One is Xianpa in Yuen Long, and the other is flawless jade. If there is no strange fate, I will meet him again in my life. If there is a strange fate, how can my mind be empty? One is crying in vain, and the other is worrying about nothing. One is the moon in the water, and the other is the flower in the mirror. I wonder how many tears there are in my eyes, how can autumn flow to the end of winter and how can spring flow to summer! -"Vanity Eyebrows"
A Dream of Red Mansions is a tragedy with a smile. A Dream of Red Mansions not only describes the life of three generations of a feudal aristocratic family from glory to decline, but also boldly accuses the feudal aristocratic class of its shamelessness and depravity, pointing out their hypocrisy, fraud, greed, decay and sin. It not only points out the inevitable collapse and death of this family, but also implies the inevitable collapse and death of the class and society to which this family belongs. The heroes created and loved by Cao Xueqin's brushwork are two ministers and traitors who dare to judge the dying feudal aristocracy; Those who sympathize and mourn are the victims under the feudal system; What is criticized and denied is the hypocritical morality and unreasonable social system in feudal society. On the one hand, it was the former wood and stone alliance, on the other hand, it was a golden wedding. On the one hand, it is the aura of fame and fortune that feudal society must pursue, on the other hand, it is a fascinating free body. A Dream of Red Mansions written by Cao Xueqin shows us this silent contest. The tragic love story of Jia Baoyu and Lin Daiyu condensed all the smoke in this contest. "One is Xianpa in Yuen Long, and the other is flawless jade." The pursuit of quality is clean and neat. "In the face of all kinds of persecution and indifference under feudal ethics, even at the cost of life, the pursuit of quality and purity has never given up. While lamenting the love tragedy between Jia and Lin, we can see an important factor that caused the tragedy: Lin Daiyu's lofty personality was incompatible with the secular world at that time and could not be "integrated" with society. Her inferiority complex is the embodiment of her self-esteem and the beginning of her tragedy.
In A Dream of Red Mansions, she buries flowers, which is the focus of her personality. Her inferiority, self-esteem and self-pity are fully revealed in her "mourning poems": "Flowers wither, flowers fly all over the sky, and the fragrance dies. Who has pity for the fragrance?" "Three hundred and sixty days a year, wind knives and frost swords are pressed against each other, bright and bright, and it is hard to find a wandering. Flowers bloom easily, but they fall hard to find. I am worried about burying people in front of the steps, stealing flowers and crying alone, and spilling blood on the branches. " "May Nong have wings this day and fly to the end of the day with flowers. The day is over! Where is Xiangshan? Without a trick, I hid my love with a pure land. It's better to be clean than trapped in a ditch. I am going to die and be buried, but I don't know when Nong will die. The man who buried the flowers is laughing today, but who did he know when he buried them? Let's see the residual flowers of spring gradually falling, which is the time when beauty dies of old age. If you don't mourn for me, I don't know that flowers will fall and people will die. "
A secular person can't understand her thoughts. "I am dead and buried, but when will I die?" The man who buried the flowers is laughing today. Who did he know when he buried them? "In the face of falling flowers, she thought of the scene after her death, and she couldn't let go and shed tears. In front of feudal ethics, her inferiority aroused her self-esteem. When Baoyu was beaten, it was difficult for a clever woman to send Dan medicine to Xue Baochai, who had no rice to cook, and she also advised Baoyu to change his ways with admonition. As a supporter of Baoyu, a rebel of feudal ethics, Lin Daiyu, who is kind and aloof, just cried blindly, tears like peaches. Her crying is not weak. She sincerely supported Baoyu with her unique emotional experience of crying, and silently opposed feudal ethics. Therefore, it is only recently that I have a heart and a favorite.
