The landlord may be asking about the theme of China produced by Hollywood. Why not ask director China to shoot it? If this is the question, I can answer it. The Great Wall is a typical example. It is produced in Hollywood, with China as the theme and directed by China, but the result is not good. Kung Fu Panda has made great achievements, but it only borrows China elements and China coats, and its core is Hollywood production. So I can understand why Mulan didn't ask director China to shoot it.

In a small sense, it is the difference in the quality of directors, and in a big sense, it is the difference in the film system. While we are still struggling with the distinction between commercial films and literary films, Hollywood has left us on the road of commercial films and even entertainment empires for decades. Is there a mature genre director in China who is engaged in global campaigns? Wu Yusen's time in FACE/OFF is half, but judging from The Great Wall, it is obviously not.

The films and performances taught by our film academy are still elitist, so it's embarrassing to talk about popular movies and pan-entertainment. When our movies are still talking about feelings, they have fallen behind. Just like a hammer loves to talk about feelings, mobile phone sales are not optimistic.

As for our film system and film system, I don't want to say more. Wolf Warrior 2' s 5.6 billion success is considerable. Don't be too happy. Even if it is 654.38+00 billion, so what? Just stop at the box office. Let's take a look at the movie IP of Universal Studios. The milestone of making money has just begun when the movie goes offline to earn enough box office. Amusement parks, games, Cosplay, derivatives ... can Wolf Warriors compare with this? If Mulan asks the director of China to shoot, can she catch it? Can domestic production companies support it? I believe in money. Where are people? What about the system? Thinking? What about the system?

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