Suzhou Museum has more than 40,000 cultural relics, including 865 first-class cultural relics, 88 second-class cultural relics 1 188, and 32,295 third-class cultural relics, especially archaeological excavations, Ming and Qing paintings and handicrafts. In addition, Suzhou Museum has 725 kinds of rare books with 365,438+028 volumes, and 285,065,438+0 kinds of general books with 965,438+0,754 volumes, which is the key protection unit of ancient books in China. Five-section stone letter of the Twin Towers [Song Dynasty]: the top side is 22.5 cm, the bottom side is 27 cm, and the overall height is 44. 1 cm. 1956 was found on the third floor of Yunyan Temple Tower in Huqiu, Suzhou. The stone culvert plane is square, with a wide bottom and a narrow top. It consists of five overlapping parts. There is no carving, and the iron characters are already in it. [Song] Tathagata Buddha statue: 16 cm high. 1978 found the tiangong on the third floor of the Ruiguang Temple Tower. Buddha statues all have spiral hair and bun, but the carving treatment is different. Shoulders and arms are thin, chest muscles are strong, and the waist sits on the lotus platform. According to legend, Sakyamuni settled down under the bodhi tree and realized the way of osawa, which is the posture adopted. Therefore, Buddhism usually takes the whole body as the Buddha, and there is a flame backlight behind it, which shows light. [Five Dynasties] Copper Daikin Painted Tower: The overall height is 36.8 cm, and the bottom of the tower is 15 cm. This tower is square and can be disassembled. The whole tower can be roughly divided into five parts, namely, the top-down tower brake, the banana leaf angle, the tower body, the copper cover and the sumitomo of the sixteen arhats all around. The whole tower is carved in Indian style, and Buddhist stories are engraved on all sides. There are 32 stories carved on the outside of the leaf-shaped corner of banana, and there are 4 statues of heavenly kings on the inside. The tower brake accounts for about one-third of the whole tower, the brake seat is a lotus-shaped bowl, and the brake body has five-phase wheels. [Song] Bronze Buddha statue: 19.2 cm high, 1956 Discovered on the third floor of Yunyan Temple Tower in Huqiu, Suzhou. Steamed stuffed bun, with double earlobes, dressed in a right-handed cassock, sitting on a round futon seat, with a buckle on the back and no backlight. [Song] Eleven-sided Guanyin: 23.5 cm high. The two eleven Guanyin statues are roughly the same. Guanyin statue stands on the waist-sealed lotus platform, with one foot slightly extended to the side, wearing a heavenly dress, a ribbon gently draped in the right hand and an Aquarius in the left hand. The whole body is decorated with all kinds of jewelry, such as garlands, earrings, neck ornaments, chest ornaments, armbands, wrist bracelets and so on. A bead chain extends obliquely from the neck to the instep, with a slightly "S" shape. [Song Dynasty] Bronze Tibetan Buddha statue: 2 1 cm high. A statue of a Tibetan Bodhisattva was found in the Heavenly Palace on the third floor of the Ruiguang Temple Tower. It looks quiet and dignified, with a wide forehead and long ears, wearing a robe and a smooth face, sitting on a rectangular seat with his left foot on the lotus platform. Hold a ball in your right hand and put your left hand on your knee. "Five Dynasties" dense porcelain lotus bowl: the bowl is 8.9 cm high, with a diameter of 13.9 cm, the cup holder is 6.6 cm high, with a bottom diameter of 9.3 cm and a total height of 13.5 cm. 1956 was found on the third floor of Yunyan Temple Tower in Huqiu, Suzhou. This celadon lotus bowl made in Yue Kiln is composed of a bowl and a lamp holder. The bowl is straight and deep, and the cup holder is shaped like a bean. The mouth of the dish is turned out, the waist is tied, and the feet are omitted. The outer wall, disk surface and circle foot of the bowl are decorated with double lotus flowers, such as bas-relief protrusions, which are considered as the standard of secret