The stitch method of Tu embroidery is mainly disc embroidery and flat embroidery. The embroidery art of Tu nationality is obviously manifested in the elaborate decoration of costumes. Tu women like to embroider various patterns on the sleeves and bottom of clothes. Most young Tu men have a four-inch square embroidery pattern on their chests, embroidered with "Five Braided Plums", "Zhuan Xu Zi" and "Tai Chi Map". The long belts, belts, cigarette packs and collars of the Tu people are generally embroidered with four continuous patterns, which are called "riches and honour", which have both national style and are very bright and gorgeous. Embroidering Yunzi flowers on shoes, the patterns are meticulous and symmetrical, and the colors are gorgeous. Tu girls have been learning this craft since they were twelve or thirteen years old. Most of the embroidery patterns of the Tu nationality have their own traditional colors, but they also widely absorb and draw lessons from the traditional materials of other brotherly nationalities, especially the Han nationality, such as "Peacock Beats Peony" and "Lion Roll Hydrangea".

In addition to costumes, the embroidery technology of the Tu people is also applied to the production of various Buddha statues, prayer flags, tapestries and tapestries in Buddhist temples. The organic integration of ethnic and folk traditional handicrafts and Tibetan Buddhist art.

Most of the painting and sculpture art of Tu people are closely related to Tibetan Buddhism. There are some monks and common craftsmen in the Tu nationality who specialize in painting murals of hanging-axis Buddha statues and Buddhist scriptures, as well as carving Buddha statues. At the same time, they are also good at drawing or carving auspicious and happy patterns on the beams, doors and windows of temples and residential buildings. People call people engaged in this industry "Regong lasso" and this unique art form "Regong Art".

In addition, the Tu people, like the local Hui and Han people, are also good at brick carving art, that is, using mud or bricks as raw materials for sculpture art creation or architectural decoration. Brick carving is generally divided into two types: lifting carving and carving.

The former molds clay into dragons, phoenixes, lions and all kinds of flowers, birds, insects and fish by hand or mould, and puts them into the kiln for firing; The latter carved various reliefs on blue bricks. Common in temples, houses and other buildings, mostly concentrated in archways, courtyard walls, screen walls, flower beds and so on. The brick carving of Tu nationality is ingeniously connected with landscapes and auspicious characters, with novel conception, rigorous composition, vivid modeling and exquisite carving, which fully shows the artistic level of Tu nationality's architecture and carving.