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Review of Capital Museum
After reading a work carefully, I believe you will have a lot of feelings. At this time, it is very necessary to write a review! Please refer to how to write feedback. The following is the feedback I collected from the Capital Museum. Welcome to reading. I hope you will like it.

Reflections on the Capital Museum 1 On a sunny spring day, I visited the Capital Museum.

Standing in front of the gate, I am very excited. Tall glass buildings, standing there, make people feel magnificent. On entering the door, I saw a bronze ware standing on the left and a big wooden building on the right.

We entered the bronzes along the passage. It turns out that this is a museum among museums. We first came to Four Treasures of the Study on the top floor. The dim light in the museum makes people feel quiet and mysterious. The first thing you see is a row of all kinds of brushes. It is natural that there are wolves and white clouds. The most incredible thing is that there is a writing brush with a dark purple and thick body. And its pen is bigger and thicker, and it can't be put in a small inkstone. As soon as I read the following instructions, I realized that this pen was originally called "red sandalwood gold thread grasping pen". No wonder it is so thick! And the next crystal ink bed, let me even more amazing. The crystal ink bed is transparent, with large radians on both sides and as bright as new. It looks dazzling in the light.

Get off the elevator and you will arrive at the Jade Museum. The works of art made by skilled craftsmen are really amazing. Tracts refer to green in white and green in green. There is also a Buddha bead, which is neatly engraved with the Promethean Sutra, and each word is only the size of sesame.

Then, we visited the Bronze Museum and the Painting and Calligraphy Museum, and walked into the "big block".

In the "big block", we finally visited the old Beijing Customs Museum. As soon as I entered, I saw a long row of clay sculptures. I'm so excited that I'm ecstatic. I looked carefully on the fence: this row of clay sculptures depicts the folk customs of old Beijing. I saw several children shaking diabolos in the street, smoking traitors, talking and laughing; A street vendor is setting up a stall on the roadside, and several attracted customers are choosing things. There are two grandfathers, chatting, and one of them is carrying a birdcage. ......

How time flies! It's almost closing time. I am reluctant to go to the Capital Museum and look forward to going again next time.

Reflections on the Capital Museum 2 This summer vacation, I visited the Capital Museum.

As soon as you enter the museum, it is a hall. There are signs in the hall, which clearly introduce the distribution of the exhibition area. The museum has five floors, divided into East and West.

First of all, I came to the "Fine Exhibition Hall of Ancient Painting Art", where paintings from the Ming and Qing Dynasties were displayed. I can say that I know nothing about painting, but I can also feel the profound, elegant, quiet and beautiful spiritual world emitted by literati painters through pen and ink. Following the spiral structure on the second floor, we came to the exhibition of "Fine Calligraphy of Ming and Qing Dynasties" on the third floor, focusing on the fine calligraphy collected or circulated in Beijing during the Ming and Qing Dynasties, and showing the characteristics of Beijing calligraphy art. On the fourth floor, there was the "Yan Di Bronze Art Exhibition", which focused on the bronze culture of Yan State and showed the earliest bronze art in Beijing from the aspects of casting technology, modeling and ornamentation. There is also a "Beijing Opera Cultural Relics Exhibition" on the fourth floor. Take those beautiful faces and costumes to the teahouse of the opera. Sitting at a small table and watching the drama being staged on the big screen in front of you, you can really feel the intimacy and complacency of people who came to the teahouse for leisure at that time.

Reluctantly left the fourth floor and came to the fifth floor. The fifth floor is the "Fine Exhibition of Ancient Jade Art", which is divided into three parts: Neolithic Age to Southern and Northern Dynasties, Sui and Tang Dynasties to Liao and Jin Dynasties, Yuan, Ming and Qing Dynasties. This exhibition reflects the development history and artistic characteristics of Beijing jade from the perspective of displaying Beijing jade culture. I like blue and white jade very much. It looks very pure, and some of them can be said to be crystal clear and pleasing. There is also the "Old Beijing Folk Exhibition" on the fifth floor. In this exhibition hall, small clay figurines imitating the lively and festive scenes of weddings at that time can be seen everywhere, revealing the simple folk customs at that time. Besides these, I still remember the paper-cut exhibition, kite exhibition, Beijing snack exhibition and clothing exhibition.

Time passed in such a hurry that I reluctantly left my first blog. I also want my classmates to see it. There are too many surprises and shocks left here, and I am still excited.

Comments on the Capital Museum 3 Comments on the Capital Museum165438+1On October 24th, all our fourth-grade teachers and students visited the Capital Museum. The museum is divided into five floors, namely East and West.

