Lipper

Flowers in the next pot of wine, no friends, drink alone.

Raise my cup, I invite the bright moon, which brings me its shadow and makes us three people.

The moon doesn't know how to drink, but the shadow in front of it is behind.

I have to mingle with them and enjoy the happiness of spring.

The song I sing is bright and wandering, and I dance the shadow before wandering.

Wake up and be happy together, and disperse after drunkenness.

I am willing to stay with them forever and forget the harm of friendship, just like the Milky Way.

Appreciation of poetry and prose

This poem describes drinking with the moon. It was lonely to drink alone with the moon, but the poet used his rich imagination to weave the moon and his own figure into the so-called "three people." From the word "flower" to the word "spring", from the word "injustice" to "song" and "dance", the lonely environment is rendered very vividly, not only vividly with pen and ink, but more importantly, it expresses the poet's broad-minded character and his feelings of being good at self-resolving.

On the surface, the poet seems to really enjoy himself, but behind it is full of infinite desolation. Poets are lonely enough to invite the moon and the shadows, but not enough. Even in the later years, it is impossible to find someone to drink with. So I can only be friends with the figure in the moonlight forever, and meet again in the fairyland of heaven.

Li Bai's five-character poems have a wide range of themes and colorful styles. Earlier, I introduced two poems, Sauvignon Blanc and Long March, which he wrote by studying Yuefu folk songs, and this poem, Drinking the Moon Alone, fully demonstrated Li Bai's elegant charm, romantic poetic style and personal spiritual world. There are fourteen sentences in the whole poem, the first eight are flat and the last six are faint. As far as the genre of five-character ancient poems is concerned, drinking the bright moon alone is not long, but it is full of the pursuit and yearning of a lonely soul. Only Li Bai appeared in this poem, but through monologues, it set off layers of emotional waves in the depths of the soul, both ups and downs and natural, and has always been regarded as the passionate representative of Li Bai's poems.

Wine and moon are Li Bai's most loyal companions in his life, and he has never left for a moment. Wherever he goes, he always leaves a touching work about wine and the bright moon. Such as "tulip in lanling wine, amber light in jade bowl" ("Work in One Guest"); For example, "Under the moonlight in Dongting, we bought wine and Bai Yunbian by boat" ("Five Poems of Visiting Dongting with Ye Lang, Assistant Minister of Punishment of My Uncle, and Jia Tuo from Zhongshu"); For example, "When will there be a moon in the sky? I'm going to stop for a drink and ask ","I only wish the song is right for the wine and the moonlight shines on the golden urn "("asking for the moon "); For example, "Oh, let a man with spirit take risks where he wants to go, and never point his golden cup at the moon!" " ("into the wine"). Through these well-known poems, Li Bai created a unique realm that is both romantic and somewhat sad, and this wine-moon complex was brought to the extreme by this song "Drinking the Moon Alone".

At the beginning of the poem, our poet was in a very pleasant environment, under the flowers and the moon, "from a pot of wine among the flowers", drinking a pot of wine among the flowers and getting drunk. But unexpectedly, flowers and wine made Li Bai feel unhappy. What is the reason? Because I drink alone. No one is with me! Li Bai has a famous saying, which can be used as a footnote to this poem. "Two people drink flowers in the mountains, one cup after another" ("Drinking with Friends in the Mountains"). Accompanied by like-minded "lovers", we can go to our hometown together in the flowers and enjoy the endless fun of drinking. But at the moment, there is no companion, so I can only drink alone. But he had a brainwave and created a brand-new realm for himself: "Until, holding up my cup, I asked the bright moon to bring me my shadow and let the three of us"! From the lonely "no blind date" to the laughing "threesome", Li Bai completed it with one gesture. Look at him. When he raised his glass, the moon became his companion. When he bowed his head, his figure accompanied him. How chic, comfortable and vivid can the face of "fallen immortals" that is hard to find in the world be imitated by others? The moon in the sky is an eternal confidant of Li Bai's spiritual world and a frequent visitor in Li Bai's poems. He once recalled his first understanding of the moon when he was a child: "When I was a child, I didn't know the moon, so I called it a white jade plate" ("Exploring the Moon with Ancient Waves"); When he left home, the moonlight reminded him of the homesickness of the wanderer: "The foot of my bed is so bright, can it have frosted?" . Looking up, I found that it was moonlight, and when I sank back again, I suddenly thought of home "(Silent Night Thinking); In the autumn moon, he once poured out endless lovesickness: "After her closed window, why is she still waiting, looking at the glory of the autumn moon through its crystal pane?" ("Jade Family"); In the moonlight, he can become a bosom friend with the ancients: "Long meditation under the moon, thin eyes in ancient times" ("Singing under the moon on the West Tower of Jinling City"). Therefore, when reading "Until, raise my cup, I ask the bright moon to bring my shadow to me and let the three of us", we will not be surprised and confused at all. But we believe that this is the real Li Bai, a pure, romantic and out-of-touch "poetic fairy" Li Bai who lives in his own spiritual world! Only he can make such incredible moves, and only he can write such elegant poems.

