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What are the main points of film and television editing and what should be paid attention to?
Film and television editing should pay attention to the following points:

1, flashing white:

When synthesizing a program, if you don't use white frame superposition directly, you can add Gamma and brightness to the original material to make a simple animation, and then superimpose it, so that the bright part of the picture is white first, and then the whole picture is white. It feels like an optical change, not monotonous, and it is best to keep something faintly visible even when it is whitest, that is, without pure white and monochrome.

2, cut:

The pure tangent will be replaced by the overlap of 1-2 frames, and the transition will be smoother.

3, the picture color:

Try to avoid pure black and pure white, even black, and replace it with very dark red and blue, which will make the overall color more harmonious. The specific tone is determined by the overall tone.

If the film is not bright enough or dark enough, try to avoid the absolute method of brightening or darkening as a whole, and replace it with relative methods such as increasing the area and proportion of bright parts. It is easier to control the local adjustment of the picture by using the curve tool. For the texture of metallic luster, the main principle is "gold is not afraid of black", that is to say, there must be dark parts in the production of metallic texture. Try to use moving lights to create flowing highlights instead of reflection maps. You can use negative lights to create dark parts.

4. Composition:

In addition to serious, authoritative, strength and other performance occasions, try to use asymmetric composition, try to consider composition from the perspective of editing and cohesion, and don't be too obsessed with single-picture composition. With the aspect ratio of TV, the composition of a single shot is very difficult. In composition, we usually consider not only the part displayed on TV, but also the dynamic three-dimensional composition that changes with time and space.

5, sound and picture:

For ambient sound, it doesn't have to exactly correspond to a picture clip. Generally speaking, the ambient sound enters first and then exits. It is best to stagger 1-2 frames according to the waveform diagram and the cutting point of the picture. Feel it with your eyes and ears, and don't be too obsessed with keeping consistent with the waveform diagram and tangent point. Audition of Wang Education Professional Course-Download Online School APP (Drawing School)

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