We visited the exquisite exhibition hall of ancient painting art displaying paintings of Ming and Qing Dynasties. Following the spiral structure on the second floor, we came to the Ming and Qing calligraphy art exhibition on the third floor, which concentrated on the works of famous calligraphers collected or circulated in Beijing during the Ming and Qing Dynasties, and showed the characteristics of Beijing calligraphy art. On the fourth floor, there was the Yan Di Bronze Art Exhibition, which concentrated on the cultural features of Yan bronze and showed the earliest bronze art in Beijing from the aspects of casting technology, modeling and decoration. On the fourth floor, there is also an exhibition of Beijing Opera cultural relics, with those beautiful faces and costumes, as well as the teahouse in Going to the Opera. Sitting at a small table and watching the drama being staged on the big screen in front of you can really have a close feeling with people who came to the teahouse for leisure at that time and enjoy it with peace of mind.

There is also an exhibition of ancient porcelain art on the fourth floor, which is divided into four exhibition halls: Song, Liao, Jin, Yuan, Ming and Qing. It mainly focuses on the cultural relics unearthed from important sites, tombs and kiln sites in Beijing from Song, Liao, Jin to Ming and Qing Dynasties. This exhibition fully shows the exquisite porcelain unearthed in various historical periods and handed down from generation to generation, reflects the development track of ancient ceramics in China at various stages, and embodies the historical features of ancient ceramic art in China, a Chinese treasure.

The fifth floor is an exhibition of ancient jade art, which is divided into three parts: Neolithic Age to Southern and Northern Dynasties, Sui and Tang Dynasties to Liao and Jin Dynasties, Yuan, Ming and Qing Dynasties. This exhibition reflects the development history and artistic characteristics of Beijing jade from the perspective of displaying Beijing jade culture. I like blue and white jade very much. It looks very pure, and some of them can be said to be crystal clear, which makes people fondle it. There is also an old Beijing folk exhibition on the fifth floor. Small clay figurines can be seen everywhere in this exhibition hall, imitating the lively and festive scenes of the wedding ceremony at that time and revealing the simple folk customs at that time. Besides these, I still remember the paper-cut exhibition, kite exhibition, Beijing snack exhibition and clothing exhibition.

Through this visit, the children greatly broadened their horizons. The Capital Museum has left us with too many surprises and too many shocks, which is really unforgettable!

On Friday, the school organized us to visit the museum. We talked and laughed along the way and soon arrived at our destination-the Capital Museum.

Once in, I passed the security check and came to the main hall. There are many bamboos in the hall. At first glance, patches of green make people look vibrant. We followed the teachers and visited them one by one. We saw many cultural relics, worth tens of millions! I thought to myself, "If it breaks down, I can't afford it." Under the guidance of the teacher, we visited the exhibition halls in turn. Each exhibition hall has different things, such as Buddha statues, clothes and decorations, ancient utensils, calligraphy and painting and some foreign treasures. I am dazzled.

Finally, we came to the garden hall. The most iconic garden hall is the "cave dwelling". It is an inclined cylinder, which inclines through the wall. I think other buildings are square, but they are different. From a distance, it looks like jade, crystal clear, and from a close look, it looks like a big iron sheet. I thought to myself, how clever these people are! At noon, we watched a movie in the cave. We watched the splendid Beijing, where I saw places of interest, literati and the power of China before, where I learned a lot of historical knowledge. ...

At that time, I couldn't help thinking that it was China people who exchanged their blood and sweat for our happy and healthy life. I must study hard and serve my country when I grow up! In the afternoon, we bought some souvenirs in the exhibition hall, so it's time to go home. Time flies, and it's time for us to go home in a blink of an eye. I reluctantly got on the bus, feeling in my heart: I have learned so much today, and I will definitely come again in the future!

Review of the Capital Museum 5 The Chinese New Year is coming soon!

What is "year"? Why do you want to celebrate the New Year? How to celebrate the New Year? How to spend the Year of the Ox? Do you know how I live? Let me talk about it!

In order to let me know more about "Chinese New Year", my parents decided to take me to visit the Capital Museum on New Year's Eve and experience "Chinese New Year in the Museum". I was very happy after hearing the news. I was very excited all the way and asked questions. ...

As soon as I arrived at the entrance of the museum, I felt the coming of the Year of the Ox: huge colorful pictures hung in the air, and two rows of calves dressed in colorful clothes and holding gold ingots greeted people with smiles.

In an exhibition room on the fifth floor of the museum, I learned about the legend of "Nian" and why people set off firecrackers during the Spring Festival. It turned out to be to expel the monster Nian. I also learned a lot about Chinese New Year's customs: from cooking Laba porridge to offering sacrifices to sweep melons, from buying new year's goods to preparing New Year's Eve dinner, to staying up late for Chinese New Year on the first day of the first month, and the Lantern Festival on the fifteenth day of the first month. This requires a lot of attention. Although we no longer completely follow the previous practices, we will remember these customs.