"Alas, the moon can't drink water, and my shadow follows me blankly; . But there was still a time when I had these friends who cheered me up at the end of spring. " Although Li Bai invited the bright moon as his companion, it's a pity that the bright moon is far away, so it can only be hung high and can't be drunk with Li Bai. Although the shadow is close at hand, it will only follow silently and cannot really communicate. At this moment, the poet's heart is still lonely in this situation. Perhaps all geniuses are very different from ordinary people in ideological realm, and their pursuit and exploration are often misunderstood. For example, in order to realize the ideal of making contributions, Li Bai refused to be a royal scholar and washed away the drunkenness of Tang and Yang Guifei. Therefore, he did not enjoy the prosperity of the capital, refused to eat well, and insisted on wandering in the rivers and lakes. He even said that he was "I would like to cross the Yellow River, but I will climb the snowy Taihang Mountain when I cross the ice" ("Difficult to Walk"). This is not asking for trouble. Perhaps it is this ignorance of practice that finally made him a "long-flowing yelang". Du Fu, a great poet, once met Li Bai once. He wrote many poems to express his admiration and concern for Li Bai: "There are many nosy people in our capital, but you are a lonely and helpless poor man" (two dreams of Li Bai). However, even if Li Bai is reduced to "and you are lonely, helpless and pitiful", he will never regret it and never bow to the world. He wrote a poem "Sitting alone in Jingting Mountain": "The birds are high, and the lonely clouds go to leisure alone." I never get tired of seeing it, only Jingting Mountain. "Whether it is a bird with life or a cloud without life, as long as it can move, it will stay away from Li Bai without hesitation, leaving only the motionless mountain. Even so, Li Bai can sit comfortably in the mountains, cultivate one's morality and cultivate one's personality, be immune to the crowd and refuse to go with the flow. Therefore, when Li Bai failed to persuade Yue to drink alcohol, he thought that it was not the pleasure he longed for most when he was drunk in Chang 'an to drink alcohol and write poems before and after the flowers and stay away from the interference of secular distractions. Then, on this beautiful spring night, eat, drink and get drunk with the bright moon in the sky and the underground figure. But a "temporary" shows that Li Bai also clearly knows that this relief is only temporary. However, it is probably because of its brevity that it is even more precious and cannot be easily let go.

