Character brand

(Ping) Ping (Ping) Ping. Very simple, very simple. (What) What's average, what's average. (even) average.

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Ping, ping, ping.

(Ping) Ping (Ping) Ping. Very simple, very simple. (Xu),

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It is flat. Flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat.

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(This is a single thirty-five character, and the Song people changed it to a double tone. )

Jiang and Tang Ci are monotonous. The first time I saw Wei Zhuang's ci in Huajianji, it was monotonous, with 35 words, seven sentences and five rhymes. Or "tune" is named after a sentence in Ouyang Jiong's ci that "the mirror of learning Chinese characters reflects the river". Song people changed to two tones, 70 words, and the upper and lower films were all seven sentences and five rhymes. Ouyang Jiong's monotonous use of words turned two three sentences with a mezzanine at the end into seven sentences, which opened the way of mezzanine in Song poetry. Yin E's monotonous use of words in Houshu changed the original seven-character quatrain into three-character two-sentence, which opened the way to reduce words in Song Dynasty.

The DPRK changed its name to Jiang Shenzi, and Han□ had the sentence of "one hospital in the village after la and before spring", so it was also called "one hospital in the village".

Jiangchengzi piano hall

Willow trees in the west city make spring soft. Stay away from troubles. Tears can't be collected. I still remember my feelings. I once went back to the boat for the department. In the days of Bi Ye Zhu Qiao, people disappeared and the water flowed in vain.

Youth is not for teenagers. Hate you. When do you rest? When the flying catkins fall, they climb the stairs. Being by the river, I can't stop crying and have a lot on my mind.

Jiangchengzi Mizhou went hunting Su Shi.

The old man talked about juvenile madness, pulling yellow on the left, holding pale on the right, wearing a gold hat and mink fur, riding a thousand troops on a flat post. In order to repay the people of the whole city for following my generous hunting proposal, I will shoot this tiger myself like Sun Quan.

After drinking wine, my chest is still open; What's wrong with the slight frost on the temple? When will the emperor send someone down, like Emperor Han sent Feng Tang to the cloud to pardon Shang Wei? I will make my strength as full as the full moon, full as the full moon, heading northwest and shooting at the team in West Xia Jun.

Jiangchengzi

On the 20th of the first month, Yi Mao remembered her dreams day and night.

Su Shi

Ten years of life and death,

Never think, never forget.

A lonely grave thousands of miles away is sad everywhere.

Even if we don't know each other when we meet,

Face covered with dust, temples like frost.

When night comes, the dream suddenly comes home.

Xiao Xuan window, get dressed.

Care for each other without words, only a thousand lines of tears

It is expected that the annual sad place,

Moonlight night, short matsuoka.

About the author:

Su Shi (1037 ~110/) was born in Meishan, Northern Song Dynasty. He is a famous writer, one of the eight masters in Tang and Song Dynasties. He is knowledgeable and versatile, and has high attainments in calligraphy, painting, poetry and prose. His calligraphy is called "Song Sijia" with Cai Xiang, Huang Tingjian and Mi Fei; He is good at painting bamboo and strange stones, and also has outstanding opinions on painting theory and calligraphy theory. He is a literary leader after Ouyang Xiu in the Northern Song Dynasty, and his prose is as famous as Ouyang Xiu. Poetry is like the name of Huang Tingjian; His words are magnificent and bold, and his words are graceful and restrained. Known as "Su Xin" with Xin Qiji in the Southern Song Dynasty, * * * is an uninhibited poet.

To annotate ...

This is a eulogy. The author vividly reflects his sincere feelings and deep nostalgia for his dead wife by combining his unfortunate experience and infinite feelings in his political career in the past ten years.