"Quiet as a flower shines on the water, moving like a weak willow, the heart is dry, and the disease is as good as Xizi wins three points." Through Jia Baoyu's eyes, the author depicts a morbid beauty that is intelligent, versatile, beautiful and weak. Such a weak woman ignores the secular traditional laws and does the opposite. After countless times of destruction, when the end of life came, the ferocious face of feudal society accelerated her death. After reading A Dream of Red Mansions, we will never forget the scene before Daiyu died. When she was dying, Zijuan asked for help everywhere, but no one wanted to help. The old lady moved Baoyu's marriage to another place to avoid disaster. On the one hand, it is a festive scene of marriage, on the other hand, it is a sadness before death. "The day is over! Where is Xiangshan? " No wonder Daiyu buried flowers and kept chanting. Where is a clean and ideal place? Where is my own ideal place? Is it Xiang Qiu? The real society I live in now is filthy. I want to find my ideal place. Daiyu will never give up her pursuit of freedom until she dies. We are worried and dissatisfied with this. Under the yoke of feudalism, a pair of young men and women who are pursuing freedom are writing Where Are You Going? "Don't mourn for me, I don't know if the flowers fall and people die!" In this way, Daiyu died in the sound of Baoyu's wedding drums. Left with her sweetness. Where is the sweetness? Sweetness gains understanding and love in a world where one person does not accept the world and the world does not accept people. In the lonely world, Baoyu is the eternal warmth in her heart. In this world where love is nowhere to be found, Baoyu is the eternal pain in her heart. Although in the end she became a victim of those feudal systems.
"It's true when it's fake, it's really fake, and there's no way." The fake is true, which makes people wonder everything in A Dream of Red Mansions. As a soul figure, Lin Daiyu is different from ordinary people. She is her, a bunch of lofty, aloof and narcissistic empty valleys. Lin Daiyu's inferiority complex was given by fate, and she also wrote about her fate.
A Dream of Red Mansions is based on Jia, Shi, Wang and Xue, with the fierce struggle between feudalism and rebels around Jia Baoyu's life path as the main line and the tragedies of Jia Baoyu and Lin Daiyu as the main content. Through the vivid description of the decline process of the feudal family represented by Jiafu, it profoundly exposed and criticized the darkness and decay of the feudal society, and further pointed out that the feudal society had reached the point of "luck"
A Dream of Red Mansions vividly describes the whole life of China feudal society in the first half of the 8th century. The book has a large scale, rigorous structure, vivid characters and beautiful language, and has some obvious artistic characteristics, which is worth tasting and appreciating by future generations.
The author makes full use of all the excellent traditional techniques of China's calligraphy, painting, poetry, songs, music and other literature and arts, and shows a social tragedy, such as Jia Baoyu and Lin Daiyu reading the West Chamber, Daiyu burying flowers, Baochai catching butterflies, Qingwen catching autumn, Baoqin Li Xue and Daiyu burning manuscripts. And it is also manifested in characterization, such as Lin Daiyu's floating posture and poetic eyebrows. Natural and unrestrained literary talent ... All this is cultivated by the author with the rich artistic accomplishment of China's excellent traditional culture, which makes her always have a special charm full of poetry and painting in the Twelve Woman Groups, and the fragrance of oriental culture floats away. Cao Xueqin truly reproduces the complexity of the characters in A Dream of Red Mansions, which makes us feel as real as the characters in the works and in life. Jia Baoyu in a dream of red mansions is "hard to say, virtuous." It is hard to say that it is good, evil, aboveboard, bastard, clever and talented, vulgar and ordinary, which makes people comment. Not only Jia Baoyu and Lin Daiyu are the protagonists who entrusted the author's personality beauty, spiritual beauty and ideal beauty, but even Wang Xifeng, a notorious figure, did not write her as "all bad", but mixed her with some "hateful".
The author is good at revealing its unusual aesthetic significance through the artistic description of seemingly ordinary daily life, and even some unwritten and unrecorded social habits and details are vividly portrayed in A Dream of Red Mansions.
The outstanding achievements of A Dream of Red Mansions in ideological content and artistic skills have not only become the "insurmountable peak of China's novel literature" at home, but also attracted the attention and research of scholars in many countries internationally. Some French critics praised Cao Xueqin's keen vision of Proust, Tolstoy's sympathy, Miao Sai's clever humor, Balzac's insight and his ability to reproduce the top-down stratum of the whole society.