"I sang. The moon encourages me and I dance. My shadow is rolling in the back. Wake up and be happy together, and disperse after drunkenness. Will goodwill be guaranteed? I see the long road of the Milky Way. " The following poem has changed from flat to flat, and the emotion is stronger. At this time, Li Bai, who was half drunk, was getting better and better. I saw him singing and dancing, innocent. He looked up drunkenly, and the moon in the sky seemed to dance with the rhythm of his singing. He bowed his head drunk, and the figure on the ground swayed with his dance. All this seems to show an inexplicable desolation and loneliness, and he feels that it is not easy to have their company. The word "making love" shows the poet's satisfaction with this. Indeed, good wine made Li Bai forget the troubles in the world, and the bright moon brought spiritual comfort to Li Bai. In this unaccompanied "intercourse", the poet finally got drunk, and at the last moment before getting drunk, Li Bai realized that as long as he was drunk, all the moons and characters would return to their original shapes, and this temporary combination centered on him would no longer exist. However, he is not discouraged at all, because his relationship with Moon Shadow is long-term and stable. It can be seen that this is not the first time that Li Bai visited the house to drink the bright moon alone, nor will it be the last time, because the life path that Li Bai chose was doomed to be accompanied by loneliness and poverty at that time, so he had no one to rely on except himself. This is also the reason why he admires Lv Zhonglian, a lonely hero who is not loyal to the Qin Dynasty. Therefore, he wants to say that "the moon is long, and the eyes are ancient and rare". He can only introduce such "heartless" things as the moon in the sky and the figure on the ground as lifelong confidants. At this time, it is really heartless. Making love with heartless things naturally shows that the world was cold and human feelings were warm and cold at that time. It is conceivable that Li Bai was treated with courtesy and boasting when he was an academician in Chang 'an, but when he left the capital and was imprisoned, he suffered a cold reception from the world. But through these monologues and monologues, people can clearly feel that Li Bai is still frustrated and his original intention remains unchanged. As a representative of the poets in the prosperous Tang Dynasty, Li Bai was highly praised by later generations because of his innate broadmindedness and superb romance. Emperor Qianlong also affirmed "drinking the bright moon alone" from this angle, saying that "curiosity through the ages can be obtained from now." Although I am poor, I have never been broad-minded. "

Drinking the bright moon alone is famous for its ups and downs in emotion, frankness and innocence. Throughout the poem, its emotional waves can be clearly divided into several ups and downs. The first sentence begins with Yang's "from a pot of wine among the flowers", and the second sentence is followed by "I drink alone. No one is with me. " But the next two sentences: "Until I raise my cup, I ask the bright moon to bring my shadow and let the three of us", sweeping away the cold and loneliness without blind date. This situation at the end of the first part of this poem is a scene from cold to lively after ups and downs and hard work. This first emotional ups and downs can be seen as a prelude, the arrangement of "under the moon" scenes and the appearance of "characters" (including virtual moon and characters). Although there was a little trouble, it was carried out successfully along the track imagined by the poet himself.

The second part of the poem is also four sentences, and the poet has also experienced an emotional cycle from sadness to joy. From lamenting the unhappy situation of two greeting wine companions, the moon and the figure, to completely ignoring and enjoying myself. The second wave of ups and downs in poetry is the formal development of the plot and the implementation of "independent action". At this stage, the poet, relying on his warm but lonely state of mind, is persistently pursuing an ideal realm that can't be perfect, because in the lonely situation, only the "indissoluble moon" and "shadowy shadow" can't be perfect, but at least it is an ideal realm. Although "temporary company" in the sentence "I had these friends for a while" more or less reveals the author's helpless regret, "Let me cheer through the late spring" shows that the poet has adjusted his mentality, thus realizing his "self-satisfaction" without any external factors this time.

The third wave of ups and downs in poetry is the climax and sublimation of solo movements. At this stage, the poet has been completely intoxicated in the realm of "drinking the bright moon alone" created by himself. Messy dance steps, wandering moonlight, infatuation, things and I are integrated. After enjoying himself, the poet will soon fall asleep in the wine country, but at the last moment of his sober mind, he has not forgotten to reach an agreement with those two people again. ""Will goodwill be guaranteed? I see the long road of the Star River Bay. Only when we have a preliminary understanding of Li Bai's life and pursuit can we really understand this persistent feeling.

The second success of this poem is that it is straightforward, pure and unpretentious. In this regard, Shen Deqian commented as follows: "It is pure nature to blurt it out. This kind of poem is not easy for people to learn "("Tang Poetry "). Indeed, after Li Bai became famous, many literati wanted to follow in his footsteps, but in the end they always gave up halfway. Therefore, for thousands of years, people can only express heartfelt admiration for Li Bai's artistic realm of "clear water produces hibiscus and natural carving".

