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In a situation of severe anger, a group of old people repeated the old story. Are Hong Kong films really old?
Some people say that the film style is old-fashioned, and I feel that every plot can be found in other Hong Kong films 20 years ago. That's what happened. Life is like this. How can you make something new? To put it bluntly, it takes two hands to make a sound. It's been 40 years since the 1980s. From a geographical point of view, what do you think is the new theme of police and bandits? Eating chezai noodles but wanting the taste of snail powder, is that a Hong Kong film? In fact, telling a good fate story is the only remaining essence of Hong Kong films. Donnie Yen's martial arts action is also one of the unique features of Hong Kong films. Don't always talk about the plot. It's simply a movie about speeding, action and gunfight, which is much better than the computer stunt action movies in recent years.

Look at one! None! I can't play anymore. You don't want to see it anymore. Many scenes have been edited. The scar on the villain's face is said to have a prison play ahead. It's bloody. It's hard to find a better Hong Kong film of this type in the future. We should not cherish it more. Besides, everyone is fighting in secret, and the plot is so old that it is flesh and blood. What's the matter, because the Olympics are out of date? There's nothing serious to see in the past six months, just this one. I feel that the quality of a movie depends not only on the plot, but also on the actor's acting skills, shooting methods, movements and other comprehensive factors! In fact, there are not many remakes of movies, and the effect is good or bad, okay? You can't deny a movie just because the plot is old-fashioned, can you?

Anger is probably the ending of China's action blockbuster Iron Bridge Hard Horse. Chen Musheng is very good at constructing action scenes and absorbs Donnie Yen's action design style. The car chase scene is very eye-catching, especially jumping to save the baby, which is an upgrade to the "baby plan". I prefer those boxing-to-meat fighting scenes. The ultimate duel is modeled after Kill the Wolf. Donnie Yen bravely broke into the den of thieves to mark the fuse, and the vertical scene scheduling was very enjoyable.

Finally, the street scuffle was a bit greedy, so it was a bit messy. The relationship between characters is very rich and there is a lot of room for interpretation. Nicholas Tse's images of lunatics and gangsters were very successful, and all the evil spirits, anger, madness, bursting and tragic were created. Like a knife, he plunged into the corrupt bureaucracy. Nicholas Tse's acting is back in this movie, and Donnie Yen's martial arts movements are so beautiful, pure and tough, without any nonsense, too rigid.

As long as there is Donnie Yen, at least it won't be bad to play a drama, and all the contents of the whole movie are centered on action drama, and literary dramas also pave the way for action drama, so it's really cool. Just like a bottle of fat house happy water, you know it will always taste like that, and you know it won't have too much extra nutrition, but drinking it will be happy and refreshing, hahaha. The addition of Donnie Yen means that it has turned into iced happy water.

After watching this movie, I seamlessly connected with the black-and-white movie A Man's Funeral, in which Pema Tseden worked part-time. The gap is so big that I can't adapt to it at first. Ha ha ha ha. By the way, in fact, sir Yao was killed for insufficient reasons. It is better to finally explain that it is not feasible to report the case to save his friend, and it is easy to get caught.

The summer file finally served a hard dish, which is really the best Hong Kong action movie I have seen in recent years. The main line of fraternal opposition contains satire on the police system. However, unlike Shockwave 2 on the same theme, Chen Musheng focused on brotherhood, which he was good at. Nicholas Tse's evil is particularly prominent, and his evil and madness are unforgettable. At the end of his line, he is full of the impermanence of galactic fate.

In the action drama, Chen Musheng and Donnie Yen showed their unique skills to the fullest, from the gun battle between the police and robbers in Tsim Sha Tsui to the explosion of the speeding car, and then to the chase and gun battle in Kowloon Castle, which left a hearty impression on people. Finally, the church duel between Donnie Yen and Nicholas Tse, whether with batons or close combat, gave them a sense of strength and pain. Nicholas Tse's footwork really saw Jason Wu's shadow in The True Color of Men. In a word, director Chen Musheng has reached the end of his life.