I have always thought that the greatness of A Dream of Red Mansions is that it embodies a declining trend, which is rare in China's classical novels and likes happy endings.
I have to thank Gao E, his successor. Although he couldn't keep up with Cao Xueqin's thoughts in many aspects, he at least let Daiyu die. Whether she died or not, at least she left Baoyu, which is very good.
It's not that I'm born cruel and like to watch other people's tragedies, but isn't there a saying? An old frontiersman loses his horse—a blessing in disguise. For a fragile feudal girl like Dai Yu, death is her liberation, the end of all her tragedies and her happiness. When she slept quietly in the ground and watched Baoyu still looking for a way out on earth, I had to say that she was still happy.
Maybe two people are romantic people, and romantic people should not meet each other by nature, because life is not romantic, and life will kill romance completely. Finally, the red rose turned into mosquito blood on the wall, and the white rose turned into white rice stuck to the chest. So, let romance come to an end at the most beautiful time and leave beautiful memories in each other's hearts.
But you might say that Daiyu's death was tragic and not romantic at all. In this respect, I don't approve of Gao E's sequel. Maybe Cao Xueqin didn't mean it. Maybe Daiyu really should shed tears to prove the front. Isn't this better? She was worried about Baoyu and wept bitterly for her bosom friend. After careful consideration, such a death is noble and sacred. However, Gao E did not write this. He finally made Daiyu vulgar, resentful and furious. This is not like the arrogant and self-admiring Daiyu we know, but like an ordinary woman who is frustrated in love.
Nevertheless, she finally left this trouble spot before Jia Fu collapsed, otherwise, because of her fragility, I'm afraid she couldn't stand such a big stimulus. Baoyu is a dude. He is not a man of indomitable spirit. He can give Daiyu little, let alone protection and comfort. He is still a weak person who needs protection from others, and Daiyu can't be happy around him.
So it is a kind of happiness to leave him memories. Baoyu himself can only give Daiyu a few good words. He's not even obsessed. Looking at Baochai's fate, I have to say that Daiyu is happy. Of course, some people say that Baochai only wants Grandma Bao's throne and doesn't care about Baoyu. Is that so? Is there a woman who naturally likes loneliness? Anyway, it is always painful to live alone. Besides, it is still a question whether she took the so-called grandmother Bao's throne.
If Jia Fu fails, at least Baochai still has a place to live, at least she has no husband and wealth, but isn't that right? Finally, Jia Fu was reduced to the point where the white land was really clean. What is the significance of the title of Grandma Bao Er to Baochai? Without a happy life and the care of her husband, isn't it a greater tragedy to live alone and die alone?
I always suspected that Baoyu didn't leave Jiafu because of Daiyu, otherwise he wouldn't have married Baochai. He was born at last, because his world had undergone earth-shaking changes, his ivory tower collapsed, and he finally understood his struggle. In fact, all his thoughts are on his family, and his family has collapsed, and everything is finished. Without any thoughts and struggles, he had to run away from home, perhaps to avoid disaster.
Imagine, can you imagine Daiyu washing her hands and cooking soup? Dressed in rags and skirts, and even relying on the relief of attacking people, then of course she can no longer be mean and gossip, but can only cry alone, not about love, but about life. When life has put a huge question mark on Baodai's love, can Daiyu still love Baoyu as always? I don't think so. I'm afraid the Longwang Temple will be flooded. Then Baoyu finally couldn't stand the pressure at home and left, which is very possible. He can't afford to live without taking good care of Baochai. The same is true of Daiyu.
Another possibility is that if Jia Fu can regroup, Gui Lan and Qi Fang, Dai Yu and Baoyu still live their happy lives, after many years, Baoyu may suddenly find his face wrinkled, then he will find the attacker around him like Aunt Zhao, and then his love will pass away in the years, and then Baoyu will recall that round and smooth baby sister.
