Textile painting is a painting made directly on ordinary cloth with glue and textile pigments. Not limited by painting tools, cloth and size, waterproof and colorfast. Created by Mr. Matai and Ms. Li Ling, painters of Suixi County. Because textile painting has broken the traditional concept of expression, new artistic concepts and new painting materials have given it a new look and given people a brand-new artistic visual effect. Textile painting can not only draw the thickness of oil painting and the transparency of watercolor painting, but also draw the charm of Chinese painting, which is a grafting art combining Chinese and western painting. Textile painting saves more time and effort than oil painting. Easy to cut and draw, suitable for collection and preservation, and quick to mount. When painting, you can draw on a flat plate like traditional Chinese painting, or on a picture frame like oil painting. Bright and transparent in color, rich in variety, watertight, elegant and harmonious in tone. It is an art in which glue and color blend and penetrate each other. When a variety of pigments touch together, color produces various beautiful and interesting visual effects with the help of the spirituality of glue, which is incomparable to other paintings. Mr. and Mrs. Matai have successively created more than 50 textile paintings, among which The Fountain of Life, The Father of the Mountain, The Yellow River Drunk in Autumn, The Angry Mountain God, Homeland, Nine Chivalrous Men Fighting for hegemony and other works have been collected by relevant units and individuals.

Huaibei dagu

Huaibei Drum was born in Suixi County, Huaibei City, and has begun to take shape in the late Ming and early Qing Dynasties. At first, there was only tambourine accompaniment, and rap in jingle. In the middle of Qing Dynasty, artists reformed this craft. They fixed the tambourine with simple brackets, and then the performance became singing in a fixed venue. After the founding of New China, Huaibei Drum reached its peak. The musical instruments of Huaibei Drum mainly include drums, drum stands and plates. The drum is dug into a circle with sandalwood or jujube, and the top and bottom of the drum are wrapped with Mengniu skin. The edge is fixed with a tack, and an iron ring is added around it, which makes a homophonic sound when knocking. The drum stick is made of Zheshu or Pomegranate, and the front end is elbow-shaped, so that the drum skin will not be damaged when hitting. The drum stand is supported by six bamboo poles into a triangular bracket. Tie the drum with twine and fix it. There are two kinds of boards: steel plate and hand plate. The steel plate is shaped like a semi-crescent, made of steel or copper, also called "crescent plate" and "pear flower slice", and the hand plate is triangular.

Huaibei drum is dominated by singing, supplemented by speaking, with loud and indirect singing and strong local characteristics. Most of them use local minor or absorb the tunes of other local operas, and the language is humorous, which is deeply loved by the broad masses in Huaibei area.

Huaibei ancient painting drama

Huaibei ancient painting drama is popular in the northern border of Jiangsu and Anhui, and extends to a smaller area north of Suzhou River and Huihe River. It is one of the rare operas with special national singing style. It is said that it can be traced back to the early Ming Dynasty, and it was recorded in the1930s. After liberation, there have been more than 100 folk flower drum classes in Huaibei, Feng, Pei, Xiao and Dang areas.

Huaibei ancient painting opera is sung without music accompaniment, and played with gongs, drums and bangzi. Commonly used plate types are large roof, straight plate and small roof. He is good at performing tragedies, singing like tears, ups and downs, pathos and lingering, and the sentences are connected with inspiratory voiced sound or contrast sound, which is continuous. In particular, the "cold tune" is sung with a tearful sigh, which is unique and full of personality. There is a folk saying that "Flower Drum Opera is difficult to learn, difficult to sing and ugly. After listening for three days, I was fascinated. " Its singing retains the original style of "singing and lyricism" of the Chinese nation, and fully shows the unique lyrical way and strong local characteristics of women in Huaibei area. And absorbed the nutrition of many local minor and folk songs, and formed rich singing tunes such as Suzhou tune, Peyo tune, Kouzi tune, Hanban tune and Huolang tune. Its stage performance completely retains the original state of "virtual performance" of China traditional opera. All scenes are purely virtual means of expression, and actors and actresses can play various roles with each other. There are more than 80 traditional dramas in Huaibei, such as Regret for the Past by Long Qinghai, The Tale of Bees, Wang's Looking at the Building, Double Lockers, Su Sanpai, Beating the Red Bridge, and Gan Long's Private Visit.

"Flower Drum Walk" is the most distinctive "unique skill" of Huaibei Flower Drum Opera. The form of expression is the flower drum with a back corner (called "drum rack"). In "Drum" and "Eight Sentences", the dance is colorful. Women wear hydrangeas, long silks, and cushions with their feet-wearing "three-inch golden lotus" embroidered shoes. The performance technique is difficult, and actors need to have profound basic skills and performance skills. "Zhaxi" is a great pioneering work of Huaibei ancient painting and drama. It is not only the creation of artistic beauty, but also shows the historical phenomenon of China ancient women's "foot-binding". When/kloc-0 was invited to Huaiyuan, Anhui Province in 1990, it was praised by American artists as "China's folk ballet", which is a rare living historical material.

