Classical dance

This entry is a polysemous word with two meanings.

The main branch of China dance. Originated in ancient China, it combines the movements and shapes of traditional martial arts, acrobatics and traditional operas in China, paying special attention to the role of eyes in performances, and has a unique oriental aesthetic feeling of combining rigidity with softness. China classical dance mainly includes body rhyme, posture and skills.

Chinese name

China classical dance

Mainly include

Body rhythm, posture and skills

Sources of basic training

ballet

emphasize

Twist, tilt, turn, bend, tilt, turn and roll.

trait

Softness, skill

Related video

103000 plays |02:52

"Head of the National Dance Troupe: Tang Shiyi's China Classical Dance! You can always trust the national team!

49,000 plays |00:45

The Pontifical Combination, an important rhythmic element in China classical dance, was created by Bai Lanyuan.

6996 Play |0 1:36

China Classical Dance Role Shaping Combination: Body and Rhyme Combination of Temple Love

3. 1 10,000 plays |02:09

2-minute introduction to China classical dance, detailed teaching of common hand shapes.

1.5 million plays |0 1:03

China classical dance "Exploring the Window", a beautiful group dance, ask your little friends to dance together ~

36,000 plays |00:4 1

China classical dance "A flash in the pan and a timely rain" | Shenzhen Dance Collection

22,000 plays |00:2 1

Classical dance: basic body movements, more practice, suitable for you without foundation!

7626 Play |0 1:40

The magnificent China classical dance "Holding Feathers" is too handsome for me.

64,000 plays |02:39

Five Beautiful China Classical Dances

20,000 plays |00:49

Pailanyuan choreographed the ancient classical dance "Tsing Yi" in China.

Read more

Cultural characteristics, development history, body rhyme, basic movement skills, rhythm characteristics, artistic characteristics, development direction, significance, TA said.

Cultural characteristics

Classical dance attaches great importance to the charm of "having both form and spirit, integrating body and mind, and integrating inside and outside". Charm is the soul of China classical dance. God is in the middle, form is outside, and the thought and emotion of "leading the form with god and conveying the spirit with form" have created the true connotation of body rhyme.

China classical dance

The music of China classical dance mostly uses the music played by China's unique national musical instruments, such as guzheng, erhu and pipa. China's classical dance costumes are antique and have their own characteristics according to the specific requirements of dance. Most dances in the Han and Tang Dynasties used traditional costumes from China.

Development history

China has a long and splendid dance history and culture. As far as the dance history of China is concerned, there are a lot of records and remains, whether it is historical relics, written historical materials or the specific performance forms of traditional Chinese opera. In the History of Dance in China, the origin of the primitive dance "Dance" is systematically discussed, as well as the performance form, dance sequence, function and ideological content of dances in past dynasties.

China classical dance

China classical dance has a long history. Its origin can be traced back to the court dance in ancient China or the folk dance in more distant times.

Since the Zhou Dynasty, specialized music and dance institutions have been set up in the courts of the Han, Jin and Tang Dynasties to train professional music and dance personnel to organize, research, process and develop popular folk self-entertainment dances, religious dances and even foreign dances, thus forming court dances. Among them, the music and dance of the Six Dynasties in the Zhou Dynasty (including six kinds of music and dance such as Yunmen, Xianchi, Dashao, Daxia, Dabo and Dawu), Jiubu Music, Ten Steps Music, Zuobu Geji and Yuebu Geji in the Tang Dynasty,

China court dance is an important tool for rulers to entertain themselves and sing praises, with female music as the mainstay. Because the palace dance is created with the aesthetic taste of the rulers, some of its works inevitably have the charm of style and the negativity of content; But most of them are created by artists on the basis of Chinese folk dances, so there is no lack of exquisiteness in China's traditional arts. After Song and Yuan Dynasties, due to frequent wars, culture was destroyed and the development of dance was also affected. Many famous dances in the Han and Tang Dynasties were lost.

After the founding of New China, in the early 1950s, in order to develop and innovate the national dance art, dancers extracted dance materials from rich China opera performances, studied, sorted out and refined China Wushu, and established a set of China classical dance teaching materials with reference to ballet training methods. At the same time, he arranged and performed a series of dance dramas and dances with the style of China classical dance, such as Lotus Lantern, Knife Meeting and Moonlight Night on the Spring River. With the reform and opening up in 1980s, China classical dance is also changing constantly, and it has begun to expand from appearance to connotation to a new space. On the other hand, dancers have broken through the scope of learning China traditional opera and dance, dabbled in ancient cave murals and data of dance images in various unearthed cultural relics, thus sorting out and creating many unique dance materials. China classical dance

Classical dance

This entry is a polysemous word with two meanings.