color porcelain in the Five Dynasties and the Northern Song Dynasty. [Song] Stone letter relief Buddha statue: 46 cm long, 26.5 cm wide and 25 cm high. 1956 was found on the second floor of Yunyan Temple Tower in Huqiu, Suzhou. It is made of six cut inkstone slabs. The inkstone slabs are flat and rectangular with a top, and there are five embossed Buddha statues on each side of the letter. The bottom is engraved with ruyi moire lace, and the inside of the letter cover is painted. In the stone letter, there was originally a nanmu warp box with gold-plated carved edges. [Song Dynasty] Bronze mirror of acupoint Buddha statue: diameter 16.2 cm. Acupuncture Buddha statue, with the words "Cao Shusheng around the tower". [Song] Nanmu warp box: waist length is 37.8 cm, width is 19.2 cm, height is 2 1 cm, and the material is Nanmu. The bottom of the box is padded with silk fabric and coated outside, and the edges and seams of each part are inlaid with silver gold-plated lace. This warp box is generally complete, so it is more valuable to record the producer's surname on it. 1956 was found in Yunyan Temple pagoda in Huqiu, Suzhou, and is now in Suzhou Museum. [Song] Inlaid Luodian warp box: 34.8 cm long, 13.7 cm wide and 12.7 cm high. Warp box is divided into three parts: cover, body and table. The cover is a rectangular cover with a top, and the cover pattern is gathered into three flowers among the scattered flowers, with a semicircle crystal and colorful gems in the middle. The slopes and edges around are inlaid with Swiss flowers and diamond-shaped rings, with butterflies and bird-shaped cymbals in the middle. Pomegranate, peony and other flowers are embedded around the wall of the box, which means "full house of children and grandchildren". The base is sumeru-shaped, with a 16 concave platform door, in which there is a pile of pigments depicting Senecio, which is magnificent. [Song Dynasty] Wooden letter of Shengzhu Ruins: 42.5 cm wide and 123 cm high. 1978 Found on the third floor of Suzhou Ruiguang Temple Tower, the Zhu Zhen relic building is placed in this inner wooden letter. The letters in the inner wood are ginkgo wood, nested in five squares. There is a book on the inner wall, which reads "Diary of Dazhong Xiangfu on April 8, 2006 18", and a statue of Four Heavenly Kings is painted on the outer wall, which is a rare work in Song paintings. The statues of the four heavenly kings are evenly proportioned and their facial expressions are exaggerated, and the legacy of Wu Daozi, a painter of the Tang Dynasty, can be seen everywhere in the paintings. The brushwork is vigorous, the lines are vivid and smooth, and Liu Yemiao method is adopted. Zhu Zhen site building: the height is 122.6 cm. 1On April 2, 978, when three urchins boarded the precarious Ruiguang Ancient Pagoda and dug up bird eggs, they accidentally found a treasure that had been sealed for a long time on the third floor of the tower, and Bao Zhuang was one of them. The treasure house is placed in a black outer wooden letter, and there are two rows of white-painted regular script on the vertical wall of the wooden letter: "Ruiguang Institute Three Pagodas Zhu Zhen Relic Treasure House". The main body of Baolou is nanmu, which is divided into three parts: Sumeru, Buddhist Temple and Temple. Calligraphy and painting [Ming] Wang Chong's Spring Mountain Map: length 100.8 cm, width 30.5 cm; The foreign minister is 240 cm and the horizontal length is 57 cm. This "Spring Mountain Map" is an extremely rare painting. There is a poem in the upper left corner of the picture: "the eye-catching scenery is like spring, and the white sand and yellow water are sparkling." The porch window is full of books, and the crane is in the period. " [Ming] Liu Yu's "Smoke and Water": length 138.9 cm, width 44 cm; The foreign minister is 250 cm and the horizontal length is 73 cm. There are five-character poems by Liu Jue in the upper right of this painting, and Xu Youzhen's five-character poems and postscript are above it. According to the