In fact, love is very short. At least this kind of cross love gives us a lot of beautiful fantasies and expectations, just like Jack to Ross. He is the most beautiful memory in her life, but not the only one.
A Dream of Red Mansions is an encyclopedia of China's late feudal society. Focusing on the four families in the upper class, the novel vividly describes the whole life of China feudal society in the first half of the18th century. It is a mirror and miniature of this historical life, and a true portrayal of the irretrievable collapse of China's ancient feudal society. The characters are vividly written, and a story-the story of stone-begins with the fairy tale of Nu Wa. There is a clue to the hermit, which ends the whole story.
On the other side of the distant ocean, there is another country-Britain. She gave birth to a great, outstanding and brilliant playwright-Shakespeare. He developed a unique art form-drama with his own life experience. At that time, a nation, the immortal soul of that era, expressed itself in various forms and enriched itself. Just like the subtle relationship between Shakespeare and drama, Cao Xueqin and his Dream of Red Mansions are both part of the immortal soul of our Chinese nation. He is not so much an asynchronous masterpiece as a general history of China. It is not so much a description of aristocratic life as a true portrayal of the present situation. It reflects the charm of that language from small details, and creates many characters with vivid language. From the character's every move, smile and relax. Nothing can show the characteristics of the characters, so it can be said that there is no flaw in the narrative of that language. It can be seen that the development of a nation, the specific crux and the specific national planning are all related to this. This is not only a literary work, but also a Cambodian book.
The first 80 times and the last 40 times, I think it's just the opposite. There are many flaws in it. Jia Baoyu, for example, has been hinted that he is a tragic figure in the first eighty chapters, but in Gao E's works, he has become a scholar who is willing to study and take exams. From an urchin to a studious person, there is almost no connection between the two, which is incredible. Finally, I left my pregnant Baochai and became a monk. Moreover, it is said that Gao E continued to write A Dream of Red Mansions because of the previous funds. I don't think a person with a less pure original intention can understand Cao Xueqin's Dream of Red Mansions. Can't write well. Besides, it is very difficult and not easy to create a character like Cao Xueqin. I think it's better to keep these forty chapters from writing, to give people room for daydreaming or to listen to beautiful things.
After reading Fan's Dream of Red Mansions:
After reading the red chamber, my heart is sour. I don't know why. Is it to destroy the second house in Rong Ning? Is the fragrance of imported marble disappearing? Or the name of the speculator? It seems that there is a little of each kind. But I always feel that this is not the whole story. From a man's point of view, I was suddenly enlightened. This is jealousy. I envy Baoyu in the dark. It's embarrassing to say, but how many men are not sad to see a dude surrounded by countless beautiful women for no reason?
Speaking of it, there are countless love stories in a dream of red mansions. The first thing to push is Baodai's infatuation with pink. In a dream of red mansions, the love between these two people is the purest. Growing up, falling in love when you grow up. Cao Gong simply pushed the boat with the tide, making readers feel that another love story spread all over the world was born. Its appearance is so natural that few people doubt that it is so pure.
. But untimely love is synonymous with pain. Daiyu's unique rebellious and withdrawn personality and disdain for the secular make her stand out from the crowd everywhere. Reading the West Chamber before the flowers, there is nothing taboo; I don't like rhetoric, and I will do what I say; Advocating the truth, indifferent to fame and fortune ... all these make her like a lotus, always clinging to her purity, purity and cleanliness, as clear as jasper. Looking at her from an ordinary person's point of view, what I appreciate most is Dai Yu's poetry and humor. Daiyu often opposes her sisters by drinking, enjoying flowers and reciting poems. She is always brilliant and full of artistic sense. Whether it is a teenager listening to the poems on the rain song building, I want to be immortal; Or the desolation of plants and the return of wild geese to the south, the tenderness of flowers can solve the affair of language; All of them reflect her elegant and refined poet temperament. The most sighing thing is Daiyu's sentimentality. Her beauty is unlucky. Daiyu's life experience doomed her to be lonely and helpless, and her personality doomed her to be lonely and sad. Even though the people in the Grand View Garden are very busy, there is no relative she can rely on, no confidant she can confide in, and only the romantic and affectionate Baoyu makes her secretly promise, but she always suffers from considerations of gain and loss. So she's helpless.