A gift for Wang Lun.

Lipper

Li Bai was just about to leave when he heard a farewell song from the shore.

Peach Blossom Pond is deeper in thousands of feet than in Wang Lun!

In the 14th year of Tianbao (755), Li Bai visited Taohuatan from Qiupu (now Guichi, Anhui Province) to Jingxian County (now Anhui Province), where Wang Lun often brewed his own wine to entertain him. When he left, Wang Lun came to see me off again, and Li Bai wrote this poem to leave.

The first half of the poem is narrative: first write about the people who are leaving, and then write about the people who are seeing them off, showing a picture of parting. The first sentence "by boat" means waterway; "Will want to go" means that the canoe is ready to go. This sentence makes us seem to say goodbye to the people on a ship that is about to leave the sea.

Who is the man who saw me off? But the second sentence is not as direct as the first sentence, but with a curved pen, just saying that I heard singing. A group of villagers walked and sang to the beat to see me off. This seems to be beyond Li Bai's expectation, so he said "suddenly smell" instead of "far smell". Although this poem is more subtle, I only hear its voice, but people who have not seen it are already coming out.

The second half of this poem is lyrical. The third sentence is connected from a distance, which further shows that the ship is placed in Taohuatan. "Deep thousands of feet" not only describes the characteristics of the pool, but also indicates the conclusion.

"Peach Blossom Pond" is so profound that it touches people's feelings. Unforgettable Wang Lun's deep affection and deep affection are naturally linked. At the end of the sentence, "not as good as Wang Lun's" broke out. By comparing things, it vividly expressed sincere and pure affection. The pool is as deep as thousands of feet, so how deep is the friendship between Wang Lun and Li Bai? Interesting. Shenqing Deqian appreciates this sentence very much. He said: "If Wang Lun's love is compared to a pool of thousands of feet, it is a common language. The wonderful scene is just in a transition. " Obviously, the beauty lies in the word "less than", and the beauty lies in replacing metaphor with metaphor, turning intangible friendship into a vivid image, ethereal and memorable, natural and true.

This poem is deeply appreciated by later generations, and Peach Blossom Pond Water has become a common language for later generations to express their feelings. Because of this poem, there are many beautiful legends and relics in Taohuatan area for tourists to visit, such as Tage Anting engraved with "Tage Ancient Shore" on the east coast, Diaoyutai under the rainbow stone wall on the west coast and so on.

Qingming Festival

Du Fu

A drizzling rain falls like tears on the Mourning Day; The mourner's heart is going to break on his way.

Excuse me, where is the restaurant? The shepherd boy pointed to Xinghua Village.

Jiangnan Tongzhi records that Du Mu was in Xinghua when he was the secretariat of Chizhou.

Drinking in the village, the apricot blossom village in the poem refers to this. There are attractions such as Duhu Lake and Southeast Lake nearby.

This poem is about a "pedestrian" who has left his hometown, in the Qingming period when the spring rain is continuous.

Give up drinking and drown your sorrows. The pedestrians, restaurants, shepherds and apricots in the poem

Huacun, Shanlu Bay, and the spring rain float form an interesting picture.

Qingming misty rain map

Four quatrains (the third)

Du Fu

"Two orioles sing green willows, and egrets cover the sky."

My window framed the snow-covered western hills. My door often says "goodbye" to ships sailing eastward.

In 762 AD, Chengdu Yin entered the DPRK, and there was unrest in Shu. Du Fu once fled to Zizhou, and the Anshi Rebellion was put down the following year. Another year passed, and Yanwu returned to Chengdu. Du Fu learned the news of this old friend and followed him back to Chengdu Caotang. At this time, he was in a particularly good mood. Faced with this lively scene, he couldn't help writing this group of impromptu poems. I didn't plan the topic in advance, and I didn't plan the topic after writing the poem. I simply take "quatrains" as the topic.