The main branch of China dance. Originated in ancient China, it combines the movements and shapes of traditional martial arts, acrobatics and traditional operas in China, paying special attention to the role of eyes in performances, and has a unique oriental aesthetic feeling of combining rigidity with softness. China classical dance mainly includes body rhyme, posture and skills.

Chinese name

China classical dance

Mainly include

Body rhythm, posture and skills

Sources of basic training

ballet

emphasize

Twist, tilt, turn, bend, tilt, turn and roll.

trait

Softness, skill

Related video

103000 plays |02:52

"Head of the National Dance Troupe: Tang Shiyi's China Classical Dance! You can always trust the national team!

49,000 plays |00:45

The Pontifical Combination, an important rhythmic element in China classical dance, was created by Bai Lanyuan.

6996 Play |0 1:36

China Classical Dance Role Shaping Combination: Body and Rhyme Combination of Temple Love

3. 1 10,000 plays |02:09

2-minute introduction to China classical dance, detailed teaching of common hand shapes.

1.5 million plays |0 1:03

China classical dance "Exploring the Window", a beautiful group dance, ask your little friends to dance together ~

36,000 plays |00:4 1

China classical dance "A flash in the pan and a timely rain" | Shenzhen Dance Collection

22,000 plays |00:2 1

Classical dance: basic body movements, more practice, suitable for you without foundation!

7626 Play |0 1:40

The majestic China classical dance "Holding Feathers" is too handsome for me.

64,000 plays |02:39

Five Beautiful China Classical Dances

20,000 plays |00:49

Pailanyuan choreographed the ancient classical dance "Tsing Yi" in China.

Read more

Cultural characteristics, development history, body rhyme, basic movement skills, rhythm characteristics, artistic characteristics, development direction, significance, TA said.

Cultural characteristics

Classical dance attaches great importance to the charm of "having both form and spirit, integrating body and mind, and integrating inside and outside". Charm is the soul of China classical dance. God is in the middle, form is outside, and the thought and emotion of "leading the form with god and conveying the spirit with form" have created the true connotation of body rhyme.

China classical dance

The music of China classical dance mostly uses the music played by China's unique national musical instruments, such as guzheng, erhu and pipa. China's classical dance costumes are antique and have their own characteristics according to the specific requirements of dance. Most dances in the Han and Tang Dynasties used traditional costumes from China.

Development history

China has a long and splendid dance history and culture. As far as the dance history of China is concerned, there are a lot of records and remains, whether it is historical relics, written historical materials or the specific performance forms of traditional Chinese opera. In the History of Dance in China, the origin of the primitive dance "Dance" is systematically discussed, as well as the performance form, dance sequence, function and ideological content of dances in past dynasties.

China classical dance

China classical dance has a long history. Its origin can be traced back to the court dance in ancient China or the folk dance in more distant times.

Since the Zhou Dynasty, specialized music and dance institutions have been set up in the courts of the Han, Jin and Tang Dynasties to train professional music and dance personnel to organize, research, process and develop popular folk self-entertainment dances, religious dances and even foreign dances, thus forming court dances. Among them, the music and dance of the Six Dynasties in the Zhou Dynasty (including six kinds of music and dance such as Yunmen, Xianchi, Dashao, Daxia, Dabo and Dawu), Jiubu Music, Ten Steps Music, Zuobu Geji and Yuebu Geji in the Tang Dynasty,

China court dance is an important tool for rulers to entertain themselves and sing praises, with female music as the mainstay. Because the palace dance is created with the aesthetic taste of the rulers, some of its works inevitably have the charm of style and the negativity of content; But most of them are created by artists on the basis of Chinese folk dances, so there is no lack of exquisiteness in China's traditional arts. After Song and Yuan Dynasties, due to frequent wars, culture was destroyed and the development of dance was also affected. Many famous dances in the Han and Tang Dynasties were lost.

After the founding of New China, in the early 1950s, in order to develop and innovate the national dance art, dancers extracted dance materials from rich China opera performances, studied, sorted out and refined China Wushu, and established a set of China classical dance teaching materials with reference to ballet training methods. At the same time, he arranged and performed a series of dance dramas and dances with the style of China classical dance, such as Lotus Lantern, Knife Meeting and Moonlight Night on the Spring River. With the reform and opening up in 1980s, China classical dance is also changing constantly, and it has begun to expand from appearance to connotation to a new space. On the other hand, dancers have broken through the scope of learning China traditional opera and dance, dabbled in ancient cave murals and data of dance images in various unearthed cultural relics, thus sorting out and creating many unique dance materials.