"At the end of the day, where will Xiangshan go", lamenting that "the fragrant nest has been built in March, and the swallow nest between the beams is heartless", lamenting that "flowers are flying all over the sky, and the red fragrance is broken", and finally ending in the sad ending of "a wisp of fragrant soul scattered with the wind and never dreamed at night".
It is not so much that Lin Daiyu's position in Jiafu and her own cowardice are the causes of the tragedy, but rather that the feudal group headed by Yuan Chun ruthlessly killed the love between Baoyu and Daiyu, and this feudal society has a vicious track of responsibility. If A Dream of Red Mansions is really a description of Cao Xueqin's personal experience, then I can feel the pain of a man losing his beloved. The fire of hell is burning around me, which is terrible and makes my mind stagnate. This is not painful pain, but painful love. When Cao Gong, who had shed all his blood and tears, turned to face that unbearable history, how could he not sigh "full of absurd words and bitter tears"!
There is also the love tragedy of Xue Baochai. It's still so sad to see Daiyu die of depression. But after reading it, I heard Zhen Yinshi talking about "Qi Fang in Guilin".
I not only love A Dream of Red Mansions, but also never tire of eating it.
I have always thought that the greatest and most successful place of A Dream of Red Mansions is that it is a decadent and desolate beauty, and both family, love and official career are gradually declining.
In the Red Chamber, nothing attracts my attention more than Lin Daiyu. Daiyu is delicate by nature, without Baochai's elegance and Li Zhi's rudeness, as Baoyu said, "I know my heart better than I do, and my illness is as good as my beauty." Perhaps, her death due to illness was the result I expected. I didn't expect a person who was cared for and cared for since childhood to die without seeing Mrs. Wang and Baoyu. People change so fast in the blink of an eye. The arrival of death put an end to Daiyu's tragedy, which is unfortunate for her, but good for me as a reader. Because after her death, she won't be sad about burying flowers, excited about expressing her feelings with handkerchiefs, or crying about burning books. Some people say that Daiyu is finally angry. Indeed, she died with resentment. I object, but how can Daiyu change the doomed consequences when she has been ill since childhood? I think that "dying with hatred" is just the best reason for Daiyu to die without regret!
When I first started studying in the Red Chamber, I had the same idea as Grandma Bing Xin. Jia Baoyu's female voice and Lin Daiyu's crying are boring. Even let me have a clear feeling that writing it on paper is a waste of paper resources, but with the growth of age, I only tasted the unspeakable pain of "full of absurd words and bitter tears". What attracts me most about A Dream of Red Mansions? Character? Poetry? Content? I think it should be the end. I'm not laughing at how pessimistic its ending is. I just think it's good to let the suffering people ascend to heaven, let the hateful people become monks and let the hateful people fail miserably. Of course, without the painstaking idea of Mr. Cao Lao, it will not be evaluated by people, and it is listed as one of the four classical novels in China.
No one who has seen A Dream of Red Mansions knows the heartless Wang Xifeng, who is called "Feng Chili". For her "spicy", some people have tasted spicy enough, and readers can see it clearly.
Wang Xifeng's "spicy" appeared. Lin Daiyu entered Jia's house, came to Jia's house, met everyone and was talking. Suddenly, someone in the backyard said loudly, "I'm late, and I haven't seen any guests from afar!" " "If you don't see him, smell his voice first. Daiyu thought that at this time, everyone was holding their breath, respectful and strict. Why is this man so rude? She didn't know that the new comer was Wang Xifeng, the grandmother of Guo Rong's housekeeper. Wang Xifeng is really different.