Huaibei Qin Shu

Qin Shu in Huaibei is one of the main operas of local folk art, with a long history, rich accumulation, beautiful melody, rich plate style and strong literary support. You can not only rap legendary books, but also sing songs that express your feelings. It is a folk art form mainly based on rap, which is popular in Jiangsu, Anhui, eastern Henan, northern Anhui and southwestern Shandong. According to the old artist, when there is no dulcimer accompaniment, it is called "Sixian". When blind people sing this kind of music, the masses call it "blind people". One person pulls out his beard, kicks his feet and sings songs, which is called "three mouths". When the master teaches this art, the apprentice must learn "three mouths" before he can learn jokes and most books. Later, with the introduction of dulcimer, people who sang strings and were accompanied by dulcimer were called "dulcimer". Later, when they sang dulcimer, they learned to speak most of the books, so they were called "dulcimer books". The "three mouthfuls" of singing a piano book are tapping the piano, playing the board and singing. Qin Shu in Huaibei has a long history, and the exact age cannot be verified.

The Qupai in Qin Shu, Huaibei includes big class, small class 5, opposite class, adagio, allegro, hi-tune and sad-tune. Before the beginning of the piano book, a piece called "Osaka" was played together, which was called "beating the stage" by the masses and "pulling the field" by artists (attracting the audience to listen to the book). After the beautiful, cheerful and cheerful music attracts the audience, start singing short songs, and then "open the original" (sing most books). Before singing for a short time, Qin Shu in Huaibei also communicated with the audience in words and aria to show the artist's modest and kind attitude.

The repertoire performed by Qin Shu in Huaibei is mainly humanistic drama, which is called "Shoe Basket Play" by local people. Due to the long history of Qin Shu and the constant innovation of old artists, some martial arts dramas have gradually appeared singing. Huaibei's "Eight Dishes" has distinctive tunes, ups and downs and endless changes, especially the accompaniment of Luo Hu, which fully shows its characteristics. There are not many old artists in northern Anhui who can arrange and sing Qin Shu in Huaibei. As the son of Feng Wang Cheng, an old artist in Qin Shu, Huaibei, Wang Yidong studied with his father since childhood, and he has made great achievements in Shu Qin. His songs such as "Baby" and "Lark Blames a Stupid Chicken" have won many awards in central, provincial and municipal performances.

Clay plum

Clay sculpture is a relatively long folk art in China with a history of more than 5,000 years. From folk mud plays to quiet and elegant temples, it is everywhere. According to historical records, clay sculpture art was popularized and applied in Shang and Zhou Dynasties. People not only use clay to make various historical figures, national heroes and gods, but also use clay to make various containers needed by animals and society and fire them into pottery. In particular, the invention and application of funerary objects such as pottery figurines ended the history of burying the living with live horses. During the Sui and Tang Dynasties, the clay sculpture art was the most popular, especially when Buddhism was introduced to the Western Regions, which brought about the vigorous development of the clay sculpture art. However, in the middle of last century, there was a great fault in the development of the clay sculpture art. Under the impact of western sculpture art, the sculpture market was occupied by gypsum, wax sculpture and other arts, and the aging of the clay sculpture art team faced extinction and extinction.

Sizhou opera

Sizhou Opera, formerly known as "Soul-Holding Opera", is the main opera in Huaibei area. Popular in Anhui, northern Jiangsu and southern Shandong, it has a history of over 200 years. It is said to be of the same origin as Liuqin Opera in Jiangsu and Shandong. Sizhou Opera is a typical banqiang opera developed from folk rap. His singing style is a blend of north and south, graceful and unrestrained. On the basis of a certain tone of the melody, actors can flexibly master the rhythm of the melody, freely use various coloratura tones and give full play to their respective specialties according to the needs of the plot and the changes of the characters' thoughts and feelings. Artists call this the "winding tune" (that is, string accompaniment must follow the human voice), and it is also called the "easy-to-believe tune" (according to the early form of Sizhou Opera, one person sang on the board and one accompanied Liu Yeqin, and gradually developed into a small troupe. Based on the "relief field", the artistic performance of Sizhou Opera is divided into "single pressure" and "double pressure", which is bright and lively. After liberation, sizhou opera has made remarkable progress and development in the creation and arrangement of vocal music, performing arts and plays. In addition to excavating and sorting out traditional plays such as Lv Mengzheng Forced a Fast Food, Fan Lihua, Xiaonantang and the Noisy Years, he also created a number of outstanding modern plays such as Before Marriage, Two Red Flags and Throwing Pig Pots.

Carved silk painting

The world knows a lot about paper cutting, but little about carved silk painting. Carved silk painting is an artistic expression that Ms. He Fu, a painter, combines folk paper-cutting with printmaking and other paintings, deeply expands the creative theme and content, and makes breakthroughs in materials, techniques and mounting. Its expression is knife carving, not cutting; It's silk, not paper, and it's assembled after mounting. The picture breaks through the limitation of paper-cut size and content, not only prints,