Who are the inheritors of the four families of Lu, Qi, Han, Mao and Mao? What is the Confucian classic of modern literature called "Three Poems"? How did the study of ancient classics in China flourish? After the Qin Dynasty burned books, three poems appeared in the Han Dynasty: Yuan Gu, a Qi man, passed on Qi Shi; Shen Peigong, a Lu man, passed on Lu Chuanshi; Ren Yanhan should pass on Han Shi. Mao Heng and Li Mao also inherited Shi Mao, the teacher of the Four Books. The four scholars who studied the Book of Songs in the Han Dynasty were Qi Yuangu, Pei, Han Ying, Mao Heng, Lu, and. Qi, Lu, Han and Mao. During the Western Han Dynasty, the schools of Qi, Lu and Han were very popular, and doctors in the dynasty became official schools, which belonged to Confucian classics. These three poems are of the same sex, also called three poems. These three poems are quite complicated, and they are all written in the official script prevailing in the Han Dynasty, so they are also called "Modern Poetry School" and "Modern Poetry Classics". Jinwen Confucian Classics is a school that studies Jinwen Confucian Classics. The so-called "text" in modern classical Chinese refers to the words used to record classics. This paper refers to the official script prevailing in the Han Dynasty, while the ancient script refers to the ancient script ("Tadou character") before Qin Shihuang unified China, that is, seal script or calligraphy. At the beginning of the Qin Dynasty, Qin Shihuang implemented the policy of ignorance and engaged in "burning books to bury Confucianism" in order to curb people's thoughts. At that time, only the book of planting trees with medical divination survived. During the Western Han Dynasty, Emperor Wu of the Han Dynasty adopted Dong Zhongshu's suggestion of "ousting a hundred schools of thought and respecting Confucianism alone" and took Dong Zhongshu's reformed Confucianism as the official ruling thought. The government also set up "Confucian Classics" to teach Confucian Classics. At this point, Confucianism was promoted to the status of "Jing". However, after the catastrophe of "burning books" in the Qin Dynasty, Confucian classics were devastated. Most of the Confucian classics popular in the Western Han Dynasty have no ancient prose, but are passed down by surviving teachers and recorded by students who study classics. The words they recorded were the official script prevailing in the Western Han Dynasty, which belonged to "Jinwen" at that time, so this kind of classics was called Jinwen. When the Qin Dynasty burned books, some Confucian scholars risked their lives and hid some Confucian books in the interlayer of the wall. These classics were discovered one after another in the Han Dynasty. At the end of Emperor Wu of the Han Dynasty, Duke Lu demolished Confucius' former residence in order to expand the palace, and found a large number of books including Shangshu in the wall interlayer of Confucius' former residence. These books were written by tadpoles in the Six Kingdoms period, so they are called ancient classics. Because not many people knew the pre-Qin ancient prose at that time, these ancient classics were mainly hidden in the royal library after being reprinted, and people did not pay attention to them at that time. The first person who shouted for China's ancient classics was Liu Xin. While assisting his father Liu Xiang in collating this book, he discovered the ancient version of Zuo Zhuan in the Spring and Autumn Period. Liu Xin thought that the value of Zuo Zhuan far exceeded that of Gong Yang Zhuan and Gu Liang Zhuan, so he suggested to the court that the study of ancient Chinese classics should be officially listed as a scholar and given legal status. However, his suggestion was strongly opposed by people who studied Confucian classics extensively in modern literature. They accused Liu Xin of "reversing the Five Classics" and "confusing teachings". Liu Xin's suggestion was not adopted in the end, and he himself left the capital Chang 'an. However, in the history of China, the dispute between Confucian classics and ancient prose lasted for more than two thousand years, beginning with. Liu Xin is also known as the founder of China's classical literature. On the surface, the dispute between ancient Chinese and modern Chinese is mainly manifested in the differences in writing, understanding and interpretation of Confucian classics. Generally speaking, today's literary school pays attention to expounding the "subtle meaning" in the scriptures, while the ancient school pays attention to the textual exegesis; Today's literary schools try their best to link Confucian classics with theological superstitions, especially in the Western Han Dynasty, when interpreting Confucian classics, in