Appreciation of Liu Bingsen s official script works;
Appreciation of Liu Bingsen Lishu Calligraphy Works 1
Appreciation of Liu Bingsen Lishu Calligraphy Works II
Appreciation of Liu Bingsen's Lishu Calligraphy Works III
Appreciation of Liu Bingsen Lishu Calligraphy Works 4
Appreciation of Liu Bingsen Lishu Calligraphy Works 5
Overview of official script pen;
First of all, we should consider the basic writing characteristics of official script, which are generally summarized as follows: the body is flat and extends left and right; Left-handed and right-handed, silkworm head dovetail; Zigzag square garden with clear stippling; Teton combination, thick accumulation and thin hair. However, the above can only explain the general writing and structural characteristics, and it is still possible as a common official character recognition and writing. If we regard it as the feature or essence of calligraphy art, it is far from enough. Being keen on the art of calligraphy, the ultimate goal of identifying, researching and writing official script is to improve the level of calligraphy, engage in artistic creation and indirectly serve the development of practical writing. To learn brushwork, we must straighten out the relationship between practical words and artistic beauty. Calligraphy only meets practical needs, while calligraphy meets aesthetic needs. They all come from the body structure of the characters. The emergence and change of any style, first of all, adapts to the language and needs of written records and appears as a social communication tool. Practicality is the primary function of a word, that is, the shape of the word itself and the function of expressing sound and meaning.
Official script was originally produced as a rapid writing of seal script, and it is the crystallization of wisdom summed up by the writer after a long period of modeling. This is the stage of calligraphy, and it is also the most solid foundation for officials to gradually develop into calligraphy. To engage in calligraphy art, we can't just stay in practical writing, we can't be satisfied with the correctness of popular writing norms, and we can't be satisfied with the popularity of popular brushwork. Plekhanov said? Those things used as decorations by primitive people were initially considered useful, or the owners of these decorations had some signs of quality beneficial to the tribe. Later, it began to become beautiful, and the use value preceded the aesthetic value. ? The emergence of a calligraphy style is practical at first, and it is the free stage of characters. In the process of using words, it is a conscious stage to transform them with aesthetic senses and gradually modify them, so that words will develop into calligraphy. Today's official script research can no longer be compared with the Qin and Han Dynasties. The official script in Qin and Han dynasties has the dual nature of practicality and artistry, which promote and develop each other. Nowadays, the modern simplified characters written by Kaifa have become the national standard characters.
The function of official script is to show beauty to a great extent, mainly focusing on its artistic value. As the creation and appreciation of artistic beauty, it is to serve today with the artistic value of official script, not retro and practical, but to create artistic beauty, not just to write the vulgar words of official script. This foothold cannot be ignored. If we think that it is the pursuit of artistic effect to only meet the requirements of handwriting, waves and strokes, then it is enough to write a unified official script printed on the headlines of newspapers, which can not achieve the purpose of inheriting and developing calligraphy art.