It is divided into three categories: wind, elegance and praise. ① wind. It is local music in different regions, mostly folk songs. The poem "Feng" is a folk ballad collected from 15 regions, including China, Yi, Yan, Wei, Wang, Zheng, Qi, Wei, Tang, Qin, Chen, Qi, Cao and Yi. *** 160 articles. Mostly folk songs. 2 elegance. That is to say, the music of the imperial court is the music of the area directly under the jurisdiction of the Zhou Dynasty, and most of it is the works of nobles, which is called elegant music. The poem "Ya" is a musical song at a court banquet or meeting. According to different music, it can be divided into "Elegance" 3 1 song, "Xiaoya" 74, * * * 105. Except for a few Xiaoya folk songs, most of them are works of noble literati. 3 ode. They are music songs and epics sacrificed in ancestral halls, and most of them praise the achievements of ancestors. The ode is divided into 3/kloc-0 poems by Zhou Song, 4 poems by truffles, 5 poems by Shang Dynasty and 40 poems by * *. They are all works of noble literati. In terms of time, Song of Zhou and Ya were mostly produced in the early years of the Western Zhou Dynasty. A small part of "Elegance" and most of "Xiaoya" were produced from the late Western Zhou Dynasty to the eastward movement. Most of Guofeng, Truffle and Shangsong were produced in the Spring and Autumn Period. In terms of ideological and artistic value, three praises are not as good as two elegance, and two elegance is not as good as fifteen national styles.

The division of style, elegance and fu is based on the difference of music. The Wind includes 15 articles, most of which are folk songs in the Yellow River valley, and it is called *** 160 articles.

Ya is divided into (74 pieces) and Daya (3 1 piece). Daya is a court music song with *** 105 pieces.

Odes include Zhou Song (3 1), Truffle (4) and Ode to Shang Dynasty (5), which are 40 music songs and dance songs used in ancestral temple sacrifice.

"Wind" means tone. It is relative to "Wang Ji", an area directly ruled by the Zhou Dynasty. It is music with local color. The ancients called it "Shaanxi Opera", "Feng Wei" and "Zheng Opera", just like Shaanxi Opera, Shaanxi Opera and Henan Opera we are talking about now.

Guo Feng Guo Feng Guo Feng Gao Guofeng Yan Feng Guo Feng Feng Feng

National Wind Wei Feng National Wind tang style National Wind Qifeng National Wind Qin National Wind Morning Wind Qifeng Fufeng.

Elegance is the joy of "Wang Ji" and is called "Xia" by Zhou people in this area. "Ya" and "Xia" were commonly used in ancient times. Elegance also means "positive". At that time, Ji Wang's music was regarded as a positive tone-a model music. People in the Zhou Dynasty called Zheng Yayue, just as people in the Qing Dynasty called Kunqu Opera Ya Bu, with the meaning of honorific title. Zhu's Biography of Poetry says: "Elegance is righteousness, and singers are joy. The size of his articles is different, but the pros and cons of Confucian scholars are different. Today's test is the joy of Xiaoya and Yan Yan; It is elegance, the joy of attending the meeting, and the words of discipline. ..... different words and different syllables. Therefore, the difference between size and elegance lies in its content.

"Ode" is music specially used for offering sacrifices to ancestral temples. "Preface to Mao Poetry" said: "The description of the beauty and virtue of the eulogists tells the gods of their merits. "This is the meaning and use of ode. Wang Guowei said: "Praise is slower than elegance. "This is the characteristic of his music.

According to Zhu's Biography of Poetry, "Fu" means "Fu, Fu, Fu, Fu, Fu, Fu, Fu, Fu, Zhu". In other words, Fu is straightforward in narration. Is the most basic expression. Such as "life and death are generous, Zicheng said. Holding your hand and growing old with your son is to express your feelings directly.

Zhu's interpretation of "comparison" is "comparing one thing with another", which is metaphor. Metaphors are used in many places and in various ways in The Book of Songs. For example, Dream uses the change of mulberry trees from lush to withered to compare the rise and fall of love; "heming" uses the metaphor that "stones from other mountains can attack jade" to govern the country with sages; In Shuo Ren, the metaphor of beauty's hand, beauty's skin, beauty's teeth and so on are all good examples of using "Bi" in The Book of Songs.

"Fu" and "Bi" are the most basic means of expression in all poems, while "Xing" is the unique means in The Book of Songs and even China's poems. The original meaning of the word "Xing" is "Qi", so it is often called "Qi Xing", which plays a role in rendering atmosphere and creating artistic conception in poetry. The word "xing" in The Book of Songs is interpreted by Zhu as "talking about other things first, so as to stimulate what is sung", that is, paving the way for what is sung by other things. It is often used at the beginning of a poem or a chapter. Sometimes when a sentence in a poem looks interesting, whether it is interesting can be judged by whether it is used at the beginning of a sentence or paragraph. For example, in Feng Wei's self-protection, "Mulberry leaves are flourishing before they fall" means prosperity. About the most primitive "xing" is just a beginning, which has nothing to do with the following, but shows drift and association for no reason. Just like Qin Feng's Morning Wind, it is difficult to find a meaningful connection between the "Morning Wind" at the beginning and the "Seeing a gentleman and worrying about Qin Qin" at the back. Although in this case, it may be incomprehensible because of the time gap, this situation definitely exists. Even in modern folk songs, we can still see such "xing".

Besides, there are many meaningful uses of "Xing", such as metaphor, symbol and contrast. But it is precisely because "Xing" is originally produced by the drifting and association of ideas without reason, so even if it has a more real meaning, it is not so rigid, but subtle. For example, Guan Guan's novel begins with "Guan Guan's dove is in the river continent", which was originally used by the poet to lead to the following "My Fair Lady, Gentleman is Nice", but the harmony of Guan Guan can also be used to describe the courtship between men and women, or the harmonious love between men and women, but its metaphorical meaning is not clear. Another example is the poem "Peach Blossom", which begins with "Peach Blossom Blossom Blossom Blossom Blossom" and describes the beautiful atmosphere of peach blossom in spring. It can be said to be a realistic pen, but it can also be understood as a metaphor for the bride's beauty, and it can also be said to set off the warm atmosphere of the wedding. Because "Xing" is such an implicit and freely used technique, poets who like the implicit and euphemistic charm of poetry in later generations are particularly interested in it. Their own clever tricks and innovations are numerous, which constitute the special taste of China's classical poetry.