When writing this word, the author knows that in Mizhou (now Zhucheng, Shandong Province), his wife Wang Fu died in Kaifeng, Song Yingzong for two years (1065). By this time (Xining eight years), it has been ten years before and after. The preface before the word clearly points out that the theme of this article is "recalling dreams". However, the dream scene only appears briefly in the next paragraph of the word and does not occupy a dominant position in the whole article. The reason why the author can enter the hometown of "quiet dreams" is that he can "remember dreams" in words. It is the inevitable result of the author's yearning for his dead wife and long-term unforgettable experience. So the tragic reality of "ten years of life and death" was pointed out at the beginning. What is written here is the personal sad life experience in the long years. Student refers to the author; Death means a dead wife. This shows that the living and the dead have missed each other for a long time, but the news is blocked and the voice is slim. The reason why the author mentioned life and death side by side is not only to clarify the role of the topic, but also to emphasize the sadness of the living, so the words "if you don't think about it, you will never forget" appeared immediately. "Don't think about it" is actually to retreat for progress, just to show the depth of the feeling that the living are "unforgettable". Immediately add a sentence, "A thousand miles in a lonely grave, nowhere to talk about desolation". Explain the actual content of "unforgettable". After the death of Wang, he was buried in Meishan, Su Shi's hometown. Naturally, there will be a saying of "a lonely grave of thousands of miles". As a result, it is difficult for the author to even get a chance to pay homage at the grave. The dead are "desolate" and the living are heartbroken. Ten years is a long time; "A thousand miles" is a vast space. In this long and vast space of time, there is an insurmountable boundary between life and death. How does the author not multiply the sigh of "nowhere to talk"? It is difficult to cross the boundaries of time, space and life and death, so we have to beg for a dream meeting. The above four sentences paved the way for "remembering dreams". At the end of the last film, three sentences suddenly changed the subject, making progress and retreating, imagining the unexpected consequences of not knowing each other even if they met. The contents of these three sentences are very many, including the author's ups and downs in his career in the past ten years, the long-term mental torture of his dead wife, and the physical aging in the past ten years. Hypothesis; Even if the boundaries between time, space and life and death are broken, the living and the dead can still "meet", but I'm afraid it's difficult for each other to "get to know each other" when they meet. Because ten years later, the author is "travel-stained, as cold as ice" and looks like an old man. These three sentences reflect the author's misfortune and great changes in the world in the past ten years (including his three-year life in Beijing after opposing the new law) from the reflection on the imaginary dead.

The next movie is about the sudden appearance of dreams: "When night falls, dreams suddenly come home". As far as the word is concerned. This article is really Apollo's true feelings. Every sentence is painful, but this sentence contains joy in sadness. Xiao Xuan Window Dressing supplements the above sentence with vivid images, thus making the dream more real. The author seems to be beside the newly-married king, watching her bathing in the morning light and dressing up in front of the mirror, and her heart is full of sweetness and tenderness. However, the word pen later changed from happy to sad. "There is nothing to say to each other, only a thousand tears." These two sentences should be "a lonely grave a thousand miles away". Now you can "go home" and it is time to enjoy "bleak words". However, I don't know where to start with a thousand words in my heart, so I had to "help each other" and burst into tears. These five sentences are the theme of this word: "Remember the dream". It is precisely because dreams are illusory and the artistic conception of the word is somewhat dreamy, so it is impossible and unnecessary for the author to describe it incisively and vividly. Only in this way can we leave room for readers' imagination. The last three sentences are a sigh after the dream and a comfort to the deceased. If we associate the first ten years with the uncertain "year after year", isn't the author's memory of his dead wife "and this endless sadness continues"? This article has a noteworthy feature in art, which is straightforward and sincere. Because the author has a deep affection for his dead wife, even ten years after the death of the other party, the author still fantasizes about meeting in his dream. And through the dream (or the part related to the dream), express your true feelings heartily, without taboo or concealment. Words like "I can't forget if I don't think about it", "I have nowhere to say" and "I only care about a thousand lines of tears" all reflect the natural characteristics of direct confession and voicing. Another feature is rich imagination and ingenious conception. The author gallops through the imagination from a long time and a vast space, and integrates the past, the present, the dream and the future into a unified artistic whole, closely following the words "thinking" and "unforgettable". The whole word is clear, but it is full of twists and turns. In the first film, there are eight sentences about the memory and emotional ups and downs before writing the dream, the first five sentences are about the sadness and joy in the dream, and the last three sentences are about the sigh after writing the dream. The plot has ups and downs; With a pen, there are advances and retreats, feelings, sorrows and joys; Do all the twists and turns. Another feature is frank language and pure line drawing. Because this is a poem that expresses true feelings, the language is also extremely simple and natural, with true feelings. If you understand, there is no trace of carving. This simple language and the staggered use of different sentence patterns (three, four, five, seven words) make this word handsome and sharp, which just shows the author's thoughts and feelings. It has an inherent sense of rhythm and gripping artistic charm that is difficult to produce in ancient poetry and rhythmic poetry.

In the Tang, Five Dynasties and Northern Song Dynasties, most of the words describing women were narrow and dusty. Su Shi's words are open-minded, his feelings are pure, and his character is noble, which makes people feel refreshed. It is Su Shi's initiative to mourn with words. This article should occupy a certain position in expanding the theme of words and enriching the expressive force of words.

