of seclusion in the mountains. "I learned to watch the morning glory in the mountains calmly and eat sunflower seeds with dew under the pine branches." The poet lived alone in an empty mountain, lived in seclusion under a pine forest, and realized that life was short by participating in hibiscus, and picked sunflower for fasting. This feeling, in the eyes of ordinary people, is too lonely and indifferent. Poets who have long been tired of the hustle and bustle of the world appreciate great benefits from it, which is no less disturbing and deceptive than Vanity Fair. Why should I scare seagulls, even if I think about it, by giving the honorary position to any clown? ? Wilder always calls himself a poet. The poet declared happily: I have been delirious for a long time, and I have never thought of vulgarity. I have no problem with others and there is nothing to argue about. Who else will doubt me for no reason? Ordinary people can almost avoid worldly troubles and indulge in the joy of the mountains. "Zhuangzi Miscellaneous Fables" contains: Yang Zhu went to learn Taoism from Laozi, and the innkeeper greeted him on the way, and all the guests gave up their seats; After coming back from school, tourists no longer give up their seats, but "compete for seats" with him, which shows that Yang Zhu has gained the way of nature and is no longer separated from others. Liezi Huangdi contains: there are people near gulls at sea, and they don't suspect each other. One day, his father asked him to take the seagulls home. When he went to the seaside again, the seagulls flew far away, and his intimate relationship with them was destroyed by his ulterior motives. These two allusions, which are full of colors of Laozi and Zhuangzi, combine into one, expressing the poet's mood, which is the result of writing Zhai Qing and Xi Jing on the first part of the League. These seven methods, vivid in image and far-reaching in meaning, show the poet's leisure in seclusion in the mountains and away from the secular world, and are the representative works of Wang Wei's pastoral poems.