postscript, one day in Xia Hou in the second year of Chenghua, I took a boat to Shenxiangcheng and painted, inscribed and postscript at Shen Zhou's home, which conveyed the life scene of the literati in Wumen, especially the artistic feelings of "the south of the Yangtze River is incredible and emotional". [Ming] Lan Ying's "Imitating the Axis of the Wild Mountain": 33 1.5 cm in the longitudinal direction and 0/00.5 cm in the transverse direction; The foreign minister is 440 cm, and the horizontal length is 137 cm. [Ming] The meter "The Axis of the Red Apricot": length 156 cm, width 53.9 cm; The foreign minister is 255 cm and the horizontal length is 65 cm. This axis is painted with red apricots, outlining circles, which was the style at that time. The rocks in Xiahu Lake are thin, wrinkled, exquisite and strangely painted. Looks like Jing and Guan, looks like Fan Kuan. There are several clusters of peony behind the stone, and the painting method of Yuan people is quite easy to rhyme. In the picture, Shuang Yan looks at each other, with Black Swallow as the background and Bai Yan as the foil, which is unique. [Qing] Ren Xun's "Dairy Dragonfly Map": vertical 152.2 cm, horizontal 54.4 cm; It is 270 cm long and 85 cm wide. [Ming] Chen Chun's "Peony Lake Stone Map Axis": vertical 18 1 cm, horizontal 95.2 cm; The external longitudinal length is 290 cm, and the horizontal length is 1 18 cm. [Ming] Tang Yin's "Shrub Map Axis": vertical 109.4 cm, horizontal 58.9 cm; The foreign minister is 250 cm and the horizontal length is 89 cm. [Ming] Xia Chang's "Zhu Mo Figure Axis": 48.3 cm long and 25.8 cm wide; Foreign minister 2 15cm, horizontal length 57cm. In this picture, there are two clumps of ink bamboo on the left, one of which is dense and has a dynamic pressure; The other cluster is a new cluster, sparse and elegant, very vivid. Department "Zhong Zhao", Qian "Taichang Temple Qing Shu" seal. [Ming] Shen's "Lin Qiu Waterfall View Axis": length 143 cm, width 6 1 cm; It is 270 cm long and 90 cm wide. What Shen draws is that his paintings are rarely handed down from generation to generation. Porcelain blue and white flowers with broken branches: Xuande period. 5 cm in height, 29.9 cm in diameter and 20.3 cm in base diameter. The fetal mass is delicate and the organ shape is regular. Small mouth, shallow arc belly, fullness, sand bottom. Blue and white is pure blue with no black rust spots, and is made of domestic cobalt clay mineral green material with high manganese content. The inner wall of the dish is painted with blue-and-white peaches, lychees, cherries and persimmons, and the central decoration is Liu Hua, a dried leaf. There is a blue and white plaque on the edge of the outer wall, "Daming Xuande Year System", and there are four groups of broken lotus flowers around the abdomen. There is obvious flint red at the exposed tire of the foot. Shi Liuzun (Qing Dynasty): Yongzheng period. Height 18.2 cm, caliber 7.6 cm, base diameter 6.8 cm, and maximum abdominal diameter 15.6 cm. The fetal quality is firm and white. Pomegranate-shaped, five-petal flower mouth curled outward, neck tied, round shoulder, round abdomen, undercover false circle foot. The whole body adopts cobalt color as colorant, and the glaze pattern looks like blue water drops, so it is called "sprinkling blue", also known as "snowflake blue" and "emerald blue". Due to the different depths of cobalt splashing, the glaze color is blue and white, and the outer book "Qing Yongzheng Year System" is a blue-and-white six-character seal script. Blue-and-white glazed red peach vase (Qing): The mouth is slightly curled, the neck is long, the abdomen is full and round, and it looks like a planet in the celestial body, hence the name "Tianping". The whole device has reasonable proportion and smooth false ring foot. Peach trees and peach leaves are painted in blue and white to outline the flowers and peaches. Glaze red is the color of stamens and petals, and nine large and small birthday peaches are painted. The firing technology of