Beijing ballroom dancing four-step basic teaching video
Matters needing attention in impromptu dance
Improvisation mainly depends on music. If it's more modern and abstract music, it's strange that you dance folk dance.
Hip-hop is unlikely, and most of it is suitable for modern dance and modern dance. Many kinds of music are soothing and need to be integrated with many emotions. I think this is also the teacher's performance.
A slow-paced, sad, fast-paced, cheerful. If you play classical music, then you should also have your understanding of music, so that you can get high marks and make teachers pay attention to you.
Improvised dancing is a test of your dance accomplishment and musical epiphany. To dance to music, you don't have to be framed in any kind of dance. The key is that when you hear music, you can freely grasp the theme of the music (what this music reminds you of) and interpret it with body language together with the music. The success of impromptu dance depends on whether it can impress the judges. In fact, the most important thing in any dance is appeal, not the kind of dance. So, no.
Improvised dancing is random and unprepared. Usually, the accumulation of kung fu depends on your dance accomplishment and talent. Do not pay attention to difficulty and skill. You must dance with your heart to impress the judges, and you will succeed.
When most people mention impromptu dance, they immediately say that it is based on music and is not comprehensive. Personally, impromptu dance can be divided into two types, one is based on music freedom, the other is similar to proposition composition, which dances according to the theme and given music, and the second is common in dance competitions.
Let's start with the first one. According to music, the test is music epiphany and dance accomplishment. I like this way very much, because it is to listen to the music first, find the feeling and then replay the music and dance. This kind of dance uses the heart, so it is better to jump out of the feeling with your heart. In the face of this impromptu dance, the musical epiphany lies in finding the feeling when listening to music for the first time. This feeling is not necessarily what the original composer wants to express, because listeners have their own life experiences and experiences, and different listeners will have different feelings when listening to the same song. So you don't have to express the meaning of the original composer, but you have to find your own feelings. What did this music remind you of for the first time? Where does it touch you? Grasp this core.
Dance accomplishment is reflected in how you express your feelings after you find them. This expression needs two levels. The first level is the dance skills you already have. Without skills, the rich emotions in your heart will be abandoned because of lack of expression. So this difficulty and skill depends on the usual accumulation, or how to use the dance moves you have learned flexibly. This is your means and tools of expression. The second level is not only in cultivation, but also in examining your dancing talent. You have mastered the skills and difficulties, and you have all kinds of dance moves. How can you combine these with your feelings? Jumping out not only touched myself, but also touched the judges. In other words, you should convey your feelings to the judges through body language, so that they can understand what you want to express and think that your body language is consistent with the artistic conception of music. If they like your improvisation, it means you have succeeded. Many times the judges have their own opinions on music first, and he already knows how to express it, but excellent dancers will use their own dances to convey the unexpected effects of the judges. At this time, your impromptu dance will inspire the judges, and it will be strange if you don't succeed!
Let me talk about the second one. It's different from the first one. It is beating with the brain. I'm afraid of proposition dancing. Who knows which topic he will give? For example, he will tell you that you are crossing the street and let you dance to the music he gives you. For example, he will tell you that you are taking a shower and ask you to come over for a while. These propositions all come from real life. You have to accumulate not only your dancing skills, but also your observation of life. The terrible thing about this kind of dance is that you don't have any movements to learn from, because these propositions are very realistic, but you can't really cross the road and take a bath. That's not dancing. You must beautify them, but time doesn't allow you to think too much. You must jump out at once. Therefore, if you want to dance this kind of dance well, you can only observe more and summarize more. One trick is to grasp the key actions in life. Sometimes one or two key actions can express the meaning of a proposition, similar to drawing a simple picture. This dance music is for. It is not difficult to find the action and keep up with the rhythm. I think talented dancers can dance this kind of improvisation well. Propositional impromptu dance is the highlight of the dance competition, and the inspiration for choreography can be found in this link.
Improvised dancing according to the music, the dancers enjoyed it very much and devoted themselves completely. The degree of your participation determines your attraction. Note: Appeal is not a bunch of skills. Even if your dance is not difficult, there is a world of difference between intention and inattention. The appeal is from the heart, just like some people say that the master is dancing instead of dancing. Propositional impromptu dance is very difficult for dancers because they have to use their brains. I suspect that this part of the dance competition is mainly for the judges to find inspiration for choreography. This part is exciting and interesting. You will marvel at some people's keen insight and clean and accurate expression, which bring us surprise gifts and can't help laughing. Watching more will be of great help to choreography.
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