Anyang Folk Museum resumes opening Anyang Folk Museum will resume opening to the outside world from March 23rd (Monday) to receive tourists. The system of "one entry, one examination and one registration" will be implemented, and visitors are required to carry their ID cards or other valid identification documents to register their real names at the entrance; In order to prevent people from gathering, we will not accept group visits with more than 15 people for the time being.
Opening hours and specific areas are from Tuesday to Sunday at 9: 00 am-12: 00 am; From 2: 30 pm to 5: 30 pm (including March 23rd, and open every Tuesday to Sunday thereafter), the fifth and sixth exhibition halls are temporarily closed due to poor ventilation, while the first, second, third and fourth exhibition halls are normally open.
About the Museum Anyang Folk Museum is located in the Chenghuang Temple, No.6 Gulou East Street, Wenfeng District, Zhangde City. Founded in 1989, it covers an area of nearly 10000_, with a building area of 3000_. There are six exhibition halls, which not only display folk cultural relics and traditional folk fine arts, but also hold various cultural exhibitions here as cultural propaganda positions. Anyang Folk Museum is the only municipal folk art museum and Anyang intangible cultural heritage exhibition center in Henan Province. Since its establishment, it has carried out the general survey and collection of intangible cultural heritage, and held Chen Zhan and folk art performances all the year round.
Clay Sculpture Museum Clay Sculpture Art is an ancient folk art in China. In the history of human development, clay sculpture is passed down with life, with clay as the raw material, from pottery vessels and Buddha statues to children's toys, without interruption. The production process is known as "three-part plastic and seven-part color", which can be divided into three categories: Tianjin "clay figurine Zhang" color plastic, Wuxi color plastic and Dunhuang Mogao Grottoes clay plastic. Clay sculpture art is a kind of folk art in China, which has already gone abroad and become a messenger of cultural exchange between China and foreign countries. It has crossed the ocean and been accepted and cherished by more and more countries and people.
The traditional woodblock New Year pictures in the New Year Pictures Museum have simple lines and bright colors, mostly red, large and green rhubarb, and the primary colors are the main colors, and the scene is lively. The content can be divided into two categories: festive and auspicious, avoiding evil and hating victory. Because woodblock New Year pictures are easy to print and cheap, this theme is deeply loved by people. Therefore, it was widely welcomed by the people of China until it became an indispensable part of folk festivals and weddings in China, and its universality was self-evident.
Paper-cutting in the paper-cutting museum is one of the oldest Han folk arts. As a hollow art, it gives people a sense of emptiness and artistic enjoyment visually. Paper-cutting uses scissors to cut paper into various patterns, such as window grilles, doormats, wall hangings, ceilings and snuff. Every holiday or wedding celebration, people will stick beautiful and bright paper-cuts on windows, walls, doors and lanterns at home, and the festive atmosphere will be more enthusiastic. In rural areas, paper-cutting is usually done by women and girls. In the past, paper-cutting was a handicraft art that almost every girl had to master, and it was also a standard for people to judge brides. The paper-cutting art in the north and south of China can express all kinds of joys and sorrows in life through a pair of scissors and a piece of paper.