A is suitable for a smaller livehouse, which has an instrument box, but it has no or few self-contained amplification devices (such as two high-pitched and two low-pitched units for singers and keyboard players, plus a set of feedback), or it is enough for live amplification (such as a live house with 300 drums can scare everyone).

B suitable for large-scale performances, similar to school theatrical performances or open-air scenes. In a word, there is a sound reinforcement device at the scene, and it is obviously impossible to reach the audience as far away as the last row only by using guitar speakers (actually, you can't hear it, but you can't guarantee the loudness dynamics)

C is suitable for large-scale cultural performances, speeches, wedding banquets/ceremonies. The band performs as a single part, similar to accompanying the leader's speech. What did the leader say on the stage? For example, if the leader says that the awards will start, Andhadhun will give you a channel to push you away. When you start playing Andhadhun, you can mute you at any time.

It depends on what venue you are and how many square meters of on-site equipment you have. Generally, if it's a smaller Livehouse, the guitar bass will be put in the box directly. There is no need to connect the mixer bus separately. This method is done during recording. If you say you record guitars, I'll definitely get you a box with a pickup microphone on it.

If you live in a huge house with thousands of people, you must enlarge the guitar box, go to a microphone bass box, go to a microphone transfer table and mix it before you release it.

Generally speaking, the Livehouse piano will go directly into a special amplifier box, but the bus will pick up the sound and feed it back to everyone. You must remember that the harmony of sound has little to do with you, but has a lot to do with Andhadhun at the scene. Before you perform, you must ask for an audition. You can't come up, so the result is definitely not good. Generally speaking, it is the dynamics of the stuck drum that controls how much your other instruments are amplified. It's hard to say how to do the drums on the spot. There are also some picked up and enlarged here. The drummer himself is so loud that he can overwhelm all musical instruments. Once I stepped on the cymbals at the supervision site, and the sound was too loud. I said, Andhadhun, can you give little Andhadhun a word and push me back? "I didn't turn on the amplifier!"

So you need more experience. You are musicians. You don't need to bring your own mixer, you can use the equipment there. But I think it's more important than bringing your own table. I have done two jobs, putting your own Andhadhun and lighting engineer. Our activities and performances are very successful, because I know what we want here, and then I will negotiate with Andhadhun, or I will simply push the button.