The whole poem looks like a scene, four independent pictures. It is the poet's inner feelings that consistently make it a unified artistic conception. At first, he showed the spring scenery of the thatched cottage, and the poet's mood was Tao Ran. However, with the wandering of sight and the change of scenery, the appearance of river boats touched his homesickness. Jing Yu's four sentences fully show the poet's complicated and meticulous inner thoughts.

Say goodbye to the ancient grassland

Bai Juyi

The long grass is so lush that the withered grass will thicken the color of the grass every autumn and winter. Wildfire can't burn it out, but the spring breeze can revive it. Weeds and wild flowers are all over the ancient road, and the end of the grass in the sun is your journey. I once again sent my bosom friend, and the thick grass represented my deep affection.

Appreciate:

On the ancient Sandy Plain, I bid you farewell. When I see lush grass, I will be young every year, the wildfire will be fierce again, the spring breeze will be fine, and life will be reborn. Dear friend, when will you come back here? The ancient road in the distance is filled with warm grass fragrance, and under the bright sunshine, a piece of green is connected with barren land. At such a moment, watching you go far, my heart is full of feelings of parting. Writing the parting in the grass is ingenious and appropriate, which reminds people of the chant that "the wandering son and grandson don't return, and the grass grows and the warbler flies", and also makes people cry that "hate is like spring grass, and live deeper and farther"

This is a poem about objects, which can also be regarded as an allegorical poem. Some people think it's a mockery of the villain. Judging from the whole poem, although the original grass refers to something, its metaphorical meaning is uncertain. "Wildfire never completely burned them, and the spring breeze blows high." However, as a kind of "tenacity", it is well known and has become a swan song that has been passed down through the ages.

Spring outing in Qiantang River

Bai Juyi

From the north side of Gushan Temple to the west side of Jiating, the lake is just level with the embankment, with low clouds and waves on the lake.

Several early orioles raced to the sunny tree, and their new swallows were carrying mud in their nests.

Colorful spring flowers will gradually fascinate people's eyes, and shallow spring grass can barely cover the horseshoe.

I love the beauty on the east bank of the West Lake, and I can't get enough of it, especially the white sand embankment under the green poplar.

Appreciate:

This poem describes the poet's favorite spring walking on the white sand embankment, with water on both sides and willow and peach trees on both sides of the embankment. The lake is under your feet, as if walking on the water; Willow branches in early spring, like smoke and fog, like silk, come to my face, with infinite tenderness and love, like a dream and a fairyland. Spring water is fresh on the lake, spring warblers contend on the trees, mud in the air in Chun Yan, spring flowers blooming on the shore, spring grass just green, willow branches like smoke and silk. The poet's keen and delicate brushwork praised the spring scenery of the West Lake, which made people realize that the West Lake was stretched out in spring clothes.

Xijiang Moon Night Tour in Huangsha Island CITIC Miracle

The moon on the horizon rose to the top of the tree, scaring away the magpies perched on the branches. The cool evening breeze seems to have spread to cicadas in the distance. In the fragrance of rice and flowers, people talk about the harvest of a year, and frogs croak in their ears, as if in a bumper harvest year. In the old days, Maodian was near the forest, and the road turned to the stream bridge.

