If Deyun Society really goes out of business, it will have no impact on the music industry. What will really be affected will only refer to the entertainment capital of Deyun Society, the powder heads that cut leeks in the powder circle, and the water army and the media that eat Deyun Society's traffic.
Degang Guo's popularity is only his personal success, not the revival of cross talk. Since the revival of the small theater in 2000, cross talk has entered the niche market and has been moving closer to the entertainment circle. Degang Guo is the most successful one who takes the entertainment line. He is also the first traffic star in the history of cross talk in China, with a pink circle operation mode comparable to that of top stars.
Degang Guo's personal design catered to the times and matched the internet public opinion environment at that time. During the rise of Degang Guo, the Internet was in a state of barbaric growth, and the public opinion environment was almost crazy against public knowledge and the Constitution. At that time, as long as the online swearing family was in good health, it would be sought after by thousands of people, and Degang Guo just catered to this trend.
Different from the ordinary keyboard big V, Degang Guo also framed a very pleasing label for himself-traditional culture. Tradition and retro only have their own attributes of anti-trend and anti-current affairs, so when Degang Guo describes the pastoral of traditional culture for fans, the wisdom of ancestors kills all beings, he is the inheritor of ancestral wisdom, and a superhero-like saint in costume comes.
Degang Guo divided crosstalk performers into mainstream and non-mainstream camps, creating artificial industry opposition. The mainstream is a vegetarian official, and the non-mainstream is the guardian of traditional culture represented by him. In order to strengthen this opposition, Degang Guo also broke into the ranks of "destroying cross talk" occupied by all mainstream cross talk actors, such as TV cross talk. Degang Guo almost spared no effort to belittle and trample on it, thinking that cross talk on TV is just memorizing words and obliterating the real charm of cross talk. Only the small theater interaction is the original crosstalk, and the audience who has been to the small theater to listen to crosstalk is the "real crosstalk audience".
Degang Guo's business talk is regarded as a standard by fans, and with the crazy praise of the media water army, TV crosstalk has become a scourge that destroys crosstalk. However, denying the decline and rigidity of mass media and blindly promoting the flexibility and freedom of small theaters is actually a cross talk that has changed from a form of national entertainment to a niche hobby for the rich and leisure class. Besides, Degang Guo was not the first pioneer of small theater. In the 1990s, Tianjin Small Theater, and after 2000, Jiang Kun advocated the return of cross talk to small theater, all of which were one step ahead of Degang Guo. It's just that they ignored the public opinion position of the internet and created momentum for themselves through the water army and the marketing number.
Degang Guo firmly grasped the original stock of crosstalk on the Internet, created a god for himself, solidified the aesthetics of his audience, turned the original audience of crosstalk into idolized powder, turned himself into crosstalk itself, and became the supreme existence of definition standards. Therefore, no matter what Degang Guo says, it is an imperial edict for the fans.
However, the narrow and closed operation mode of Pink Circle will eventually lock the guests it attracts in the small circle of Degang Guo and Deyun Society.
This group of die-hard fans who are crazy about Degang Guo will look for new idols as spiritual sustenance after Degang Guo and Deyun Society leave, and will not have any thoughts on cross talk.
Therefore, for the crosstalk industry itself, Degang Guo's popularity only makes him inexplicably add a group of criticisms and some "ancestral rules" that pop up inexplicably, such as Taiping's lyrics can't be less than 25 yuan. In addition, many young people who flood into the cross talk industry are striving to be stars and idols, and cross talk has been simplified into a big coat and a gray mouth.
Many years later, when people review the history of cross talk, Degang Guo should have a chapter that belongs to him, but the name of that chapter is "The Collision between Cross Talk and Idolated Culture".
What was the whole phonological world like before Degang Guo became popular twenty years ago? Apart from listening to crosstalk in the Spring Festival Evening, I basically don't listen to crosstalk at other times.
In 2005, Deyun Society became famous and the audience began to return to the small garden. However, what about other gardens? Still as bleak.
Degang Guo said that the prosperity of Deyun Society does not mean that cross talk will flourish. Deyun Society is a boat in the sea. In other words, crosstalk is not prosperous now, but it is also declining.
Look at the present situation of Beijing opera and you will know the present situation of cross talk. Peking Opera is still the quintessence of China culture, right? What about the local folk art groups?
If Deyun Society goes out of business, it is estimated that in less than ten years, cross talk will be as good as or even worse than drama theaters all over the world.
Now the right to speak is still in the hands of the mainstream. What does the mainstream do all day? Even if they have a performance at the meeting, they will send tickets and eggs. If one day the country does not support these mainstreams, can these mainstreams be like Shang Yan of Deyun Society? There is little possibility, because they have long been unable to sell tickets.
If Deyun Society goes bankrupt, what impact will it have on the music industry?
