1. Draw the petals with different shades of ink according to the different shades of the last petals. Keep the center's stroke on the line, so that the stress on the line is even, pay attention to reflect the stroke changes of the line, such as starting, closing, turning and connecting, and reasonably reflect the stroke changes on the line. 2, white petals, flat coated with pale white powder. Pink petals, flat coated with pale white powder. Cinnabar petals, flat coated with thick cinnabar. Crimson petals, flat, with thick eosin. Blue petals, flat coated with light blue (phthalocyanine blue+tricolor+trace ink). Yellow petals, flat coated with light pink yellow (Garcinia+white).
3, petals white, light juice green (grass green+Garcinia+a little Zhu) dyeing. Pink petals, stained with light eosin. Scarlet petals, faint eosin staining. Crimson petals, light ink dyeing. Blue petals, cyanine dyed. Yellow petals, light yellow (gamboge+a little vermilion) dyeing.
4, white petals, white powder dyed the brightest edge of the petal, light eosin slightly dyed the small structure of the petal edge along the petal direction. Pink petals, white powder should dye the brightest part of the petals, and the color range should not be too large. Scarlet petals: Apply light eosin to normal and reverse petals, but leave a waterline with a width of about 1 mm on the edge of reverse petals. Dark red petals, flat coated with medium concentration of eosin twice, if the color is a little boring, you can wake up with light ink and draw the background color. Blue petals, with light pink blue (phthalocyanine blue+tricolor+white powder) to dye the bright part of the reverse petals, and then the flower head as a whole uses phthalocyanine blue Tu Ping. Yellow petals, the deepest part is dyed with light earth red (vermilion+a little rouge), and the bright part of the edge of the opposite petal is dyed with thick white powder.
Matters needing attention in coloring steps of Luoyang red peony, Li Xiaoming.
We should choose pigments with good quality, bright colors and harmonious color matching, and use appropriate strokes and strokes in the process of color matching. At the same time, it is necessary to use suitable paper and utensils to fix the pigment and draw satisfactory results. When setting colors, we should grasp the color layering and light and shadow changes of the picture, especially pay attention to the contrast of depth, the gradual change of color gradation and color changes to ensure the layering and fidelity of the picture.
Li Xiaoming's "Luoyang Red Peony Map", as a classic of China's traditional Chinese painting, has a strong flavor of China culture and a unique painting style. Therefore, we should try our best to maintain the style and charm of the original painting when setting colors, so as to better show the artist's intention and style. In the process of color setting, some mistakes or inappropriate colors will inevitably appear, which need to be corrected and adjusted appropriately. Don't be impatient at this time, make relevant adjustments patiently and carefully to ensure the quality and effect of the picture.