Jieyang Building and its square surrounded by Huanshi North Road and Xinyang East Road are like heroic flowers in a bag, with Baoding Square as the core; In the central square, there is a huge lotus landscape, and Jieyang Building is located in the flower center. Soul mates are the theme of the square. The pedicel of Hero Flower is a national road extending eastward through Jiedong County, like a green dragon with strong vitality.
From east to west, the square is nearly one kilometer deep; From south to north, this square is 100 feet wide. The total area is more than 300,000 square meters, and the central area is 6.5438+0.2 million square meters. Although the characters are boring, their scenes are not only concrete, but also vivid. This huge building illustrates a truth. A tenacious person has infinite power to promote the society and achieve the set goals.
Besides the traffic space, the Grand Plaza is divided into three parts. If it is described in musical language, it is the prelude, the main theme and the end. It can be compared to a prelude to a city landmark, consisting of two large flower beds, wedge-shaped and round, symbolized by one stone and one tree. It can be compared to the central area of the main theme of the square, which consists of Lotus Landscape Square and Baoding Square. Square sign stone, cultural column, eight scenic stone walls and Lotus Trail are a series of notes. What can be compared to the end is the cultural exchange area behind it, which consists of a special commodity city and a food street.
From the urban landmark area to the cultural exchange area, Jieyang Tower Square is like a symphony, with cadence, rhythm and melody of Huang Zhong and Lu Da, which strikes the strong voice of the times that heroes and sons of Lingnan Water Town love life and create a brilliant future together.
Mulberry pillars standing in front of the square support the name of "Lingnan Water City". Pu Sang is located at the junction of Chaoshan and is the cradle of Jieyang culture. Lishi, a city symbol that embodies the aura of ancient civilization, symbolizes that Jieyang is in the center of the three cities and is the birthplace of Chaoshan culture. Colorful flowers and plants on the Green Island are a portrayal of the vitality of Jieyang, an ancient and young city.
A big round-the-island flower with a diameter of 50 meters is surrounded, and a huge banyan tree with a trunk with a diameter of 3 meters is flourishing and lush. Banyan is a kind of tree in Jieyang city. This city with a long history, along with the growth of this tall evergreen tree, has experienced numerous storms and baptism, and its vitality is growing day by day. The banyan tree has cast Jieyang's character and become the totem of the city.
The rhyolite boulder of Mount Tai in Dongyue stands at the entrance of Donglai, weighing 1.36 tons, with a journey of more than 2,000 kilometers. The pure and beautiful texture retains the memory of meditation in previous dynasties. Entrust to express one's ambition: let the will to build a stable and harmonious society "live poetically" on a steady carrier; Make public the spirit of Jieyang's compatible development with the outstanding order of other mountains' stones. Nine cultural pillars standing in the sky, 9.8m high and1.6m in diameter respectively. The column sculpture embodies China's traditional thought of "harmony between man and nature", and expresses the harmony of the sun, the moon, the stars, the wind, the fire and the water and the spirit of "Nine Treasures Band" in abstract language. With the unity of lines, shapes and textures, and the harmony of posture, shape and rhyme, the artist expressed the tranquil, elegant and beautiful oriental aesthetics, implicitly demonstrated China's traditional position of pursuing harmony, and profoundly explained the law of natural development and the realm of humanistic spirit.
12 The tall and straight Chongyang trees form the green enclosure in the north and south of the square, which not only sets off the beautiful weather of the square, but also provides a place for tourists to have a rest and enjoy the cool. As an evergreen tree with light green flowers in late spring and early summer, its inherent resistance to mixed gas dominated by chlorine will contribute to the environmental protection cause of purification and pollution prevention.
