I wanted to learn painting before I formally studied calligraphy, but later I thought oil painting or Chinese painting was too big. I think calligraphy is a relatively simple thing-I didn't know it was a big misunderstanding until I formally learned it-now there is no less pen and ink than painting at home, which is far from the point.

Anyway, I don't know if I am destiny takes a hand's calligraphy. While I was hesitating, at a small party, the chairman of the Writers Association brought me some periodicals that published my articles and a calligrapher.

Calligraphers didn't say much. He just buried himself in reading those periodicals. When I asked him some questions about calligraphy, he looked up and answered seriously. Recommended several posts to me, including "Li Bei", let me try one or two.

The next day, I went to buy some posts. First of all, I showed some "Taishan carved stones". Cao Quanbei shook his head and tail and didn't like it. I was fascinated when I opened the "ceremony monument". I just feel thin, slim, detached and free, just like Huang in The Legend of the Condor Heroes. "But I saw that he was slim and graceful. Obviously, he is a well-prepared scribe, but if you really think he is as fragile as a scribe, it is all wet.

The top master in martial arts novels is not a brave man with a big waist and big eyes, but an ethereal and calm one, but has its own great deterrent. The prestige of the "ritual monument" is so high that it is not angry and arrogant, but it is vaguely charming. Just like a woman with a cold bone, she has a strange sense of alienation and is not easy to approach.

Those twists and turns are like the fingers of a peacock in Yang li Ping. Every movement is driven by the previous section, every movement is natural, and lifting weights is really easy.

Turning to the word "seeing God alone", it seems that an electric current passes through the whole body and sees God alone, quiet inside. When you start writing, you will face these four words. Then take a few "Taishan carved stones" and these four words on a piece of paper to see the calligrapher.

He read it carefully and said that I wrote well. Seeing these four words, I especially praised my talent. I said shyly, "Where is my talent?" I'm alone. He said in Mandarin with a strong dialect flavor: "Aguangde (meaning permission), you can't (dei) see God's will alone? "

With his high affirmation and encouragement, I decided to formally study calligraphy, so that I can find a teacher to study professionally and systematically in the future. I like to be professional and systematic when I do something, and I must have a considerable opinion before into the pit.

In the process of my study, Li Bei and Zhang Qianbei stayed together, probably because I am thinner, but I prefer the style of accumulating wealth and thinning hair when choosing posts. I wonder if it is a kind of psychological compensation? At that time, Zhang Qian was more popular, but that didn't mean I didn't like the ceremony, especially with the blessing of scholars and calligraphers, which reminded me of the thin, cold and hard ceremony tablet. He is one of the few officials who is gentle and really has no airs. Although he is only ten years older than me, he is like a kind old father who doesn't ask or call his name. He only calls me "this woman" when he sees me. I met him with a book called 100,000 Why. I asked him from left to right, and he knew everything and said everything.

Some posts, I knew I wouldn't come again in the future, but the "ritual monument" is a monument that will definitely come again in the future, and I still have an unfinished relationship with it.

This general publication was engraved in the tablet inscription of Yongshou (156) in the Eastern Han Dynasty. Its full name is Yi-made Confucius Temple Ritual Monument, also known as Hanyi Monument, also known as Hanming House Confucius Temple Monument, etc. Round head, height 173 cm, width 78.5cm. Inscription records that in the Eastern Han Dynasty, Lu Xianghan built a Confucius Temple and added various ritual vessels in it, so the government and the people jointly funded the publication of the Book of Rites Monument to praise his achievements. Also known as the Three Monuments of Confucius Temple with Yiying Monument and Shi Chenbei, it is now in the exhibition hall of Han and Wei Bei in Qufu.

Whether the change is rich or not is a major principle of calligraphy aesthetics. To meet this principle, the most fundamental method is the dialectical unity of various contradictions in the works. This principle has been fully and skillfully applied in the ritual monument: square and circle, motion and static, straight and curved, receiving and releasing, sparse and dense, thick and thin, rigid and soft ... These contradictory factors have reached a harmonious and appropriate existence in the ritual monument, but only feel that adding one point is too fat, subtracting one point is too thin, and the rhyme is just a little weak.

Not to mention the Eastern Han Dynasty, the ritual tablet is also a masterpiece of the entire Han Dynasty. The only regret is that there is no writer's name, which makes me as curious as a cat. I can't wait to go back and see what a talented, interesting and fashionable person this is!

A word is popular recently: sapiosexual. I am a typical intellectual lover. Wolfboy, who coined the word, said, "I want a sharp, curious, insightful and disrespectful mind." I believe that the author of The Book of Rites must have such a mind. Nearly 2000 years have passed, and he has been diligently pursuing it.

Guo Zongchang, a epigraphy calligrapher in the late Ming and early Qing Dynasties, said: "The beauty of his calligraphy and painting is unprecedented in elegance. If you get divine power, do it for people. "

Wang Shu, a calligrapher in Qing Dynasty, especially praised this monument. He said: "This monument is intended to be between right and wrong, and it is interesting beyond the legal image. There are neat and irregular places. " He also said: "There are ancient monuments in the Han Dynasty, which are vigorous, well-organized, and seeking minor changes. There is no such monument. It's no use reading with a pen, one is right and the other is wrong, the procession is free, the cat is moving, and the heart is learning. Only when you break the pipe, draw the paper, make a grave with a pen, grind it into a mortar, and grow old and mature, you suddenly meet it. It's not good to say it. "

I don't want to read the comments of sages of past dynasties before reading my favorite inscriptions. I always close my eyes and think it over in my head. What do I feel and understand? Compared with sages, it is generally not bad. If there is any discrepancy, I will go my own way and hold my own opinions.

Xu Beihong said: art is to be partial and to go its own way.

In art, they see God's will alone, and I see God's will alone.

Note: In the last two pictures, you can appreciate the word "seeing God alone".