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Who stole the gun at the end of the gun search?
The real end of looking for a gun is that Mashan is dead. It was Liu stuttering who stole the gun, and Mashan was also killed by Liu stuttering. The police went to the scene and found Jiang Wen's body, the murderer and, of course, the gun. At the last minute, Jiang Wen walked out of the crowd, holding a gun, expressing Jiang Wen's relief after finally getting rid of a kind of worry.

Looking for a gun (English: The? Missing? Gun) is a suspense film written and directed by Lu Chuan and starring Jiang Wen, Jingning, Wu and Liu. The film is adapted from the novel Looking for a Gun by Zhuang writer Fan.

The film tells the story of a policeman who woke up drunk and found that a pistol he was carrying was inexplicably lost, and then embarked on a tortuous road to find a pistol, which triggered a series of things.

The film was released in Chinese mainland on May 9, 2002, and has been shown in Sundance Film Festival, Gothenburg Film Festival, Deauville Asia Film Festival, Seattle International Film Festival, Moscow Film Festival and other film festivals.

In 2002 and 2003, he won the Shanghai Film Critics Award for Best Actor, Chinese Film Media Award for Best Film, Best Actor and many other awards. And was nominated for many awards, such as the New Wave Award of Busan International Film Festival and the Best Director's Debut of Beijing University Student Film Festival.

abstract

There is also a scene of a policeman chasing a thief in Mashan in Looking for a Gun, but the transportation here has improved, especially cycling. This scene is personally satisfied by director Lu Chuan. Different levels and angles are full of humor, and the lens language is also full of charm.

The landform reflected in Looking for a Gun, a quiet and tidy Guizhou town with steep terrain, is not only a visual spectacle, but also a special image modeling language. Its deep paths and ancient houses naturally blend into the narrative and become important narrative elements. The film music is messy and diverse in style, which is a powerful annotation for the whole film form to be restless and unrestrained and release the original passion of life.