Her beauty and dress, colorful embroidery, like a fairy, a group of daughter-in-law maids surrounded her. In front of this "ancestor", all future generations, including Mrs. Xing and Mrs. Wang, can only be respectful and polite, but Wang Xifeng dares to be so arrogant. When she arrived, the ancestors were happy, and Jia Mu immediately smiled, as if to bring freshness and excitement to Jia Mu. She also joked with her and introduced her to Dai Yu: "She is a famous ruffian here." Phoenix Pepper was called by Jia Mu and became famous from then on. Wang Xifeng's "provocation" was very obvious from the beginning.
So Wang Xifeng took Daiyu's hand, got to know her carefully, and sent her to Grandmother Jia to sit down. She smiled and said, "There are such beautiful people in the world, and I just met them today! And this perfect style is not like the grandson of our ancestors, but actually the granddaughter of our first relative. I can't blame our ancestors for not forgetting them every day. I only pity my sister for being so miserable that my aunt is dead! " These words ostensibly praised Lin Daiyu's charm, but in fact they were flattering. She wiped her tears with a handkerchief. Because she knew that Jia Mu loved her granddaughter very much and would cry when she saw her, she pretended to cry at once. Unexpectedly, she came late, and grandma was crying, so grandma said, "When I am ready, you can recruit me." When Wang Xifeng heard the grandmother's reproach, she immediately turned grief into joy and said, "Exactly! As soon as I saw my sister, I was covered with her, loving and sad, and even forgot my ancestors. Fight, fight! " He made an artificial gesture when he said it. Then she took Daiyu's hand and asked, "How old is Sister? Did you go to school? What medicine are you taking now? Don't be homesick here. Just tell me what you want to eat and play. Just tell me that girls and wives are not good. " At the same time, he asked the women, "Can Miss Lin's luggage be moved in? How many people did you bring? " And quickly ordered the servants to clean the room early and let them have a rest. On the one hand, show off yourself in front of everyone through warm and hospitable confession; On the other hand, it is also to show her concern for this granddaughter in front of Jia Mu and win her good opinion.
Wang Xifeng is like this to Jia Mu, but different to others. When Mrs. Wang asked her, "Have you paid the monthly money?" She took the opportunity to "spicy" Mrs. Wang and said, "Every month's money is released. I just took someone upstairs to find satin. I searched for a long time, but I didn't see what my wife said. I think my wife made a mistake? " "My wife remembers wrong" not only shows different attitudes towards people, but also shows that people are eager to compete everywhere. Mrs. Wang was dissatisfied with her answer and asked her to take two horses to cut clothes for Daiyu's elders. Wang Xifeng changed her mind and said "I expected it" and was prepared. Finally, she was really afraid of scalding Mrs. Wang and turned her head and said, "My wife will send it when she sees me." In this way, she not only made a favor, but also saved Mrs. Wang's face, making Wang Xifeng's "spicy" more difficult. In Jia's house, because of Jia's love and her status and identity, Wang Xifeng does not tolerate anyone who is a little disrespectful to her. That is to say, anyone who dares to touch her will be "spicy", including her uncle, sister-in-law and even her husband. For this reason, on her birthday, she cried and made a scene because of "throwing vinegar", with tears and snot, and she was dying. She made a scene in Guo Rong House, which made the room restless. Here, her provocative power is vividly displayed and more prominent.
Jia Rui, the brother-in-law of the same clan, wanted to flirt with Wang Xifeng. Instead of avoiding him, Wang Xifeng seduced him with a affectionate face. When Jia Rui said, "Sister-in-law is bored every day." "Exactly," said Xi Feng. "I just want someone to talk and relieve boredom." Jia Rui was about to start work when Xi Feng whispered, "In broad daylight, people come and go, so it's inconvenient for you to be here. Go ahead, wait for your turn at night and wait for me quietly in the west hall. " In this way, Jia Rui got a treasure as promised, and when the time comes, he was poured by the strong wind all night in the twelfth lunar month, which invaded the tendons and cracked the bones and never froze to death. Two days later, he came to search for Wang Xifeng again. Xifeng deliberately complained that he had broken his word and asked him, "I'm not here tonight. You wait for me in the empty room behind my house ... "Gary, who is obsessed with sex, rushed in again and was caught by Jia Qiang sent by Wang Xifeng, saying that he deliberately molested Wang Xifeng.
