Extended data:
These props can bring the image and characteristics of the horse through the actors' performance skills and movements, strengthen the emotional communication between people and horses, and let the audience better understand and experience the plot.
The first paragraph: traditional Trojan horse
1, Trojan introduction
Trojan horse is a very traditional stage prop, made of wood, satin and other materials. Actors can use wooden horse models to perform on the stage as needed, so that the horses on the stage look more realistic.
2. Restrictions on the use of Trojans
Due to the material problem of Trojan horse, it is difficult for Trojan horse to truly present its shape and posture, which may not be suitable in some realistic plays, and there will be various restrictions, such as rainy weather and natural restrictions of water.
The second paragraph: Silk imitates horses in traditional Chinese opera.
1, Brief Introduction of Simulated Silk Horse
Simulated silk horse is also a common horse simulator. Because of its portability and relatively low cost, it has been widely used in opera, dance, acrobatics and other fields.
2. Simulation of silk horse modeling
Silk-like horses are generally made of silk and can be made by sewing, filling and binding. Its shape can simulate the shape and posture of a horse, and even has various special needs, such as height, size, color and so on.
The third paragraph: the application of saddle
1, introduction to saddle
Saddle is a kind of seat for sitting on horseback, just as we must have a saddle when riding a bicycle now. In drama, an actor carrying a saddle can better show the connection and relationship between men and women.
2. Different styles of saddles
Saddle styles also have many different choices, which can be selected according to different needs. For example, the rider saddle often used in cowboy movies in the west is different from the ancient silver saddle and the buckskin saddle in the Han Dynasty.
Conclusion: Using different props to represent horses can make actors better present the roles and emotions in the play. Actors can also flexibly choose various props according to different scenes to bring out different horse images. In addition, the use of props can not replace the actor's performance skills. In the play, actors also need to express the characteristics and behavior of horses through body movements and performance skills.