In the exhibition hall on the first floor, I also saw many folk handicrafts. Such as: exquisite small kites, lifelike hairy monkeys, figurines with human faces, exquisite horsehair, eye-catching grapes, silk figurines that are hard to distinguish between true and false ... I am dazzled. Especially those two blooming Huang Juhua flowers, it's really hard to tell if they are made of cloth. How interesting! I admire these craftsmen so much!

How time flies! I reluctantly left the Capital Museum because I had to hurry home for the New Year's Eve dinner.

The New Year's Eve of the Year of the Ox is different from previous years. I really experienced the "New Year's Eve in the Museum", and I feel really different. How about you try it later?

Thoughts on the Capital Museum 6 Because I knew I was going to the Capital Museum in advance, I checked the relevant information from the Internet in advance. I clicked on the homepage, and the words "dragon-lowering, phoenix-giving and talent-increasing" attracted me deeply, so I decided to mainly study "it".

I'm on my way by bus. Through the window, I saw the sky drizzling and falling on my hands. I am not unhappy, but I am excited and excited.

When we got there, the instructor took us to the exhibition hall of "Giving birth to dragons and increasing phoenix". I was lucky and happy, waiting for the teacher's explanation with curiosity. The teacher said, "Pregnant in October. Once the baby is born, three days after birth, the family should hold the consciousness of "washing three" to wash away the dirt of the baby's past life and look forward to peace, happiness, happiness and auspiciousness in this life. Of course, in addition to its etiquette, washing three also has the function of keeping clean and preventing diseases. "

After listening to the teacher's explanation, while taking notes, I pondered the teacher's words and recalled, and I learned a lot of knowledge invisibly.

Apart from "washing three", what impressed me most was the origin of "lucky money". I listened carefully to the teacher's explanation: "why did the old people give their children lucky money in ancient times?" Because there is a monster named Nian who waits for an opportunity to get into the child's body after he sleeps, adults put lucky money on the child's forehead when he sleeps, so that it can't get in. " This is the origin of interesting "lucky money".

How's it going? Interesting!

We also visited other exhibition halls and learned a lot about ancient customs, jade articles and antiques. And some ancient China traditions.

Through this interesting practical activity, I learned about some traditional folk customs in Beijing, more antiques, jade and porcelain, and the origin of some things. I will study hard and be a commentator when I grow up. How profound I can know so much knowledge! I firmly believe that I will realize my ideal!

Let me swim in the ocean of knowledge and explore knowledge happily!

Today, my parents and I visited the National Museum. Located in the east of Tiananmen Square, the National Museum is the largest comprehensive museum in China. The exhibition we visited this time is Ancient China.

I like history since I was a child, and this visit is what I have been looking forward to for a long time. Before the visit, I looked up a lot of information from the internet. The exhibition "Ancient China" is set in the dynasty. From ancient times to modern civilization, it has completely recorded the history and culture of Chinese civilization for five thousand years.

There are many visitors in the museum. The exhibition "Ancient China" is divided into eight parts. I saw the skull fossils and primitive totems of Beijingers in the Stone Age, the exquisite bronzes and jades in the Shang and Zhou Dynasties, the contention of a hundred schools of thought in the Spring and Autumn Period and the Warring States Period, and the prosperity and civilization in the Qin and Han Dynasties. After the turmoil of the Three Kingdoms, the Jin Dynasty and the Southern and Northern Dynasties, Chinese civilization ushered in the prosperity of Sui and Tang Dynasties, which made me proud as a China native. Later, in the Song, Yuan, Ming and Qing Dynasties, China gradually fell behind among the nations in the world. This exhibition seems to be a long historical scroll, recording the development process of Chinese civilization from birth to prosperity and decline. Compared with the "Road to Rejuvenation" exhibition upstairs in the museum, it embodies the indomitable spirit of Chinese sons and daughters.

Our ancestors once created the greatest culture and technology in the world, and our generation shoulders the great responsibility of national rejuvenation. I hope that through our efforts, the Chinese nation will rise again in the east of the world.

Comments on the Capital Museum 8 The school organized us to visit the Capital Museum, and I was very excited all the way.

Finally, I saw the tall and majestic Capital Museum, which has six floors and is located on Fuxing Road, which can be reached from Tiananmen Square to the west. When entering the museum, the security check is really strict. The scissors I was going to use to cut sausages were also confiscated.

We first came to the third floor and visited the old Beijing folk custom exhibition hall. There are old Beijing clay figurines there, which vividly show the life of old Beijingers. There are also exhibitions of ancient Buddha statues, fine arts and ancient painting techniques in the museum.

