From the King of Qi to Yang is a five-character poem written by the Tang Dynasty poet Wang Wei. This poem depicts the moving scenery seen during the tour, vividly and delicately showing the cordial feeling of changing the scenery and the high mood of candlelight night tour.

Text:

Vocational Education from King Qi to Yang

Author: Wang Wei

In the poor living room where Yang Xiong was studying and writing in the Western Han Dynasty, Huai Nan Wang Liu An passed by with wine.

Only to find that the birds' songs have changed, they have been sitting for too long, and even there are more flowers on the ground.

Walking through the winding forest path, the candlelight shines, and then suddenly becomes clear when you walk out of sight.

I always visit the city early in the morning, the city gate has not been opened, and the road has not been done, so I am accompanied by carnival.

Translation: None

On Yang's Teaching from King of Qi;

Li Fan, the king of Qi, is the fourth son of Tang Ruizong, the younger brother of Emperor Xuanzong of Tang Dynasty, a calligrapher and a corporal of rites. Leading Wang Wei and others to walk with Yang and others, and ordering them to write poems. The title of teaching poetry refers to writing poetry at the behest of the king. Other business, that is, villas.

This is a poem on the road, and the first couplet is light and smart, with the meaning of the topic. Andy, that is, Yang Xiong, a native of the Western Han Dynasty, was born in poverty and was a heavy drinker. Few people visited him. Sometimes, some busybodies take wine and vegetables from study tours. Chu Huaiwang, namely Liu An, king of Huainan, was from the Western Han Dynasty. He likes studying and has thousands of customers. Here, the Han Dynasty is used to describe the Tang Dynasty, the King of Huainan is used to describe the King of Qi, and Yang Zi is used to describe Shi Yang. The word "carrying wine" is a humorous brushwork. On the surface, Chu Huaiwang attached importance to talents and patronized the humble Yang Zhai with wine. In fact, it is written that the King of Qi took his poetry friends and guests to visit Yang's other businesses and had a good time. This writing not only points out the title of the poem, but also praises Corporal Li Xian of Wang Qi and enjoys happiness with his subjects. The second pair of couplets describes the endless interest of sightseeing, with unique feelings and unique understanding. Sitting for a long time, there are many fallen flowers. When sitting for a long time, there is an intertextuality between sitting for a long time and sitting for a long time, which means that the night birds and songs at the beginning of the banquet have been replaced by the morning birds at dawn, and a new layer of fallen flowers has accumulated around them. These two sentences, with poetic brushwork, describe a healthy night spent in the flowers and birds. This couplet is lyrical about the scenery, fascinated by the scenery and delicate in feelings, and has become a well-known sentence. The Song Dynasty poet once said in "Zhou Zhai Shi Hua": Wang Wei? When birds are singing and changing, how much do they spend sitting for a long time? ; Li Jiayu? Rain and wet clothes are invisible, and idle flowers fall to the ground and listen to silence? ; Gong Jing? Counting the fallen flowers because I sat for a long time, I slowly found that the grass was too late. . The third part is the return trip, led by Xinglan, and sat for a long time. The path turns back to the silver candle, and Lin Kaiyu is scattered. The first sentence is about going through a winding path, and the second sentence is about going through the Woods. Ke Yu, a kind of clock, means its beauty. Zhang Hua's Thin Man has a feather cover of Wenxuan Tree, which is based on a sentence by A?vagho?a Ke Yu. With the winding extension of the path, the candlelight moved in a twinkling, and after passing through a dense forest, the eyes were suddenly enlightened. Wang Qi and his entourage immediately dispersed, controlling the longitudinal direction, which was full of fun. The tail couplet describes the situation when we arrived at the city gate: Yancheng has not yet started, and the road ahead is full of songs. It means to indulge yourself and go home late at night before the city gate is opened. Even at this time, we still get together all the way and are not tired.

This poem begins with allusions and has a slightly humorous tone. Couplets are quiet and ethereal, full of emotion. The neckline turns, and the brushwork is ethereal. In the middle, these two couplets not only depict the moving scenery seen by tourists, but also vividly and delicately show the cordial feeling of changing scenery and the high mood of candlelight night tour. There is a fading thud at the end, and the reverberation is around the beam.

Author information:

Wang Wei (70 1 year -76 1 year, 7665438+699), Han nationality, was born in Zhou Pu (now Yuncheng, Shanxi) in the east of the Tang Dynasty, and his ancestral home was Qixian, Shanxi. He was a famous poet and painter in the Tang Dynasty, known as "Mosha" and "Wang Youcheng". There are more than 400 poems, including Acacia and Autumn Night in the Mountain. Wang Wei, a Zen master, learned Taoism and was proficient in poetry, calligraphy, painting and music. He was also called Wang Meng with Meng Haoran. Su Shi commented on this: poetry is full of paintings; Look at the picture. There are poems in it.

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