Edit the performance of this paragraph.
The plan has three parts. The first part shows the indoor structure and size, including building size, clearance size, location and size of doors and windows; The second part indicates the specific shape and size of structural decoration, including the position of decorative structure, the relationship between decorative structure and building structure, the specific shape and size of decorative surface, and the material specifications and technological requirements that should be indicated on the drawings; The third part shows the placement position of indoor furniture, equipment and facilities and the size relationship of their decoration layout, and shows the specifications and requirements of furniture. Graphic design is to combine different basic graphics into patterns on the plane according to certain rules. Mainly in two-dimensional space, the boundary between the map and the ground is divided into contours to describe the image. The sense of space shown by graphic design is not a real three-dimensional space, but an illusion space formed by the visual guidance of graphics.
In this section, edit the development trend of graphic design.
(1) The appearance of personalized design computer has brought us unprecedented speed-the speed of business operation and the speed of change. Importantly, the drastic changes in the global business environment mean that we can get in touch with customers through direct mail and TV advertisements, which have created a fierce environmental element for designers in the graphic design industry. At present, business and design industries overlap, and design work must be able to mark its own territory in this new environment with high demand. With more and more logos around, designers have to adapt to unfamiliar new fields again. One of them is the network field which focuses on design and production. Under the pressure of science and technology, the new challenges put forward by the business community not only strengthen the importance of design, but also improve the potential ability of design. When the graphic design is stylized, its design creativity must be personalized. Individualization is a designer's unique insight into the personality differences of graphic design, and design becomes infinitely beyond itself and obtains arbitrary expression. Practitioners in graphic design seek individuality and advocate design style by reorganizing design elements such as design content and layout. Give full play to your extraordinary courage and creative spirit, and design will have more vitality on the road of personality expression. (II) Internationalization and Diversification In the ever-changing international environment, graphic designers have to keep pace with customers as much as possible. One of the biggest changes experienced by customers is the change to a more diversified labor object. People try their best to face the public in design, recombine the images of different nationalities in modern graphic design works according to their needs, so as to give consideration to all new elements and describe the design as widely as possible, so as to achieve the purpose of conveying multicultural information. At the same time, culture, especially youth culture, has become more and more global, and music and advertising have become particularly powerful forces, accompanied by the ability to update ideas with the changes of the country. In the field of graphic design, graphics is its visual language, which gives people the same feeling. Its biggest feature is to pursue an international perspective and make the design have first-class quality. However, globalization and diversified design requirements put forward a rational cognitive view of graphic creation, thinking angle and public understanding. The language expression of modern graphic design is consistent in conception and expression. Concise, vivid, smart and intelligent, it is very necessary to observe the trend of modern design in the world and study the influence of modern society on graphic design in order to keep keen design thinking and make the works conform to the design of the modern world. (3) The orientation of space-time plane design is very different from before. In the way of watching, whether by clicking with the eyes or using the mouse, the way of designing the space in depth is different, and the most important thing is that the speed is faster than before. After two-dimensional stylized design, designers are exploring new interfaces and trying to open up new thinking space. Scientific and technological progress and global informatization have shortened the temporal and spatial differences to some extent. People's imagination extends with the change of time and space concepts, and graphic design gradually extends from two-dimensional to three-dimensional and then to four-dimensional space. The space-time and technology in the design show us a wealth of space symbols. The superposition, perspective, dislocation and gradual change of design images seem to bring us to the big space of three-dimensional thinking, which is in line with the idea of surpassing and breaking through two-dimensional plane put forward earlier by graphic design circles. In the process of graphic designers dabbling in other media design, it is an important demand to transcend two-dimensional design. In addition, the prominent way of key content has also changed. Designers no longer make the whole title larger than the font of the text. On the contrary, the size of the text in the title can be varied. This design rule broken by designers enables them to design character lines in any new style they think fit. Through this design, words and graphics will jump vividly on the page, screen, packaging box, bottle label or more places. This kind of movement is a typical representative of printed matter and interactive drawings, and it is the demand of design in the new era. (4) Demand for localized design No matter how popular the design is, their design style is determined by their region, thinking and lifestyle, and the local culture also has a certain influence on their design. Therefore, the designer's cognitive view of design is determined by his gradually formed design concept in the local environment. If designers can complete graphic design works based on local culture, the images they create will have their own ideas and independent expression ability, so that people can understand the context of historical development. From the perspective of artistic development, modern design concepts, both in form and form, have a certain origin with traditional visual modeling elements in China. Many schools of modern graphic design come from impressionism, cubism, constructivism and other modern painting styles, and these western modern paintings are more or less influenced by oriental art in enlightenment, especially from the enlightenment of China's traditional painting, which emphasizes the scattered perspective, the density of reality and the blank space. Through such combing, it is more logical to find the convergence point between the old modeling elements and modern design and improve the former. The morphological transformation of the old modeling elements with regional characteristics not only conveys the modern design concept, but also makes the old elements truly convey the modern information of the carrier, which conforms to the functions of modern design, thus getting rid of the limitations of the elements in use and semantic deviation. It is very important for local designers to defend the graphic design of soil and water research.