underglaze red is superb, and the glaze is yellow-green, which shows the maturity of Shoutao. Shi Liuzun (Qing): The fetus is hard and white, pomegranate-shaped, with five petals curled outward, neck tied, round shoulders, round abdomen, and undercover false circle foot. The whole body adopts cobalt color as colorant, and the glaze pattern looks like blue water drops, so it is called "sprinkling blue", also known as "snowflake blue" and "emerald blue". Due to the different shades of loose cobalt, the glaze color has formed a blue, blue and white patchwork, and the outer book "Qing Yongzheng Year System" has six characters and three lines of blue and white seal script. The colorful sea dragon basin of Emperor Kangxi in Qing Dynasty: during the reign of Emperor Kangxi in Qing Dynasty. Height 4cm, caliber 2 1.3cm, base diameter 12.5. Open, shallow arc belly, big flat bottom, short round foot. The carcass is hard and white, with white glaze all over, and the glaze color is white and blue. The whole device is decorated with sea water dragons, and the outer wall of the device is painted with blue and white flowers under the glaze, red dragons on the glaze, and finally decorated with black colors. On the inner wall of the vessel, a golden dragon with five claws crossed the sea of clouds, with a fierce posture, slightly open mouth and horns swept back. The basic book "Kangxi Year System in Qing Dynasty" is a blue-and-white double-circle six-character two-line regular script. [Qing] Chen Mingyuan Zisha Square Bucket Cup: 5.4cm high, 1 1.9cm long and 10.4cm wide. This kind of cup is a vessel for holding wine, which is shaped like a square barrel and has a regular shape. Open, inclined abdomen, flat bottom. The whole device is chestnut shell color, the inner wall is light, and the decoration of the outer edge and the lower edge is continuously embossed for one week. A plastic collar is embossed on the left wall, and an arc handle for sheep and animals is molded on the right wall, and a movable ring is connected to the handle. On the front, there are 13 Chinese characters engraved in regular script, such as the cross poem "Keeping wine for a long time is king" and "Gengzi Xia Wei Cun Pu Tang belongs to the owner" and "Zuo Mingyuan", with a round seal of Yang Wen beside it. [Qing] Purple sand dried fruit washing: 3.7 cm high, 9.9 cm long and 8.3 cm wide. Fruit toast is actually an elephant, a half chestnut shell-shaped cup, made of brown clay containing fine white sand, placed on the scar of light brown chestnut, next to a walnut made of yellow clay and a watermelon seed made of white mud; At the top left of the walnut seeds at the bottom of the cup, there is a black Wuling made of brown mud and a peanut made of white mud, and at the top right, there is a litchi made of deep purple mud and a ginkgo made of white mud, which are used as the legs and handles of the cup. White porcelain embossed stilts in Ming and Dehua kilns: 9.7cm in height, 14cm in diameter and 10.9cm in base diameter. Reed furnace shape, open, flat mouth edge, short neck, flat abdomen, gaskin folding, outer ring foot, flat bottom. Foot dew, fetal quality as white as jade. White glaze is applied inside and outside, and the enamel is thick and moist as coagulated fat, similar to ivory white. The neck is decorated with embossed flowers for one week, the neck and abdomen are decorated with binaural animals, and the outer side of the circle foot is decorated with palindromes for two weeks. Blue and white sea water and white dragon plate: Xuande period of Ming Dynasty. Blue and white porcelain is a kind of underglaze porcelain. Its blue pattern is made by coating cobalt on the porcelain base, then applying transparent glaze and firing at high temperature of 1270. Blue and white porcelain was fired in the Tang Dynasty and became the mainstream of China porcelain in the Ming and Qing Dynasties. In the center of this blue-and-white porcelain dish, there is a five-toed white dragon with dark flowers, and on the outer wall, there are