Acrobatics has a history of more than 2,000 years in China. The Han Dynasty called it "Hundred Dramas" and the Sui and Tang Dynasties called it "Three Music". After Tang and Song Dynasties, in order to distinguish it from other songs, dances and zaju, it was called acrobatics.

In ancient Chinese literature, there are literary records about acrobatics for a long time. Historical records? Biography of Li Si records that Qin Ershi once watched a corner play in Ganquan Palace. At that time, the corner play was like today's wrestling performance.

Liezi? Fu Shuo also introduced the folk performances of throwing five swords and seven swords. Zhang Heng of Han Dynasty vividly described the performances of jumping sword pills, walking ropes and climbing poles in Xizong Fu. Yang Di established Taichang Temple to teach acrobatics skills, and in 6 10 AD, it gave a hundred performances in Tianjin Street outside the Duanmen Gate of Chang 'an.

Acrobatics developed again in the Tang Dynasty. This was reflected in the poems of many famous poets at that time.

Bai Juyi's new Yuefu "Xiliang Geisha" has a poem that describes "dancing double swords, jumping seven pills, winding a giant rope and lowering a long pole"; There is also a poem in the Yuan Yuefu "Xiliang Geisha", which is "There are hundreds of plays ahead, and the pill sword jumps over the frost and snow."

By the Song Dynasty, acrobatic art had more than 40 programs. At that time, someone could perform stunts of walking on a rope with a heavy load. It can be seen that the acrobatic art level at that time was high.

After the founding of New China, acrobatics took on a new look, adding lights, scenery and bands. Many acrobatic troupes have visited abroad and won many international awards, making China a world acrobatic power.

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