Enjoy 1

This word was written by Xin Qiji when he lived in Shangrao Lake. Huangsha, or Huangshaling, is located in the west of Shangrao County, Jiangxi Province, with beautiful scenery. The so-called "Xishan is a painting" (Xin Qiji's "Huangsha Road Partridge"). There is a bookstore near Xin Qiji and he often travels in Huangsha Road. Xin Qiji was a great official in the Southern Song Dynasty, but his bold and open-minded remarks and decisive and capable style, especially his political proposition of resuming the war of resistance, were envied by his colleagues and hit by the highest ruling class. In her eighth year in Song Xiaozong (1 18 1), Xichun was finally impeached and dismissed from office, and returned to her hometown in Daihu, where she lived in seclusion. Xin Qiji has always attached importance to agricultural production and sympathized with the sufferings of the people. During his tenure in Hunan, he played On the Thief Zazi, pleading for the people, detailing the people's "sufferings", pointing out the fact that "officials forced the people to rebel" and loudly calling on the court to "care for Yuan Yuan". Before he left office to live a leisurely life, he once said, "If you are diligent in life, you should give priority to farming." So, in the name of Jiaxuan, he became a Jiaxuan layman. Long-term leisure life in the countryside has brought him closer to the countryside and established deep feelings with farmers, so that everything in the countryside has aroused his great interest. Therefore, he is very concerned about the sufferings of farmers: "The father and the old argue that the rain is even, and his brow is not as wrinkled as last year. Thank you for your efforts, but you are dust. "(Huanxisha) He is also very happy that the weather is good and the people are not hungry. In these rural discourses, Xin Qiji opposed the peaceful and quiet countryside to the dirty "urban dynasty". "Ancient and modern tomb valley, the city often planted mulberry. "("Qingpingle Shang Lu Joe ") He is ostracized in officialdom, but he can get temporary comfort and seek spiritual sustenance in the countryside. Just like his friend Lu You said, "Farmers have fun, and they are no worse than cities" (Farmers in Yuechi County). It is under this complex emotion that Xin Qiji wrote such lively local words as "West River travels at night on Huangsha Road". Only by connecting with the author's life experience and ideological ambition can we appreciate the beauty of these words more deeply.

This song "Xijiang Moon" is a fragment of the author's night tour of Huangsha Road. On a sunny summer night in the south of the Yangtze River, the moonlight was as bright as day. The black magpie perched on the branches of green trees thought that dawn was coming, and jumped up in surprise, jumping from branch to branch, making the branches rustle! When it found something wrong, it stopped on another branch. Xu Lailiang breezes gently, branches swaying gently, and Xia Chan, who was too scared to sleep, sang a song in the middle of the night. On this intoxicating moonlit night, our poet wandered alone on Huangsha Road, listening to cicadas chirping and magpies chirping and smelling the rich fragrance of rice flowers. The sons of the proud water country seem to understand our poet's happy mood very well, so they played a cheerful symphony for him. From the chorus of this frog, our poet heard the news of a bumper harvest. The bright moon, the breeze, the surprised magpie, the cicada, the fragrant rice and the frog sound are all refreshing. The poet sees, hears, smells and feels everything. He was completely immersed in the comfort of the summer night in the south of the Yangtze River, and he couldn't help looking at the sky. There were only a few sparse stars hanging in the blue sky. However, "the weather is unpredictable", not to mention the summer weather in Jiangnan! I don't know when, suddenly a few floating clouds came and it rained like a prank. The sudden shower broke the poet's interest and he had to avoid the rain at night. I was in such a hurry that I couldn't take care of myself. When the road turned to Xiqiao, I suddenly looked up. Hey! A familiar Maodian appeared at the edge of the Woods of the Earth Temple. This is simply a beautiful and interesting moonlit map of a mountain village in the south of the Yangtze River in midsummer! Full of poetry and painting, giving people rich enjoyment of beauty.

What artistic means does the author use to express this moonlit picture of a mountain village in the south of the Yangtze River?

