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The difference between bel canto and national singing
The differences between Bel Canto and folk singing are as follows:

1, different singing skills:

Bel canto mostly uses nasopharyngeal cavity to adjust its * * * sound point, generally the throat position is relatively low and the throat position is relatively large. The sound safety channel is placed at the left and right positions of the glossopharyngeal wall, and the voice tube is released and lengthened as much as possible to obtain the * * * sound point with the highest pitch. National singing should be based on the true voice, mainly using abdominal breathing, with deep inhalation but reduced volume, resulting in a very long breathing pipeline, which is not conducive to the unification of high, medium and low voices.

2, the sound to different:

Bel canto thinks that the sound is like a hyperbola from back to top, and it has strong penetrability, that is, the sound is emitted from the laryngeal cavity, passes through the laryngeal cavity and oropharyngeal cavity, and goes up to the upper cavity (nostril, frontal cavity and sphenoid cavity) according to the nasopharyngeal cavity; National singing provides a soft sound quality, so the sound direction is widely raised. Ask the voice to be close, immediately, of course, and pay attention to the high position.

3. Different inspiratory applications:

Bel canto believes that breathing is the driving force of pronunciation, and the gas field aims at "coherence" Use abdominal breathing combined with abdominal breathing. Need to take a deep breath, diaphragm coordinated control, according to the needs of singing, let the gas field impact the throat; The national singing method stipulates that the air sinks into the abdomen, that is, the diaphragm breathes. Folk songs, because some styles are necessary, mostly use abdominal breathing.

4. Different origins:

Bel Canto began in Europe, and the teaching of singing hymns and reading the Bible in the Roman Empire became the earliest singing method in China. The origin of national singing is the evolution of ancient vocal music art in China, from the embryonic stage of percussion caused by the most primitive works to the establishment of the original music form combining song, dance and music, and then to song and dance performances and various operas, Yuan Zaju, Quyi Troupe and folk songs in China.