two little dragons playing. This porcelain plate is one of the typical representative works of official kiln in Xuande period of Ming Dynasty. Qing Shunzhi Blue and White Bowl: Qing Shunzhi years. The height is 7.2cm, the caliber is 12.9cm, and the base is 6cm in diameter. The shape of the organ is regular, the mouth is curled, the abdomen is deep, the abdomen is slightly contracted, and the foot is round. The feet are deep and the edges are smooth and tidy. The carcass is exquisite, the glaze is white and blue, and the blue and white are elegant and steady. The composition of the whole device is rigorous, and the inner and outer walls of the vessel are decorated with slender lines. In the center of the inner wall of the container, a picture of a baby playing is painted with blue and white circles. There are two groups of scattered flowers on the outer wall of the vessel, with strong Tang rhyme. The basic book "Qing Shunzhi Year System" is a blue and white double-circle six-character two-line regular script. Huanglongpan (Ming): 3.9 cm high, 18.6 cm in diameter and 12.9 cm in foot diameter. The fetal quality is fine and firm, and the thickness of the carcass is uniform. The mouth is slightly constricted, the abdomen is shallow arc, the round foot is short, and the bottom is slightly collapsed. The yellow glaze on the outer wall of the dish is painted with Qinglong and moire. Blue-and-white double-glazed bottom has four characters and two lines of regular script of "Zheng De Nian System". White carved flowers, fruits, grapes and mouth plates during the reign of Xuande in Yongle, Ming Dynasty. The height is 2.6cm, the caliber is 20. 1cm, and the bottom diameter is 1 1.7cm. The disc is rhombic, shallow and round, with fine sand flat bottom and clean glaze thickness. The hem is a circle with sixteen groups of ganoderma lucidum patterns, and the inside is composed of litchi, peony, loquat, camellia, pomegranate, hibiscus, peach and chrysanthemum. The center of the dish is a bunch of grapes, and the outer wall of the dish is composed of four groups of Ganoderma lucidum and four groups of plum blossoms. The whole device is like a blooming lotus without money. Ming Wanli Blue and White Sea Water Yunlong Cup: Ming Wanli Period. The height is 8.8cm, the caliber is 10. 1cm, and the bottom diameter is 4.6cm. The official kiln has a flat bottom and high feet, and the glaze is smooth, milky and shiny. Blue and white coat colors are blue and purple. There are two Yunlong on the outer wall of the decorated cup, one is chasing the head, the other is looking back and playing, chasing among the clouds in the sky. The belly is a sea rock, and the cup handle is composed of fifteen clouds. In the center of the white cup, there are two blue circles of blue and white six-character regular script made by Daming Wanli. Ming Wanli colorful fish and algae bowl: small folds along the mouth, deep abdomen, shallow circle foot. The glaze is delicate and moist, milky white, and the blue-and-white tone is blue-purple. The inner wall of the vessel is decorated with more than five blue and white moire patterns, and the front Yunlong is painted in the central blue and white double circle. The outer wall is decorated with eight blue-and-white fish and four kinds of algae, and the blue-and-white algae is added to the glaze. The upper space of the fish is decorated with nine colors of flowers, such as yellow, green, black and red, as if the fish were swimming comfortably in the algae. Blue and white double-circle outsole book "Daming Wanli System" has six characters and two lines in regular script. Jurentang Pastel Plum Magpie Flower Bowl: During the Republic of China. This pair of porcelain bowls was donated by Yuan Jingzhen, the 13th daughter of Yuan Shikai. The fetal quality of the utensils is as white as snow and the color is pure. The inside and outside of the bowl wall are painted with pastel magpie pictures. The patterns are exquisitely painted, especially the Bai Mei, red berries and green leaves all show the