Farewell to the injury, never forget to leave, the wine is deep and shallow. It's better to read books in yan zhen than Penglai in the east.
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The lyrics were written in the autumn of the third year of Xuanhe (1 12 1), in Laizhou, Zhao Mingcheng. Li Qingzhao sent them to her hometown sisters when she stopped at Changle County Post Office on the way from Qingzhou to Laizhou. Through the poet's feelings on the way from Qingzhou to Laizhou, she expressed her deep feelings that she hoped her sisters would send books to the East and contact each other.
"Tears are wet and clothes are full of powder", and the first sentence is a scene of parting. The poet seized two typical details of his sister's farewell to write an article: "tears" and "powder", which of course contained his infinite sadness. The tears of writing "Four Folds in Yangguan, Singing All over Qian Qian" can't express the feelings of thousands of parting when sisters leave. It seems that only by leaving in the sound can we express the pain of parting and cannot be separated. "Four folds in Yangguan", a statement in Su Shi's On Songs with Three Folds, can be used as a comment: "There are three folds in the old biography of Yangguan, but the singers in this world only repeat each sentence. In a word, it is 40% off. Neither is right. If every sentence is sung three times, there will be no polyrhythm. I was in Michigan, and Wen Xun, a great official, got an ancient version of Yangguan from the cloud. Every sentence is sung once, but the first sentence is not folded in half, so we know that the ancient version is covered with three folds. In Huangzhou, I occasionally got a cloud from Lotte's Drinking:' Don't refuse to get drunk when you meet, listen to the fourth sound of Yangguan.' Note:' The fourth voice advises you to drink more wine'. In this way, if a sentence is repeated, it is the fifth sound; This is the fourth tone, so the first sentence is not repeated. "From this point of view, the statement in Four Yangguan is correct." The Qian Qian Times exaggerated the embarrassment of the parting scene. It is worth noting that the poet wrote the scene of his sister's separation with such bold brushwork, which made the poet's brushwork look quite bold and unrestrained. There is a saying in his poem "Recalling the Flute on the Phoenix Terrace" that "it is difficult to stay in the sunshine for a thousand times", which seems to be the same; Secondly, it also shows the poet's deep feelings. "The humanities mountain is long and the mountain is broken, and the rain smells lonely." The poet's brush strokes are folded at the knot, and the chaotic thoughts turn back to reality. On the occasion of parting, the sisters said that this trip is a long way and mountains and rivers are far away. Now I'm at the "broken mountain", not only farther away from my sisters, but also caught in the rustling night rain, which makes me bored and lonely, adding to my worries. The first part, recall the words first, then show the reality, from far and near, the words are clear.
In the following film, the poet's thoughts return to the scene when he left, but his brushwork focuses on expressing his feelings at that time. "parting hurts the body, and you can't forget parting. The wine is deep and the wine is shallow." When I left, I was so upset that I had no memory of how many drinks I had at the farewell party. The poet used this typical detail to truly and vividly show the difficult state of mind at that time, and it is also the best annotation of "confusion". Take a break and say, "It's better to rely on geese than books. Donglai is not as far away as Penglai. " The poet's thoughts are still floating in that unforgettable parting occasion, but the brushwork of his poems suddenly wavered and he played a note full of bright colors, which was definitely different from the previous ones. The poet comforted the two sisters and said that Donglai was not as far away as Penglai, so long as fish and geese often spread and heard from each other, the two sisters were still together. So far, Ci not only shows the feeling of parting, but also shows the poet's deep and touching brotherhood. Penglai, the legendary fairy mountain. Li Shangyin's untitled poems are: "But out of reach is a magic mountain, and you are on the other side, away from all peaks."
This word not only has the delicate and sensitive psychological characteristics of Li Qingzhao's ci, but also has the characteristics of vigor, power and ease. For a poetess, it is especially valuable to write the feelings of parting with this feature.