The positioning of "Zhuangwangfu" in Tianjin is characterized by Wang Fu theme tourism, supplemented by intangible cultural heritage display, featuring Wang Fu cultural series display, Wang Fu live performance, China folk wedding and interactive entertainment projects. Layout planning
According to the planning scheme, this cultural tourism scenic spot is divided into five parts: the main space (gate, garden), the first courtyard, the second courtyard, the third courtyard and the green belt. Among them, Wang Fu Garden covers an area of nearly 9,000 square meters and has the style of royal gardens.
Walking up from the high terrace beside the road in Bai Causeway, the first thing I saw was a spacious courtyard. The hall opposite the north and the south is built in the middle, and the small houses on both sides are slightly smaller, and the winding cloister extends to the depths of the backyard. The square bricks on the ground are still so complete, and some places shine because they are often trampled. At the four corners of the wall, green moss did not know when to climb to the base of the wall. Looking up, the green glazed tiles in the main hall are neatly arranged on the roof, and the big kisses, hanging animals and running animals at both ends of the roof are peacefully guarded in their permanent positions. Their "belief" in being loyal to their duties does not seem to have changed slightly with the passage of time.
According to Wei's investigation, the ancestral hall in Chunli is designed facing south, so the main entrance should start from the zhaobi in the south of the house. "Many people think that the entrance to the southeast corner of Bai Causeway Road is the main entrance, which is wrong."
"Although the ancestral halls in Chun-Li are all buildings in Wang Fu, the original layout of Wang Fu was reversed during the reconstruction. It turns out that the layout of Zhuang should be the same as others, with houses first and gardens later. However, the ancestral temple in the spring is just the opposite. It built the garden at the gate, and the other four courtyards (originally four courtyards, and now the last one has built a new building) were built behind the garden. This is also a reason why some people mistakenly think that the front door is the main entrance of this house. " Chunli ancestral hall was built in 10, covering an area of 25,600 square meters. It is a rectangular building layout, consisting of gardens, zhaobi, stone archway, stone arch bridge, front hall, nave, back hall, annex hall and cloister. The whole building is colorful, with blue tiles and columns, and it is magnificent.
Although the zhaobi of the whole building is still there, it has been blocked by some bungalows built later, and the original face cannot be seen clearly. Only two stone lions guarding the gate are still squatting there. Touching the smooth stone lions, Wei told reporters: "These two stone lions were left behind by the Ming Dynasty, and they must have been taken in by Zhuang when he inherited Liu Jin's residence. I didn't expect to arrive in Tianjin hundreds of years later. " Mr. Wei said that the first generation of Zhuang was Nurhachi's own brother. After the Qing army entered the customs, Zhuang's palace was the residence of Liu Jin, the great eunuch of the Ming Dynasty.
There is a stone tablet behind the archway that enters the door. There is not even a word engraved on the huge white marble stone tablet, just like a stone tablet without words. Animals carrying stone tablets are called "skinny". It is said that the dragon gave birth to nine sons, and it is one of them. Because of its long life and good load-bearing, the ancients used it to carry stone tablets in buildings. It is still popular to "touch your head and worry about it; Touch your back and never get involved; Touch your teeth and come whenever you want; Touch your tail and never regret it. "
Walking through the garden, there is a small bridge that is not very eye-catching, and there is a narrow river protecting the village under the slightly arched stone bridge. Cross the small bridge and you will find the main entrance of Chun-Li Ancestral Temple. I wanted to cross the bridge at will, but I didn't expect Wei to stop. "Do you think there is anything special about this small bridge?" Mr Wei asked Jing Ke. "no!" Looking left and right, the bridge is still very simple. "Everyone has seen the Jinshui Bridge in front of Tiananmen Square in Beijing. This is how the bridge in front of the ancestral temple in Chun-Li was designed. In fact, it is the restored Jinshui Bridge. In the past, only in front of the palace could there be such a small bridge, and other houses were forbidden to have such buildings. "
Fortunately, the ancestral temple in Chunli was built after the Republic of China, otherwise it would have been leaderless. When Chun-Li was building a house here, I'm afraid senior government officials heard about it. It is said that Yuan Shikai also asked about this matter. May also be because of the pressure of Yuan Shikai, Li Chuncai called it the Li Family Ancestral Hall, but he dared not say that he had lived in the house.