order to cater to the preferences of rulers, they like to mix prophetic superstitions prevailing at that time. They attached Confucian classics to Yin-Yang and Five Elements, making Confucian classics absurd. Although the school of ancient Chinese prose did not completely get rid of the fetters of theological superstition, it opposed the prediction of disaster and paid attention to practical learning. During the Western Han Dynasty, the study of Confucian classics on bronze inscriptions prevailed. At that time, all classics ("Five Classics" and "Six Classics") were controlled by the School of Jinwen Classics. At the end of the Western Han Dynasty, when Emperor Pingdi was in power, there was a doctor of ancient Chinese classics to fight against today's literary classics. After the failure of Wang Mang's political reform, Emperor Guangwu of the Eastern Han Dynasty abolished the study of ancient Chinese classics and advocated the study of modern Chinese classics, but the study of ancient Chinese classics still had considerable influence among the people. At the same time, as the study of Confucian classics becomes more and more complicated, its influence is also declining. After the mid-Eastern Han Dynasty, the study of ancient classics in China rose and developed, overwhelming the study of modern classics in China. Jia Kui, Ma Rong, Xu Shen and other literary scholars appeared in this period. Xu Shen is the high foot of Jia Kui. He devoted his whole life to writing Shuo Wen Jie Zi, which made outstanding contributions to the spread of China's classic works. In addition, it is worth mentioning that Zheng Xuan, a famous master of Confucian classics, was originally a disciple of Ma Rong and belonged to the school of classical Chinese classics. However, he did not stick to the teacher's theory, but was familiar with modern classics, and was good at absorbing some theories in modern classics, making the ancient classics more perfect and finally overwhelming the modern classics. At this point, the debate on Confucian classics, which began in the late Western Han Dynasty, came to an end. The controversy over the schools of modern ancient Chinese prose in Han Dynasty is very sharp. On the surface, the difference between today's literary school and China's ancient literary school lies in writing. But in essence, the difference between them goes far beyond words. In the Han Dynasty, especially in the Western Han Dynasty, the modern literary school was supported by the government and belonged to the official school. Classical Chinese classics are private schools where "great scholars are in the wild". The study of ancient classics in China should also strive to become an official study, so as to gain a relative position with the study of modern classics in China, thus breaking the situation that modern scholars in China monopolize the academic and even political arena, which is naturally unacceptable to modern scholars in China. Here, the debate on Confucian classics in modern times has actually gone far beyond the normal academic debate and become an extension of political rule in the field of Confucian classics. After the Eastern Han Dynasty, the debate on Confucian classics rose and fell with the changes of academic atmosphere and political situation. From the Eastern Han Dynasty to the Tang Dynasty, it was basically the study of ancient Chinese classics that dominated. In Song Dynasty, "Song Studies", which is famous for doubting the past, rose. Song Xueyi opposed the exegetical tradition and advocated seeking righteousness directly from the classics. During this period, the orthodox China classics declined. In the Ming Dynasty, Confucian classics declined further. In the early Qing Dynasty, Confucian classics revived, and reached its peak with the emergence of Ganjia School in Qianlong and Jiaqing years. During Jiaqing and Daoguang years, the study of classical classics in China came to an end, but the study of modern classics in China rose again. Wei Yuan, Gong Zizhen, Kang Youwei and others advocated political reform. They absorbed the reform ideas advocated by the Confucian Classics School in Han Dynasty and strongly advocated Confucian Classics. With the fall of the Qing Dynasty, the dispute over the schools of ancient literature in China, which lasted for more than two thousand years, also died out. To sum up, Qi Yuangu passed on Qi, Shen Luchuan Pei Gong passed on Lu, Han Yan passed on Han poetry, and Mao Heng passed on Mao poetry. The modern Confucian classics called "Three Poems" are Qi Poetry, Lu Poetry and Chinese Poetry. China's classical masterpieces flourished in the middle of the Eastern Han Dynasty. Jia Kui, Ma Rong, Xu Shen and other great scholars of Confucian classics appeared in this period.