When tuya was crying in the yurt, Ma Touqin's music was called Dark Horse, which was full of Mongolian customs. Throughout the film, it appears repeatedly in the film, which makes the audience understand the theme and deep meaning of the film.

The music "Dark Horse" sounded at the right time, and Ma Touqin's majestic and desolate long sound swept across the sky, touching the heartstrings of the audience and making people realize tuya's bitterness and confusion about the future. This theme music laid the emotional tone of the film from the beginning, reflecting the simple and hard real life in the desert grassland.

"The theme music in the film forms a parallel relationship with the picture, which appears repeatedly in the film, especially in the climax paragraphs of important scenes and emotional plots of the film, so that the audience can understand the theme and deep meaning of the film while experiencing emotions.

Extended data:

"Dark Horse" is a model of seamless integration of Ma Touqin and Mongolian long tune, which is forceful, enduring, desolate and sad, full of twists and turns. In Marriage in tuya, Ma Touqin is in full bloom, especially Ma Touqin's long solo at the end of the film, which is long and vigorous, blurred and sad, and pushes the emotion of the whole drama to a climax. Finally, I found out that the film itself is actually the most moving long tune. The difference is that it is not the notes that beat, but the heart full of love;

—— Different from the obscure poems of the dark horse, tuya's marriage faces a naked life, so the love and being loved are simple, direct, frank and strong;

Baidu Encyclopedia-tuya's Marriage