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What does it mean that "praise is meaningless if criticism is not free"?
First of all, the phrase "If criticism is not free, praise is meaningless" comes from the French playwright Pierre Augustin Caron de Beaumarchais's The Wedding of Figaro. The general idea is-

Everyone likes to hear compliments from others, which is our nature. No one is perfect, but he is obsessed with the authorities, so he can't really evaluate himself. He needs someone to criticize him truthfully and seek suggestions for improvement.

Second, the introduction of "Figaro's Wedding":

Night in Figaro is one of Mozart's three most outstanding operas, which was completed in 1786. The Italian script was adapted by Lorenzo da Ponte from the comedy of the same name by French playwright Pierre Augustin Caron de Beaumarchais.

Errenzhuan plays an important role in drama. It depicts the psychological character of the characters and the subtle differences of love, which plays an important role in promoting the development of drama and strengthening the comedy effect.

Third, the writing background of The Marriage of Figaro:

Pierre Augustin Caron de Beaumarchais was the most important French playwright in the second half of the18th century. The appearance of Pierre Augustin Caron de Beaumarchais's comedies means that ancient times.

Completed the transition from classical comedy to bourgeois comedy. 1789, the bourgeois revolution broke out. The bourgeoisie realized the role of drama as a means of propaganda in the revolution and put forward the slogan "drama should educate the people". The revolutionaries also plan to build a people's theatre. 179111October 3 1, the constitutional assembly announced the abolition of the royal drama censorship system and promised freedom of performance. During this year, dozens of theaters applied for opening, among which * * * and China Theater are famous for their special performances of new plays supporting the revolution. During this period, a large number of tragedies and current affairs dramas were created to cooperate with or directly publicize revolution and revolutionary war. The bourgeois revolution made the actors finally gain citizenship, completely ending the tragic situation of discrimination and bullying in the past; The playwrights association was established to protect the legitimate rights and interests of playwrights. Pierre Augustin Caron de Beaumarchais's "The Marriage of Figaro" is the second part of his "Figaro Trilogy" written in 1930s. It premiered at the French Theatre in Paris on April 27th, 1784, when France was on the eve of the Great Revolution. This comedy has played a great role in exposing and satirizing feudal nobles. Although the comedy was very popular all over Europe, Austrian Emperor Joseph II banned it from being staged in Vienna.

Lorenzo da Ponte, a screenwriter invited by Mozart, was a court poet at that time. Because of repeated efforts, in the second year, in order to alleviate some domestic shocks, the emperor orally approved the adaptation of the opera to be staged. Mozart spent a year composing music. When he wrote this opera, he kept the basic idea of the original. The sharp contrast between the foolish and dissolute aristocratic master and the clever servant who won the victory is the basis of the whole plot development and music description.

1786, The Wedding of Figaro premiered at the Austrian National Theatre in Vienna. Due to the sensitive theme of the play, the domestic nobles were greatly indignant during the performance. Although the emperor personally appreciated this work, he was forced to ask Mozart to delete it many times. German version staged in Berlin 1790.

The Marriage of Figaro is the most famous of Mozart's many operas, the pinnacle of Mozart's operas and the most familiar one for China fans. This opera, written in 1786, is an introduction to Mozart's opera.

The Marriage of Figaro is still one of the most frequently performed operas in major opera houses. It is still a classic that many viewers will never forget, just like natural singing and complicated relationship between men and women, just like wrestling, endless tricks and dialogue with disordered roles. The dazzling speed of progress brings out the situation of you coming and going between men and women, the confusion caused by various agreements and commitments, and the interesting stories of who sings love songs to whom and who is not. With the technological progress of the modern stage, every time I watch this drama, I have a brand-new experience.

Four. About the author:

Pierre Augustin Caron de Beaumarchais Caron (1732.1.24—1799.5.18) was originally named Pierre Augustine Gallon. His first wife, a rich widow, died less than half a year after her marriage. He inherited a territory called Pierre Augustin Caron de Beaumarchais from his wife. In order to pursue the title of nobility, he changed his surname to Pierre Augustin Caron de Beaumarchais.