The central theme of the Red Army Drama Club is anti-Japanese and revolution. 1936+ 10, in order to adapt to the new situation of establishing the anti-Japanese United front, the former workers and peasants drama club was renamed the People's Anti-Japanese Drama Club. Wei Gongzhi, Liu Baolin and Yang Zuixiang were in charge of the drama club after it was moved from Wayaobao to the Central Guard.

After a period of preparation, the drama club officially began to perform on an afternoon in early summer this year. Plays include Hate of National Death, Aggression, Dance of Harvest, Dance of Red Machine and so on.

Development history

1in March, 937, the People's Anti-Japanese Dramatic Society joined forces with the Central Troupe and Youth Troupe in the Soviet Area to form the People's Anti-Japanese Dramatic Society Corporation. There are four departments: organization, editing, dance drama and general affairs. There are more than 40 people in the whole club, and performances include Shaanxi Opera, Hu Mei, Dance, Liverpool Drama, Yangko and so on. In July, the full-scale anti-Japanese war broke out, and the People's Anti-Japanese Drama Club was renamed the Anti-Japanese Theatre.

Under the leadership of the border education department. Ye Shi is the director, Yang Zuixiang and Li Ke are the deputy directors. There are three performance teams headed by Yang Zui Xiang, Ye Shi and Mo (Li Yuquan). At the end of 1939, according to the central task, three performance teams went to Guanzhong, Yan' an county and Suide, which lasted more than two months.

At the beginning of 1940, the central government decided to send older and unsuitable people in the troupe to schools for training and study. 1942 In May, the Shaanxi-Gansu-Ningxia Border Region Art Cadre School was established, and the Anti-Japanese War Troupe was merged into the Art School.