depth of light and shade, which is very three-dimensional. General dry official kiln pastel porcelain is not inferior. There are four characters of "Jurentang system" in the circle. The real Hongxian porcelain is very rare, and these two objects collected by Suzhou Museum are even more precious. Blue and white figure pen sea: this is the blue and white figure pen sea in Kangxi period of Qing Dynasty. The pen sea is a relatively large pen container. This thing is beautifully painted, with bright cyan and suitable shade. This object has the main characteristics of blue and white in Kangxi period-five-color blue and white. Pengnian purple sand pen container (clear): 8.2cm high, 8cm long and 6. 1cm wide. Root-shaped pen holder Purple clay. The body is engraved with light smoke, beautiful moon, sunset glow and light snow. It is made in cloudy weather in late summer. The seal script at the bottom of the document is Peng Nianyang. Gao Zubei (Ming Dynasty) painted the red sea water flying beast pattern: Wanli period. It is 8.9 cm high, 9.7 cm in diameter and 4.8 cm in base diameter. Flat bottom and high circle foot. The glaze is smooth, milky white and moist, and the blue and white hair is slightly purple. The outer wall of the cup is painted with red sea water, including blue and white black dragon, unicorn, hippocampus, flying elephant, lion, deer, phoenix, carp and so on. The cup handle is made of red sea rock. The white cup heart is a blue and white double circle "Daming Wanli system", with six characters and two lines of regular script. Bronze palindrome: Shang Dynasty. Height 26cm, caliber 14.5cm. Horn mouth, high circle foot, eight chest nails, decorated with palindromes, with inscriptions in the circle foot. Palindrome: Shang Dynasty. The height is 22.4cm, the caliber is 1 1.5cm,14.5cm. It is flat and round, lacking a cover, with ears and round feet. The shoulder is decorated with a circle of thunder patterns and rolled mouth. Taotie Tongjue: Shang Dynasty. Height 17.7cm, with tail, stream and three legs. The cross section of the foot is triangular with a round bottom. The handle has an inscription, two mushroom-shaped pillars, and the body is decorated with gluttonous patterns. Four-legged cup with double ring pattern: Zhou period. The length is 27. 1cm, the width is 17.8cm, and the height is19.5cm. It is attached with a cover and ears, and a four-legged fruit leaf ring is attached to the foot. The abdomen is deep and the circle foot is square. There are four grips on the cover, which are smart in shape, rounded in corners and cast with hollow patterns. There are two sets of heavy ring patterns on the fuselage and one set of heavy ring patterns on the cover. Three-legged beam lifting: Warring States period. Height 29cm, abdominal diameter 24cm. This cup is unique in shape, well-made, with reasonable decorative layout and gorgeous patterns. It is the representative work of Wu bronzes. Wine shaker. Bronze cups appeared in the early Shang Dynasty and prevailed from the late Shang Dynasty to the Western Zhou Dynasty. From the late Spring and Autumn Period to the Warring States Period, the so-called hanging beam cup appeared, which has quite local characteristics. Three sheep and three feet furnace: Xuande period in Ming Dynasty. 9.7cm high, caliber 19.8cm, abdominal diameter 2 1.3cm Kuiwen Cup: Late Western Zhou Dynasty. Height 20.5cm, caliber 23.5cm,15.7cm. Square, ears, full circle, with cover, cover decorated with Kuiwen button, cover and body decorated with Kuiwen. Uncle Yi Ding: Western Zhou Dynasty. Height 17.9cm, caliber 18.3cm, mouth edge everted, with ears and three feet. The outer side of the ear is decorated with heavy ring pattern, the mouth edge is decorated with cicada pattern, and there are three lines of inscriptions on the insole. Ding Yang: Zhou Dynasty. Height 16.5cm, caliber 13.6cm, ears, three feet, cicada pattern around the lower part of the mouth, and inscription on the insole.

(For more cultural relics in the collection, please refer to the resources:

)