Friend, without Deyun Society, where would there be a phonograph world?
This statement is not empty.
Think about what cross talk we listened to before Deyun Society.
Once every ten minutes, the kind with its own abridged version.
Actors in small red-billed suits all stand on the stage like wedding emcees, just like their peers in the evening paper. Is that a cross talk?
Maybe some time ago, when all of us didn't understand, you could say it was a cross talk.
After all, I'm hungry, and eating corn smells good.
But what age is it now? The country became rich and strong, cultural exchanges took place, and the people of China stood up.
With the rapid development of the Internet, what have we never heard of or seen?
It is natural to be able to distinguish good from bad, so we really can't accept the past cross talk now.
Compared with the jokes of Deyun Society, regardless of the old gentleman, what are the mainstream immortals? Everyone should know fairly well.
There is a saying that money beats handmaiden's hand and art beats pedestrian.
These goods are incompetent and want to earn as much as others, so they have been shouting down Deyun Society.
I don't know, even if Deyun Society really collapses, they can't sell tickets.
Ability is displayed. Nobody is blind, right?
Therefore, if one day Deyun Society goes out of business, crosstalk will basically get cold.
Qin people have to mourn for themselves, and then others mourn for them, and later people mourn for them without learning the lesson, which also makes future generations mourn for them again.
It has no influence on the sound world. Without it, we can still listen to cross talk, which is much cleaner. Online spraying has a great influence on the income of Deyun rice circle powder.
After bankruptcy, the market behavior of cross talk will disappear and become the mainstream. The phonograph circle will start shouting under the banner of saving traditional art, and then desperately ask the country for money and stuff it into their pockets. As long as the country's anti-corruption does not go deep into the mainstream record player circle, the mainstream record player circle will be more corrupt. Everyone's mouth is full of benevolence and morality, and his stomach is full of thieves and prostitutes. What he thinks is one thing: how to pretend to be poor and save cross talk, and how to be in front of the country. This is the phonological world after the closure of Deyun Society.
What does the collapse of Deyun Society mean? How did Deyun Society collapse? Did everyone from Deyun Society stop acting? Is it possible for this to happen? As long as people have artistic morality and artistic ability, they can succeed, no matter what platform they are on. Relatively speaking, Deyun Society will not perform for a month, and those groups that can't sell tickets still can't sell tickets! If you want the audience to like to praise you, you have to have real kung fu!
Why do you ask such a question about the prosperity of Deyun Society? If Deyun Society does not exist, it will have a great influence on people who like Deyun Society. For example, I may stop paying attention to other cross talk programs, and I will continue to support dreadlocks. I hope that the development of cross talk in Deyun Society will be smooth and smooth. Deyun Society's contribution to society will give people spiritual help and encouragement. I can't give up Deyun Society when I am happy. I know that Song Zude predicted on VB a few months ago that "Deyun Society will close down in 2025". Who will believe Song Dazui's words? Personally, I think this question is superfluous.
It's hard to say whether Deyun Society can close down. I dare not draw a conclusion. However, there is a fact that Degang Guo and his Deyun Society really revived cross talk.
As we all know, the cross talk of that year did show some signs of decline under the run of sketches. Niu abandoned cross talk and went into politics, even Feng Gong turned to sketch. At this time, only Deyun Society in Degang Guo carried the banner of cross talk and brought laughter and happiness to the audience. It can be said that Degang Guo contributed a lot to the revival of cross talk.
The art of cross talk emphasizes speaking, learning, teasing and singing, and Degang Guo is proficient in everything. Stage performances pay attention to hands, eyes, body, methods and steps. And Degang Guo on the stage, can be said to be between gestures.
Some people say that the cross talk of Deyun Society is vulgar, but it is actually an unreasonable attack and slander. It should be noted that if chin beauties can be accepted and affirmed by the people, in time, they will become classics, that is, Chun Xue. More importantly, the traditional crosstalk with high artistry and skill is currently performed only by Degang Guo. As for Jiang Kun, he talked about cross talk all his life, but because of his natural weakness, he never made people understand, and he still learned to sing out of tune. It can be said that the era of cultural and artistic depression created Jiang Kun. There is no denying Jiang Kun's contribution to cross talk. However, when Jiang Kun later served as the chairman of the Music Association, he did not support the development of cross talk, but played with sketches. It's really a bit of dereliction of duty. He almost ruined the cross talk career.
On the other hand, if Deyun Society really goes out of business, it should be said that it is a great loss to the cross talk business and will really have a great impact on the cross talk business.
In the past, the music industry did have a downward trend, and no one cared. The improvement now is more or less related to Deyun Society. During the market depression, it was like a clear stream, which activated the phonograph world. Now many achievements are inseparable from Deyun Society. Degang Guo made a lot of credit! . The achievements are remarkable and indelible.