Qiang nationality is a very intelligent nation and a nation that advocates beauty. Beauty and art originated from labor, and it is precisely because people created those objective objects with initial formal beauty in labor that it is possible to produce symmetrical and fluent aesthetic concepts accordingly. Qiang embroidery is colorful and exquisite, which not only shows the intelligence of Qiang women, but also expresses the desire of Qiang people to advocate beauty. Labor creates beauty: the beauty of labor products, labor tools, labor activities and works of art created by labor. After thousands of years of inheritance and development, Qiang embroidery seems to have condensed the essence of history and formed a unique embroidery style. It is gradually recognized as an embroidery handicraft with the same reputation as Xiang embroidery and Su embroidery, and has become a wonderful flower among Chinese cultural treasures.

Today, Qiang embroidery has become an important part of Qiang costumes. Qiang people's costumes are simple and gorgeous. Men wear blue or white headscarves, homemade linen robes and a sleeveless sheepskin jacket, which can be used for cold, rain and cushion. Yun Yun shoes with noses are worn on the feet, embroidered with moire and ripple, and the feet are wrapped with felt leggings made of cattle and wool, which has the function of keeping warm and protecting the legs. Women like to wrap blue or white headscarves. Young women often wrap headscarves embroidered with various patterns or fold them on their heads with tile-shaped green cloth and wrap them around their temples with two braids. Generally, square headscarves are wrapped in winter, embroidered with various patterns, embroidered headscarves in spring and autumn, lace clothes, embroidered headscarves at the waist and lace ribbons. The young woman still wears a red ankle strap on her leg. Both men and women wear belts. Qiang embroidery has decorative patterns, which can be seen everywhere on Qiang people's belts, dresses, waists and shoes, or women's headscarves, cuffs, skirts, even socks and insoles. Qiang embroidery not only has a complete structure, outstanding objects, bright colors and exquisite craftsmanship, but also plays an aesthetic role. With the help of dense stitches, the wear resistance of easy-to-wear clothes is enhanced and the service life is prolonged, which has practical value. Marx thought: "Animals can only be built according to the scale and needs of their species, and people know how to produce according to the scale of any species and how to apply the internal scale to objects everywhere, so people also build according to the law of beauty." Qiang embroidery is not only a simple ornament, but also a work of art with unique national characteristics. It has been deeply integrated into the life of the Qiang people, is an important symbol to measure a woman's intelligence, is an important way for them to beautify themselves, place their emotions and good wishes, and is often a token for young men and women to express their beautiful love. It integrates artistry and practicality, and is the materialization and symbol of the Qiang people's pursuit of truth, goodness and beauty.