This article can be compared with Pan Yue's mourning poem, Yuan Zhen's Mourning for the Past and Wu Wenying's Preface to Birds Singing in Southern Song Dynasty.

Supplement:

/kloc-At the age of 0/9, Su Shi married Wang Fu of the same county, and later went out to be an official in Shu. Husband and wife are good at harps and harps, and there is sweetness in bitterness. Ten years later, Wang Fu died and was buried in his hometown Zuying. This word was written by Su Shi ten years after Wang Fu's death after he had a dream in Mizhou. Although the living and the dead are separated forever, the emotional bond is knotted and exists forever. The phrase "never forget" seems ordinary, but it is heartfelt and sincere.

"Don't think" is extremely heartless, and "self-destruction" is a life-and-death contract of getting pregnant without tasting one day. This feeling is deeply buried in my heart and it is hard to get rid of it. I am used to the loving words of "I don't think for a day, but I gather my eyebrows a thousand degrees" (Liu Yong). Looking at Su Shi's poems again, we can feel that they are writing emotional types at different stages of life. The former is the feeling of youth, passionate and romantic, but easy to fade. The latter is a normal relationship between husband and wife who have been living together for life after entering middle age. Like daily life, it is bland, yet light and eternal, long and profound. Su Shi has always appreciated the artistic style of "dry outside and paste inside, seemingly light but beautiful in fact", and this is exactly the feeling expressed in this word, so he can never die.

Another noteworthy point of this word is that the encounter between husband and wife in this dream clearly marks the difference between life and death. Wang Fu in Sakura Dream is "Xiao Xuan window, dressing up", just like a young woman who has not been married for a long time. Her image is beautiful and brings out the joy of Su Shi's boudoir. But the changes in the world in the past decade, especially the psychological trauma, are obvious to both sides.

Su Shi's mood is very old because of the ups and downs of his official career and his running from north to south. When Wang Fu met Su Shi, he was also "caring for each other without words, only tears", as if he were talking about the infinite grief after "Where are you going?" The hardships of life also have a potential and far-reaching impact on unconscious dreams. In the last three sentences, I imagined the loneliness and sadness of my dead wife buried in the ground. In fact, two hearts are interlinked, and the living miss the dead more.

I really appreciate this sentence of Su Shi. Imagine Su Shi waking up in the middle of the night, still wondering if his wife Wang Fu really came back or just a dream?

Is it really just a dream?

Dressing like that in front of the mirror, laughing like that, that's just a clip from ten years ago? When was that deeply rooted in the memory of ten years that passed by?

So Su Shi sighed slightly, and his melancholy thoughts were only changed to gently telling: ten years of life and death are two boundless. ...

Love and death are eternal themes, especially love with death paragraphs.

Holding "In the Center of the Sea", the old rose stood on the foggy sea that once swallowed Jack, recalling every word that broke through the cold night. All she wanted to say was "ten years of life and death"; Watanabe, 38, occasionally heard the Beatles' Norwegian Forest on the plane and remembered the hairpin behind Naoko's head. All he said was "ten years of life and death". If Lu You passes Tang Wan's grave, "wrong, wrong, wrong" is meaningless. It is better to insert a chrysanthemum and sigh: "Ten years of life and death are two boundless"; When rascal Cai has a family and a room, every time he drinks coffee, he thinks of the dancer in brown, and he should also think of Ten Years of Life and Death. The Supreme Treasure will always remember that Xia Zi, who died in a wedding dress with hatred, will endure the inner pain and say, "There has always been a sincere feeling in front of me, although it is ten years of life and death."

Ten years of life and death are two boundless. The lovers who once cared for each other have been separated by yin and yang for many nights. I can't think of it, I can't say it. I only have the joy and pleasure left in my memory. As tea that has been soaked for thousands of times, I relive the familiar taste repeatedly and add fragrance by hanging the tea ten years ago. "Ten years of life and death are boundless", and "infinity" is more than "life and death". Ten years later, everything is "boundless" and "not what it used to be". It's just that this feeling is not "boundless", it's gone. Even if the deceased has passed away, the living will always remember that on the night of lovesickness every month, without thinking, they return to the window of Xiao Xuan, heartbroken, missing, helpless, sad and feeling, saying "boundless"!

Supreme Bao once asked Guanyin's sister before casting a spell, why you can hate someone for decades and hundreds of years, but you can love someone for decades and hundreds of years. Su Shi's "Ten Years of Life and Death" made me see a tear that can be preserved for thousands of years in the confusion of the past and the present, and an unbeaten white chrysanthemum in front of the fragrant grave.