First of all, in the choice of intonation, the author chose the poem Xijiang Moon, which is easy to express lively and cheerful feelings. Xijiangyue is a 50-word disyllabic word, with two flat rhymes in the upper and lower lines, and every leaf in the sentence is tired rhyme. The cicada, the year, the front and the edge in the poem Xijiang Moon are all in the rhyme, while the piece and the space at the end of the sentence belong to the same part in the rhyme. In this way, the harmony of the same rhyme can increase the aesthetic feeling of the word, and the two rhymes are arranged on the upper and lower sentences, and the tone is short and abrupt, making the whole word more harmonious and powerful. The number of words in each sentence of Xijiangyue is roughly neat, with six, six, seven and six sentence patterns. The two six words at the beginning of the shovel are easy to be dual. The first two sentences of Xijiang Moon are very stable. What needs to be pointed out here is the interpretation of "Biezhi". As far as I can see, there are roughly three explanations: one is to interpret "farewell" as "leaving", and there are two subtle different explanations here. One is the moonlight "off the branch" and the other is the black magpie "off the branch"; The second is to interpret "other branches" as "oblique branches"; The third is to interpret "another branch" as "another branch". I think the third explanation is better. Because the antithesis of "Bright Moon" is very stable. "Bright Moon" and "Breeze" are both natural landscapes, so it can be said that the breeze and bright moon don't need a penny to buy; "Jing que" is a verb, which is used to "sing cicadas", "Jing" and "Ming", all of which have the meaning of moving. Magpie and cicada are both flying and singing animals. "Biezhi" is a noun for "midnight", "zhi" and "night". "Ban" is an adjective here, and "Biezhi" should also be an adjective. If it is a verb, there is not even "midnight". Besides, the first two sentences of the word are: "Seven or eight stars are in the horizon, two or three points are before the rain", quantifiers are relative to quantifiers, nouns are relative to nouns, and locative words are relative to locative words. The antithesis is very neat. How can you imagine that Xin Qiji, who is proficient in Ci, will have an unpaired phenomenon in the duality of the same word? In fact, the "parting branch" here is the same as the "parting branch" in Fang Gan's poem "Juhao Pavilion" in the Tang Dynasty. Su Shi's poem "Moonlight Begins the Magpie to Rest" (see two poems "Two Rhymes Jiang Yingshu" and "Peony in Hangzhou ……") and Zhou Bangyan's poem "Moonlight Begins the Magpie to Rest" (Diezao Hangzhou) also show that the moon makes the magpie rise but can't decide, and the artistic conception is the same.

Secondly, the author adopts the expression techniques of side contrast and dynamic and static contrast. The bright moon, the cool breeze, the fragrant rice and the fragrant flowers, the starry rain, the Maodian Xiqiao are heartless things, and the surprise cicada frog naturally has no feelings. But the description of these objective scenery can reflect the author's thoughts and feelings. For the author of Huangsha Road at night, everything he saw, heard, smelled, touched and felt was refreshing and inspiring. The center of the whole word is "talking about bumper years", which embodies the happy mood brought by bumper years to the author. The first part of the word focuses on the rendering of "face". One or two sentences are silent, but focus on the description of static environment. The magpies are surprised and cicadas are singing, which shows the silence of the environment more and more. Three or four sentences are mixed with movement, with the focus on movement, frog sound and rice fragrance, all to highlight the word "bumper harvest". Shang Kun's rendering of "noodles" formed a cheerful atmosphere. The second part of the word focuses on the description of "point". The author chose a dramatic close-up on the way at night, just like throwing a stone on a calm lake, which aroused ripples. This funny episode filled the whole word with emotion. The first and third sentences are static, the second and fourth sentences are dynamic, while the "42" sentence pattern in the first and second sentences is brisk and ups and downs, and the words "turn" and "suddenly" in the last sentence make the author's happy mood jump from the page. It rained at night, but it didn't make the author uneasy and disappointed. On the contrary, it increased the poet's interest. Some comrades think that "there are seven or eight stars in the sky" is "the secret of writing clouds". In fact, only seven or eight stars are exposed from the clouds. But judging from the whole word, this explanation lacks emotion. This sentence is in line with the first sentence of the word, and it is the real scene of "the moon stars are rare". Huang Zunxian's poem "Going Early": "The East wants to be bright but not bright, and the Beidou is divided into two stars." That's what I wrote. If the clouds are thick and dense, it will take a long time to brew, and only seven or eight stars can be exposed, so the moon will be dim, so the author must be prepared for rain ideologically, which is not commensurate with the carefree and comfortable state of mind described by Shang Kun. In addition, the author often travels on Huangsha Road and is very familiar with the scenery along the way. If he had been prepared, the word "suddenly" in the sentence would be nowhere to be found. In midsummer, the weather is changeable. Just now, there were few stars in the moon and the breeze was slow. Unexpectedly, a few dark clouds flew in an instant, and then "two or three drops of rain" were scattered. The author was caught off guard and hurried to hide from the rain without thinking. Only when the road turned to the bridge did "Laomaomao" suddenly appear in front of him. The word "suddenly" is very vivid here. So I said it was "rain at night", it was a shower in midsummer. If it is rainy, it will be a bit of a wet blanket, which is not in harmony with the lively mood of the whole word. Lu Yanrang of the Five Dynasties wrote a poem in Song Si: "Two or three pieces of electricity want rain, and seven or eight stars are still in the sky." Don Li Shanfu's poem "Cold Food" also said: "Sometimes it rains at three or two, and there are ten branches and five flowers everywhere." Xin Qiji was obviously influenced by their words and sentences, but it cannot be concluded that "seven stars and eight stars" are caused by "the secret of clouds".

