Lu Gengxu's "Youth" film has a simple story and a stupid and sweet ending. Only Pan Yueming's swollen and haggard face stung people-look, look, this is middle age. Yes This is not a youth film. This is a middle-aged crisis movie.
Four boys who formed a band together in college. Zheng Tianliang, Shy Road, Hou Liang, and Qian Dabao. Falling in love with chivalry, Lu likes pure Li Ai (this role is really unpopular. The role of "goddess" in men's minds is always disliked by female audiences. . . Weak, vain, swaying, but still "end". . . )。 After the band's brief happiness, Li Ai was robbed by a famous rock singer. Zheng Tianliang signed a contract with the Rolling Stones, betrayed his brother, and dropped out of school after fighting on the road. Twenty years later, they became obese middle-aged men. Lu became a small middle-level wedding company. Hou Liang became an artist's agent. Qian Dabao opened a barbecue shop. Zheng Tianliang, who claimed to be the godfather of rock and roll, didn't become famous. He worked as an "artistic director" in a bar, mixed drinks, took a little singer in the program and was moved by gay customers. . . . . . Ai didn't go home as far as Li See. He bought a $29 sea soul shirt and sang at the seaside. The band came back and the crowd cheered. Zheng Tianliang, the old prodigal son, proposed to Liu Yun. At the end of this silly and sweet ending, there is a middle-aged man who has tragic psychosexuality-Lu Gengxu boy became famous, but he is already old. Fear of aging makes people more obsessed with fantasy. Let the four old men sing a song to the rubbish scattered on a beach after midnight, and no one applauds them, then lower their heads and go back to their lives cursing "Fuck". This is the truth of middle age. Zheng Tianliang, a young man from Edward Zhang, is bursting with hormones, smoking, raising eyebrows and showing off in an ostentatious manner. He is not handsome, but enthusiastic, and no matter how "bad" he is, he can't be hated. I'm really infatuated with him recently. Lv Yulai's Youth Street looks like Ye Shirong's (The movie is always BEYOND's song, The Death of Ka Kui. . . ), shy enough to make people have the resentment of "hating iron and not producing steel", but the virtuous expression makes people unable to complain. He is the kind of "quiet" boy. Youth is just a breath.
Middle-aged Zheng Tianliang. Qin Hao is still very handsome. (Suddenly discovering that Edward Zhang and Qin Hao are very similar) The performance is also very good. But handsome middle-aged men have too many vicissitudes and compromises. Even, sad I am reminded of Beijing rock again. Pinglu, who was interviewed for the second time, decided to compromise and tied her long hair with hairband. If Pinglu hadn't died on the way to Mercedes-Benz, his middle age would be similar to that of Zheng Tianliang. Compromise teenagers, tame and unruly, will eventually grow into an oil uncle who vomits in the bar toilet.
Middle-aged road is a typical gentle man, surrounded by his wife, daughter, unsatisfactory job, and the dignity of a man who is gradually left behind. Road is more like the aging of ordinary people, like the men and women behind every more and more stylized smile in the office building. . . .
Farewell to Youth in Full Bloom allows the audience to see the changes of the times and the growth process of the younger generation through "youth". In a sense, it is the summary of this year's youth movies, and it also evokes a generation's review of youth.
Many real memories and youthful marks, and many Chinese rock classics make people feel relaxed, happy and passionate.
A Farewell to Youth in Full Bloom, based on the youth story of rock youth and the desperate pursuit of dreams by middle-aged people, moved the audience to tears, but on more levels, A Farewell to Youth in Full Bloom is the homesickness and dream of middle-aged Chinese rock.
Farewell to Youth in Full Bloom presents a true and natural picture of campus life in the 1990s: in full bloom, besides love and rock, it is more about persistence in dreams. All preparations are proof that middle-aged decadent uncle can also pursue dreams.