My favorite is "Hunting in Autumn Suburbs", which depicts people hunting in the mountains in autumn. Exquisite and meticulous painting techniques, figures, mountains, water, especially branches, almost do not overlap. The mountains are also painted in detail, as if they were in front of us. I can't get enough of them. I admire the author so much.

What impressed me deeply was the treasure of the town hall-Shuiyue Guanyin. There is a full moon behind Guanyin, hence the name. Shuiyue Guanyin is a blue-and-white glaze of Jingdezhen kiln in Yuan Dynasty. This porcelain statue is 67 cm high. 1955 was unearthed at the west exit of Dingfu Street in Xicheng District. Bodhisattva wears a crown with a miniature Buddha statue on it. Guanyin has a broad forehead, closed eyes, dignified and kind, and elegant temperament. The right leg is propped up, the left leg is drooping, and the right arm is placed on the right knee, which is graceful. Guanyin wears a cassock and a long skirt. The chest and dress are decorated with beaded garlands, and the whole body decoration is very complicated. The jar is blue-and-white glaze, the glaze color is white and blue, and the fetal quality is white and delicate, which is worthy of being the treasure of the town hall.

This visit has opened my eyes and benefited me a lot.

Reflections on the capital museum. The architectural design concept of the Capital Museum is "people-oriented, cultural relics-oriented, and serving the society", emphasizing "the harmonious unity of the past and the future, history and modernity, art and nature". The design scheme of the Capital Museum was selected from 22 design schemes submitted by famous Chinese and foreign architectural design institutions in 16 after two rounds of international bidding. After the museum building was completed, it was well received by people from all walks of life at home and abroad. The new building covers an area of 24,800 square meters, with a total construction area of 63,390 square meters and a building height of 40 meters, with five floors above ground and two floors underground. Architecture itself is a masterpiece of architectural art, which combines classical beauty with modern beauty. It not only has strong national characteristics, but also presents a distinct sense of modernity. For example, the outward inclined bronze body broke through the wall, the cantilevered roof inherited the traditional eaves of China, and the blue-gray brick wall blurred the boundary between the ancient city wall and the modern curtain wall. The spacious square and lobby are also based on the high-rise buildings of the palace. On the central axis of the museum, the ground outside the hall is inlaid with single strokes of the Qing Dynasty, and there is a memorial arch of the Ming Dynasty in the hall, which embodies the characteristics of the traditional central axis of China. In terms of building materials, the extensive use of bronze, wood and masonry shows a long history; The steel roof and glass curtain wall also show Beijing's strong pace of the times, and the tall space and transparent visual effects are more in line with the international fashion trend of contemporary architecture.

The interior of the new museum is divided into three independent buildings, namely: rectangular exhibition hall, oval thematic exhibition hall and strip office and scientific research building. The gap between the three is the central hall and the indoor bamboo garden. The use of natural light, the quaint Chinese archway, the sinking bamboo courtyard and the flowing water create a humanistic and natural environment.

Reflections on the Capital Museum 10 During the summer vacation, my good friend Ding Yi and I traveled to Beijing. During the eight-day trip, I went to Tiananmen Square, Water Cube, Bird's Nest, Capital Museum, Tsinghua University, Mao Zedong Memorial Hall and Badaling Great Wall ... What impressed me most was the Capital Museum.

We first came to Tiananmen Square, which Beijing is proud of, just to see it and stay there. That lovely wife is spectacular and unimaginable, especially the portrait of Chairman Mao. It turns out that Mao Zedong is like this. The majestic Tiananmen Square has three floors, with red walls and yellow tiles. What a style!

The next day, I came to the Bird's Nest. When I saw the Bird's Nest for the first time, I felt really worthy of the name. It really looks like a bird's nest, with dense steel bars and columns intertwined, very beautiful!

On the third day, I came to the world-famous Capital Museum. How big it is! After a few steps, I finally saw the gate. I bought a ticket and walked into the gate. I see a building on the left, in which bamboo is carved with stones. Bamboo is tall and thick, forming a big circle. I walked in. It turned out to be a cinema. After watching the movie, I learned more about the history of Beijing. We came to the second floor, where Beijing porcelain was displayed, including Guanyin Bodhisattva, Santouliuhai God, Tathagata, Maitreya Buddha and so on. These Buddha statues are lifelike, with different expressions, some serious, some smiling, some serene ... Because they are colored porcelain, these Buddha statues are smooth, round and shiny. The third floor really opened my eyes! This is a Peking Opera mask. Guan Yu, whose face is black, looks terrible, and Qin Gui, who giggles, hates it. the Monkey King, whose face is painted, gives people a miraculous feeling ... Seeing so many faces for the first time is really a treasure of China folk art.

Beijing is really the capital of our country. It is not only an international metropolis, but also shows the labor wisdom of the ancient people in China.