The film made by Zhang with his script, although deliberately joined the Jialing River and Gully Ridge in Chongqing, did not go deep into the real life in Shan Ye, nor did it have the local characteristics that it was too hot to use spicy hot pot to get rid of moisture! I want to highlight the regional characteristics of Chongqing, but I am embarrassed to find that such a story is applicable everywhere.
The film version of Passing Through Your World shows the so-called emotional course of contemporary young people with three relatively independent and inextricably linked stories! The meanest and stupidest pig's head, the purest hair, and three love experiences in different States fit the characters defined for three people deliberately, and are also divorced from the complexity and real texture of people in real life. Therefore, those figures who look literary but lack the real texture of life are like strong propositional compositions for adding new words, pursuing literary effects but becoming a mere formality. Just like the stop in the golden land of Daocheng Aden in the film, which draws lessons from Shunji Iwai's Everything in Lily Week, the outer wall of the church specially provided by the wedding company in the field truly represents the flamboyant nature of the film!
The characters in Zhang Jiajia's novels mix the authenticity circulating in the market with the fiction fabricated by his literary author. The stories he created, as well as the surviving characters in the stories, are very similar to those small white-collar workers who are unwilling to be based on reality and have no access to high-end business people. On the whole, there is a sense of urgency to cater to contemporary literary youth. Let those small white collars who are busy in the cubicle of the office building, those who are busy satisfying their anxiety in life and the sense of loss in the gap between reality and ideal with little love tunes, but never take any substantive action to save their precarious lives, feel deeply sorry for their exhausted hearts in the cross-flow of materialism.
The characters in Zhang Jiajia's novels are always just expressing phenomena, listing one sentimental story after another, and setting off the readers' embarrassing life with the unsatisfactory emotional professional life of others. Or give readers an illusory and unrealistic illusion, sweet and warm inspiration and paralysis, so that readers can temporarily relax in this moment of short-term satisfaction.
Even if the text becomes a visual film, deliberately showing off dissatisfaction with life and emotion, it still shows the feeling of being divorced from real life. Zhang even deliberately used the extended MV technique of literary lyricism to tell these three emotional stories with no practical significance, and deliberately drew a clear line between feelings and real life. As a result, Zhang Jiajia's words were not down-to-earth, and the movie turned into chicken soup for the soul with too much monosodium glutamate overnight. It's salty before you finish eating!