0 1. gusuhang
"Gusuxing" adopts the tone of Kunqu opera and has Jiangnan flavor. Elegant music shows the beautiful scenery of Suzhou, an ancient city, and people's happy mood when they visit. The introduction of tranquility is an attractive picture of misty morning mist, pavilions and bridges. Lyric andante allows visitors to enjoy the exquisite and beautiful Suzhou gardens. In the middle is an impassioned Allegro, where tourists play with great emotion. Then reproduce the theme, in the compressed timbre, the melody is more melodious, which makes people immersed in the beautiful scenery for a long time, lingering and intriguing. This song has a long lasting appeal, giving full play to Qu Di's soft, generous and mellow tone. Combining the skills of overlapping, striking and vibrato, the performance of the music is more touching and perfect.
02. Spring arrives in Xiangjiang River
Spring to Xiangjiang River is full of Hunan characteristics. Music shows the beautiful spring scenery on both sides of Xiangjiang River and people's lofty desire to rejoice and build their homes. Factors, broad and full of passion, show the magnificent scenery of Xiangjiang River with blue waves and smoke. Like the light melody of Andante, sometimes it is low like singing, and sometimes it is high like singing, which is very soft and moving; The middle feather mode is changed to the same palace mode, and the artistic conception is fresh. Allegro, full of the charm of Hunan Flower Drum Opera, is full of enthusiasm, deep feelings, free and easy, humorous and optimistic. Several twists in the rising melody, such as rolling, push the mood to a climax. Softness and passion should complement each other when playing, so as to present profound friendship with charm. Exhale beautifully, smoothly and cleanly, and pay attention to the arrangement of inhalation points. Each range should be freely changed, and the high notes should be full of singing sense.
03. A pleasant meeting
This song was originally a folk music in Inner Mongolia, and was later absorbed by Shanxi Bangzi and Errentai as a cut music to accompany the characters in the play into the bridal chamber to test the dust. After adaptation, it shows the mood of a pair of lovers when they bid farewell to each other. [1] Starting with the form of scattered boards, coupled with the slow speed and the use of skating skills, it shows the inseparable feelings of relatives when they say goodbye. (2) show the joy of reunion after a long separation. (3) show the joy and joy when you return to your hometown. (4) The atmosphere is warm, depicting the happy scene of family reunion.
04. Mati Dog
Moody wrote it in 1958. Liu Sen adapted the dance music written by Liu Chi for the duet Moody. It shows the beautiful life of rural young people in the 1950 s and can be called "new little cowherd" The fresh and lively introduction brought people to a new rural life. The first short allegro shows the happy mood of young men and women when they are grazing and playing. The second paragraph is as beautiful and moving as Slow, expressing young people's love for life, nature and lovers. Allegro No.3 is the reproduction and development of the melody of Allegro No.1. Moody belongs to the North School's performance style of spitting, piling, flowering and sliding, but it is different from the common North School's folk performance style. Technically speaking, the performance of music can adapt to the situation, fully and appropriately use breath control, and profoundly express the thoughts and feelings of talents.
05. Cattle industry
The flute adapted by Lu Chunling is cheerful and smooth, which shows the happy mood of innocent and lively shepherd boys when they answer questions, and is full of pastoral flavor. The flute solo, originally a tune in Kunqu opera, describes a village girl asking a shepherd boy for directions, and the two of them ask and answer, dancing with the song, which is full of rural life. The tone is bright and smooth, and the expression is full. Later, it was compiled into a flute by Lu Chunling, and it was instrumentalized according to song and dance music, giving full play to the decorative effect of flute playing skills on tunes. In the introduction, the beginning and the first paragraph of "Eight Disks" use the continuous and melodious melody in southern Qu Di, as well as playing, leaning, giving and legato, which makes the music full of pastoral flavor and singing, smooth and lively, and full of life breath. The second paragraph is transferred to Allegro, the melody is mostly active in the high-pitched area, and the unvoiced and Legato are alternately performed, which is clear and lively, full of charm, and the change of tonality makes the music more lively and happy.
06. New songs of herders
"New Songs of Herdsmen" is a flute solo composed by Jane Guangyi in 1970s according to the tones of Inner Mongolia folk songs. The introduction of music depicts the vast grassland, under the blue sky and white clouds, flocks of cattle and sheep ... The short-term out of tune adds charming motivation to the moving introduction. The first lyric adagio, with the flavor of Inner Mongolia folk songs, poured the herdsmen's love for the party and new life. The second paragraph, on the feather melody, with active rhythm, depicts the happy scene of herdsmen riding horses. Then enter the third paragraph, the rhythm is relaxed and the melody stretches, expressing the herdsmen's sincere praise for socialism. The fourth and fifth pieces of music are more emotional, and the skills of tongue painting, spitting and finger dancing are used to vividly simulate the neighing of horses. Finally, under the strong rhythm and sound pattern, the melody is more rapid, further rendering the warm atmosphere of people cheering on the endless grassland, and ending the whole song at the climax.
07. partridge flying
This is one of the main representative tracks of Jiangnan flute music. Originally Hunan folk music, it was also used for flute solo or bamboo ensemble. Later, it was adapted by Lu Chunling, a flute player, and injected the style of Jiangnan silk and bamboo, making the music more beautiful and moving. Music shows people's lofty desire for freedom and light through the image description of partridges flying. Music is divided into two parts: adagio and adagio. The adagio part is the descending tone and adding flowers to the original folk music. Performers give full play to Qu Di's rich lyrical specialty, and through the control and change of breath, they use timbre and volume to get change and slide. Techniques such as light tone, percussion and overlapping sound make music melodious, euphemistic, clear and mellow. The middle part is the variation of the prelude, the music is vivid and the partridge flies high.
08. orioles have bright wings.
This song is based on Shanxi Bangzi Qupai "Great Rescue". Music depicts the artistic conception of oriole flying freely in the clear sky. The whole song is divided into four paragraphs with an ending. The first paragraph: the sun rises, the earth is fresh and everything wakes up. This is a beautiful picture, and the flute requires clear and melodious sound. The second paragraph: The oriole wakes up, jumps among the branches in the forest and sings with bright wings, as if to announce to nature that a free and happy life has begun again. The third and fourth paragraphs: describe the oriole in the blue sky and look forward to the beautiful nature to fly and sing. Ending: End the whole song with a slow speech and a vast and beautiful flute.
09. Bangbangzi
This is a representative traditional music of northern Bangdi, which was adapted from northern folk tunes by the famous flute player Feng Zicun. The original song is a clip card of the "Errentai" clock, named "Touching the Bangzi". The tune is lively, cheerful and optimistic, with the theme of * * *, six sentences, and the falling tone mode decreasing step by step, which are 3, 2, 1, 6, 5 and 5 respectively. The whole song is composed of * * * four paragraphs, which is a variation structure. A flute presents a theme, slow, clear and full of singing sense. The melody is polished by sliding, splitting and twisting, which is concise and lively. The first variation uses chopping and tongue twisting to modify the melody, which is humorous. The second variation is a little faster, the pronunciation rhythm runs through the whole song, and the music becomes light and warm. Third, the variation speed is faster, the improvisation is greater, and the "flower tongue" (vibrato) is spent many times, which makes the music more enthusiastic and pushes it to a climax.
10. Whip the horse to transport grain.
The music describes the scene of farmers driving carts full of grain and happily selling public grain to the country after the harvest.
Others include: Nongjiale, Moon Sea Singing, Youlan Feng Chun, Spring in Yanbian, Celebrating Harvest, Morning in Miao Ling, etc. , are immortal works of the flute world.