First, the goodness and beauty of the picture content
In the eyes of ancient oriental artists, "harmony" is the most normal, authentic and vital state of all things in the universe, so it is also the most beautiful state. Art focuses on the brilliant kindness and vitality permeated by all the streams of life. Art contains moral content to arouse aesthetic feeling. Oriental traditional aesthetics combines morality and aesthetics, holding that "benevolence" is the content of beauty and "harmony" is the form of beauty. Vial's art contains the truest and most beautiful feelings in the world, emphasizes the unity of beauty and goodness, and praises maternal love, affection and friendship. People in vail's novels are reading, chatting, eating and so on. , are the most ordinary life, cordial and harmonious. Vial is good at observing the subtle imprint of life around him, through the corner of the studio or living room, and even the familiar small scenes outside the window; There are also women workers in the tailor's shop, children in the park, his mother, family, friends and all kinds of life scenes, which are deeply imprinted in his heart and become the main theme and content of his creation. He praised the amazing beauty of monotonous and ordinary family life, which not only showed the artist's elegant cultivation and detached personality, but also reflected his quiet and friendly inner world and embodied the beauty of kindness in the oriental tradition.
Second, the beauty of the integration of screen structure
Different from the aesthetic taste of westerners, traditional oriental aesthetics advocates the unity of subject and object and emphasizes the unity of heaven and man. This holistic view is based on the philosophical holistic view. Man is a part of nature, so man and nature are a unified whole, and "the unity of man and nature" is the highest realm. Painting is a poetic art full of philosophical meaning. When creating aesthetics, we need to have a holistic consciousness to form a vivid picture.
Born in a middle-class family, Weil has a stable life and a good cultivation. I have lived in my mother's tailor's shop since I was a child. Because most of my mother's family are dyeing and weaving designers, I used to think and create like a cloth designer in Vial's later creative process. Vial fully considered the balance and coordination of various elements in the painting. In the process of his creation, he strives to make the image form a whole and orderly, and pursues a whole and integral feature. Simplify the over-tone processing of pictures. There are few details in the picture. When he was first influenced by Japanese painting, Weil showed his interest in oriental silhouette many times in painting. Two women under the lamp, a man wearing a needle, and Grandma Michelle in the backlight added background painting under a simple silhouette, showing the harmonious effect of oriental decorative arts. People and objects are completely integrated in the arrangement of shapes and surfaces caused by simple and plain colors. In the combination of line and color block, the volume and thickness of the object are maintained, so as to achieve the characteristics of harmonious and unified overall decoration.
Third, the implicit beauty of shaping techniques.
Oriental aesthetic thought is a poetic philosophy. "Happiness without lewdness, sadness without injury" means that emotional expression is implicit and restrained, which is manifested in that painting pays more attention to expressing will and feelings through scenery, and painting style does not seek ideological content, but pays more attention to modeling and inner expression. Vial's works are poetic, simple and natural. Facing concreteness and abstraction, Vial transformed an objective three-dimensional object image into a plane object image, and chose "between likeness and dissimilarity". This artistic concept has the charm of oriental aesthetics, and Vial only uses solid colors for plane painting. Express complex and diverse spiritual connotations with simple and simple artistic language, thus producing a simple and harmonious artistic effect. Vial's paintings are often expressed in its unique restrained and implicit form. Vial likes Malamei's poems, and he likes the implication and obscurity in his poems. When expressing "concealment" and "hiding" in artistic creation, he shows the introversion of oriental style. His painting modeling does not stick to the true colors of things, but strives to pursue an artistic realm of implicit beauty. The depiction of people and scenery on the screen can often achieve the artistic effect of blending scenes. Relying on visual memory, Vial grasped what touched him in life, and then exaggerated and deformed it. Through the treatment of deformation and suggestion, the shaped image becomes more vivid and typical, so there is no trace of skill and carving. For example, Two Girls Walking depicts the dynamic background of two girls hugging each other with concise brushstrokes. The picture is simple and simple, the description of the characters is vague and generalized, and the outline of the characters is freehand, giving people a subtle and beautiful artistic feeling.
Fourth, the decorative beauty of color matching
Vial's use of color is excellent. The unique color expression technique gives people a subtle and deep artistic aesthetic feeling, which reminds people of the deep and gloomy decorative atmosphere unique to the East. Through the use of color, we can create a peaceful and harmonious emotional world. His ability to control colors is quite skillful, and his color gamut is calm and simple, and his colors are sometimes gentle, sometimes passionate, and sometimes profound and subtle. He likes the plane painting with large color gamut of oriental artists, and then seeks decoration and coordination in the contrast of plane color composition. His dexterity in mixing and controlling gray is amazing. He is good at finding weak contrasts from various grays and making subtle changes from them. But when these grays are matched together, they will shine brilliantly and give people a simple and elegant decorative beauty. The painter's brushwork is ingenious, the technique is handy and superb. The colors are rich and varied. Through repeated covering, overlapping of colors and interpenetration of brush strokes, Vial can describe them as a beautiful picture with great order, charm, harmony and beauty, and full of peace and harmony in spring, regardless of the warm family life indoors or the splendid scenery in the outdoor garden. Sometimes Vial is depicted in a way similar to stippling, which makes the picture vivid and full of hazy decorative interest. In the process of painting, he used to paint with gasoline to make the picture full of wool texture. With its ingenious and smooth brushwork, it interweaves wallpaper, carpets, curtains, furniture and even figures in the indoor scene, just like a tapestry with a strong sense of decoration composed of many exquisite patterns. Therefore, his works have won the reputation of "painting tapestries".
Vial's works have the charm of oriental aesthetics in connotation, artistic conception and picture composition. For modern people who are nervous and busy, they can undoubtedly get beautiful enjoyment and spiritual pleasure from it. Its profound connotation can not only touch the real social life, but also encourage people to take care of themselves and relax their hearts in life.
Author: Zhengzhou kindergarten teachers
(Editor: Wang Min)