Ding kiln glaze is very thin, and tire color can be seen in the thin glaze. White glaze is mostly white and slightly yellow, and the glaze is hard and not very transparent. Ding Hei Institute Ding Kiln porcelain tires are characterized by extremely hard and thin tires, thin and light tires, and white and yellowish tires. This is true whether it is white or various colors of glaze.
Ding kiln glaze is very thin, and tire color can be seen in the thin glaze. White glaze is mostly white and slightly yellow, and the glaze is hard and not very transparent. Black glaze with black background is like black paint, and the glaze is particularly bright; Purple is not purple, but black glaze, and the glaze color is uneven, often with different shades; There is a saying of "Hong Dingyi" in the book, but so far there is no real thing, only the erythema on the sauce glaze is seen. Therefore, if you see red sets in the market, you must be especially careful.
Ding kiln wins with colorful decorative patterns, neat and elegant, and has always been regarded as a treasure in ceramic art. There are mainly three decorative techniques: carving, carving and printing. Painting flowers is one of the main decorative methods of Ding Kiln porcelain in Song Dynasty, but the most expressive decorative pattern in Ding Kiln is printed pattern.
According to archaeological findings, Ding Kiln was fired in the Tang Dynasty. Judging from the Ding Kiln porcelain unearthed in An and Hang, at least in the late Tang Dynasty, Ding Kiln fired the first-class plain white porcelain with white tires, hard and bright glaze and thin tires. And there appeared a tribute porcelain engraved with the word "official"; During the Five Dynasties, different from the word "official" in the Tang Dynasty, "new official" was used; After the Northern Song Dynasty, the word "official" was restored as a symbol of tribute porcelain.
Ding kilns in the Northern Song Dynasty are mainly made of white porcelain, and their decorative techniques are rich and colorful, including overlapping, carving, carving, picking and printing. Their picking, carving and printing techniques had an important influence on other kilns in the same period. The faucet net bottle and baby pillow fired in Ding kiln in the Northern Song Dynasty are world-famous and their artistic achievements are unparalleled. After the mid-Northern Song Dynasty, Ding Kiln craftsmen invented the overburning method, which greatly saved the kiln site space and improved the production efficiency, laying a solid foundation for the large-scale production of China ceramics and going global.
In the Song Dynasty, Ding kiln craftsmen also produced rare varieties such as black Ding as lacquer and purple Ding as rotten as ripe grapes. Shao Bowen, a poet in the Song Dynasty, recorded in Lu Wenjian: "Renzong was happy to meet Zhang Guifei Pavilion one day and see Dingzhou Zisha. Jiandi asked if there was such a thing. Princess Chen Gong's sacrifice was right. The emperor was angry and said, try to warn you not to feed through the courtiers. Why didn't you listen? Because it was broken with a column axe. Thank you all. " In Yongding Porcelain, Su Dongpo also has the phrase "Dingzhou Flower Porcelain Carves Ruby". Dingzhou purple sand, a rare handed down product, has yet to be decrypted. Zhi Ya Tang Miscellanies written by Song people carefully wrote: "The golden flower bowl is coated with garlic juice, mixed with gold, and then fired in the kiln and never taken off." Two purple colored lamps collected by Tokyo National Museum in Japan are extremely rare and precious!