Drawing lessons from the 130m Lotus Trail built in the historical corridor of China Millennium Monument, starting from the landmark stone of Taishan Square inscribed by President Li Ruihuan, it passes through the pillars of heaven, earth and human culture and reaches the lotus calyx, which is the footprint left by Jieyang sages and present people from Baiyue era to socialist period. During the stroll, you can appreciate the splendid culture of Jieyang and stimulate your enthusiasm for hometown construction. The arrangement of cultural columns circles two big arcs, strengthening the vision of "harmony between heaven and earth". The two green flower ponds are the green leaves of the lotus, and at the same time standardize the direction of progress. The huge relief of Eight Scenes is the cultural highlight of "Jieyang Creation" in the long history. Whether it belongs to politics, economy or culture, it embodies the humanistic spirit of self-improvement and gratitude and dedication. Lotus landscape covers an area of 65,438+900,000 square meters, occupying the largest position in the unique landscape of China. Creating this crystal-clear landscape with crimson white crystal mosaics is a great effort of Jieyang people for a generation. Jieyang people, who were born and raised in the treasure land of "Lotus Out of the Water", have almost religious worship of lotus flowers and also cast the elegance of Jieyang people. If blushing symbolizes love, then the attachment of children at home and abroad in Jieyang to their "roots" fully illustrates this point.
The Eight Scenes Cultural Wall in Jieyang, with the theme of newly evaluating the Eight Scenes, is magnificent, which is quite different from the previous Eight Scenes. This is the accumulation of ancestors' creation, and it is also the display of innovation of present people. From the beginning of HarmonyOS to the information society, Jieyang people have been exploring new horizons. Traditional art forms have left a step from Jinxianmen era to Jieyang Building era. The quiet and beautiful picture conveys the social fashion that Jieyang people regard spiritual achievements as beauty; Pure and simple colors and smooth lines fully explain the indomitable spirit of struggle.
The majestic Shuangque is the gateway to Baoding Square. This popular architectural form in Han Dynasty has been replaced by a light and exquisite archway, and Jieyang took the lead in recreating this architectural style in Lingnan. This group of buildings with moderate proportion, beautiful shape and complete elements has also been endowed with the function of surpassing the historical watchtower-Jieyang wants to build a magnificent view of the new era with its images.
The winding moat, wandering at the boundary of Baoding Square, and three five arch bridges across the river create a brand-new artistic conception. The connotation of this artistic conception is that the city no longer has solid barriers. Without the besieged city, it can expand infinitely, and the meandering water that does not flow to protect the city adds harmonious spirituality and gives people beautiful associations.
The Taihe Monument, which stands on the wall of Jieyang Building, is made of more than 65,438+0,750 tons of fine stones. The word "Taihe" written by Secretary Chen Hongping is vigorous and powerful. Taihe is the avenue, which is the law and rule of the development of all things in the universe. It is the mission entrusted to Jieyang by history to conform to the right time, the right place and the right people, make great achievements and rise vigorously. On the other side of the monument, the famous calligrapher Tian Yingzhang used his unique regular script to interpret the elegant demeanor of Jieyang Lou Ji to the extreme.
In front of Jieyang building, a four-legged tripod stands tall on the square altar to ward off evil spirits and protect the beast. This bronze tripod, which is 9.99 meters high and weighs 58 tons, occupies the position of "the best" among the existing similar objects in the world. The careful casting of Shanghai Jiaotong University Bronze Company also makes it a beautiful work of art. 9.99 is the combination and extension of the maximum positive number, which can be homophonic for a long time and runs through the concept of "99 in 1". The placement of the bronze tripod placed the hope of Jieyang's long-term stability and unity of mind. Building a harmonious and beautiful society is the lofty idea of the rulers and the common aspiration of the people. Baoding carries this eternal and beautiful wish.
There is also a smell of air travel. From the layout to the carving of highlights, Jieyang people's pursuit of a better life is reflected. People who have dreams and great ambitions will realize their dreams one day. Columbus dreamed of discovering the new continent and finally found it; Copernicus thought that there were other stars, which was later confirmed; The Buddha advocated the most beautiful and peaceful spiritual world and finally realized it. Jieyang's urban development has also completed the process from building a dream to realizing a dream. The appearance of Jieyang Building as a future cultural heritage confirms the prediction of western thinkers: with brave spirit, firm steps and enthusiastic promotion, the door to success can be opened.