Thirdly, the whole word is clear and flexible, in order to better express lively emotions. Xin Ci is easy to use and discuss, but the author does not use allusions and does not discuss this small word. Instead, I use the method of drawing lines to describe what I have seen, heard and felt truthfully. It is fresh, lively and colorful, which shows the author's love for rural life and makes people feel very cordial and natural to read. It should be said that lyrical little words describing rural scenery like Xin Qiji's "Xijiang Moon" are rare in the whole classical poetry. (Zhang Zhonggang)

Appreciate II

The original title of "Xijiang Moon" is "Huangsha Road at Night", which records the scenery and feelings the author saw when he walked in the countryside at night. After reading the first half, you must feel wonderful in silence. The word "don't" in this sentence is a verb, which means that the moon sets, leaves the branches and wakes up the black magpies on the branches. This sentence is very meticulous realism, and only those who have seen this scene in the middle of the night can understand the beauty of this poem. Black magpies are extremely sensitive to light. They will wake up during the solar eclipse, fly around, cry, and the moon sets. In fact, this sentence means "tears on the moon" (Tang Zhangji's "Sleeping near Fengqiao"), but it is more vivid than "tears on the moon". The key lies in the word "don't", which means that the magpie branches are reluctant to part with the bright moon. Magpies often crow when they are frightened. You can see yourself if you don't crow here. Literally, it can also avoid the accumulation of "cicadas". The phrase "the smell of rice flowers" means that the season is in summer. These two sentences are the most vivid and profound in the whole poem, bringing the lively atmosphere and happy mood in the rural summer night to life. This is a typical environment. Each of these four sentences has a sound (the sound of magpies, cicadas, human voices and frogs), but each sentence also has a quiet night. These two flavors are reflected in Nightcrawler's feelings, and he is in a happy mood. The situation changed a little in the second half of the year. The rare stars in the sky indicate that time has progressed. It is clearly midnight and it is almost dawn. Rain in front of the mountain is a threat to Nightcrawler. This is a smooth wave, and you can imagine Nightcrawler's anxiety. With this wave, the conclusion is even more powerful. "When I turned to the bridge in the old days, I suddenly saw you" is an inverted sentence, which shows the surprise of "suddenly seeing you". I was worried about the rain, so I crossed the bridge. When the road turned, I suddenly saw the thatched shop where she had rested before. The happiness at this time can be compared with the two poems that "there is no way to recover, and there is another village" (Lu You's "Traveling to Shanxi Village"). The original title of the poem is "Huangsha Road at Night". The first six of the first eight sentences are all about scenery, and only the last two sentences show that someone is walking at night. These two sentences played a role in reflecting the whole song, so every sentence was written at night. Hide the front first, hit the nail on the head at the end, and make the finishing touch at the end. This skill is worth learning.

This word has a vivid and concrete atmosphere (usually called scenery), expressing a sense of intimacy and interest (usually referred to as goodwill for short). This whole scene blending is an artistic image. The strength of artistic image lies not in the number of plots used, but in whether those plots are typical and can be used as analogies to extend around and go deep into the deepest part of real life. If we can do this, it will be endless. When we say that China's poetic language is refined, we mean this broad representativeness and rich suggestibility. (Zhu Guangqian)

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Yes, I hope you won't break your word.