Wang Xifeng has reported the case to his wife, which scared Jia Rui out of his wits. Jia Qiang took the opportunity to force him to write down a contract that owed him fifty taels of silver. Finally, he got a bucket of shit and urine, which stinks with cold and ran home. When Gary came home, he was shocked and fascinated. He thought about getting sick and finally died in the west. It can be seen from this incident that Wang Xifeng deliberately "went to the acacia bureau" in order to retaliate against Jia Rui's disrespect for her and let Jia Rui know her fierce means. In Wang Xifeng's view, Jia Rui, a "toad", wants to eat my "swan meat", and Wang Xifeng invited by the "Dragon King" is ruthless, obviously a pot of fire and secretly a knife. We say that Wang Xifeng has both the "old evil" of feudal aristocracy's autocracy, selfishness and cruelty and the "new evil" of bourgeois hypocrisy, ruthlessness and greed. In order to get 3,200 yuan as a reward, she "spicy" the unmarried couple Zhang Jin in the "Iron Threshold Temple"; In order to protect her second grandma's position, Second Sister You was killed in Sword Kill, which made her more vicious, cruel and cunning.
When Wang Xifeng learned that her husband Jia Lian had a mistress and a second sister through a series of means, she was flustered, her eyes were stunned, but suddenly she frowned and had a plan. Knowing that she is barren and not as handsome as Second Sister You, she stubbornly opposes it, which will not only fail, but also ruin the plan. So she blamed her husband for not telling herself, on the grounds that "it is a family gift for her husband to marry a second wife and prepare to have children"; On the grounds that "slaves are not jealous women", she earned Second Sister You with a high voice at home, making her a turtle in a jar. She also said that with Second Sister You, she "advised Mr. You". The Jia family were very happy and betrothed their seventeen-year-old servant girl to Jia Lian as a concubine. At this time, Wang Xifeng did not pull out a thorn, but added another thorn in her heart. She was very upset, but she had to swallow it. According to these new situations, Wang Xifeng once instructed Zhang Hua, the fiance of Second Sister You, to complain, which made the Jia family noisy. At the same time, she adopted the strategy of retreating for progress in China, making her two new favorites jealous with You Erjie and "sit quietly and watch the tigers fight". Her strategy was to kill Second Sister You first, and then Qiu Tong, so he persuaded Qiu Tong: "She (second sister You) is second grandma now, so I'll give her three points. If you touch her hard, wouldn't you be killing yourself? " Qiu Tong used to have an old relationship with Jia Lian, but after he came over, he was like a pile of firewood and became close to Jia Lian. That's why she scolds you every day. She is so angry that you don't think about tea and rice all day. At that time, she was pregnant and cried sadly in her room, but she was afraid to tell Jia Lian. You Erjie used to be a snowman, but after walking less hard, she gradually became yellow and thin, sick and sick, and soon swallowed gold and committed suicide. During this period, Wang Xifeng said all good things and did all bad things. At the same time, she sent someone to kill Zhang Hua to avoid future trouble. Finally, she completely got rid of her second sister, who was competing with her. This kind of thing can only be done by this kind of "phoenix pepper" who ignores "heaven and humanity" and does not believe in "the retribution of the underworld".
We say that a dream of red mansions, a great literary work, reflects the true face and decadent nature of the declining feudal society through the description and depiction of these typical vivid characters, events, customs and human feelings. In these numerous artistic images, the author boldly and skillfully depicts their hypocrisy, fraud, greed, corruption and spiritual and moral degradation. Among them, the exposure and tracing of Wang Xifeng's vicious, immoral, clever and cunning "spicy" made us see the decay and ruthlessness of feudal society and the inevitable demise of feudal society. "One thousand dollars", how can a descendant of a ruined teacher be allowed to blaspheme?